Exhibitors Herald and Moving Picture World (Apr-Jun 1930)

•“-lay 3, 1930 FILM BUYER SECTION 17 OTTLER, ARCHIE (2670): Famous song writer in m medley of tne songs which have made him celebrated. REEN, JANE (2750): "The melody girl" in three songs. REEN’S FLAPPERETTES (711): Three selections by this girls' jazz band. REY, MISS ANN, AND HER BOY FRIENDS (2601) in five songs. Miss Grey is a popular radio artist. IACKETT, CHARLES (899-900): Scenes from Act I of the opera. Faust, assisted by Chase Baromeo, basso — both of the Chicago Civic Opera Co. IACKETT, CHARLES (916): Singing II Mio Tesoror and O Paradiso, operatic arias. IAINES, ROBERT (2319): Noted stage star in "Ten Minutes," a gripping drama of a prisoner in the death cell. IALEY & McFADDEN (2269): Musical comedy and vaudeville headliners in "Haley isms." wittism and wise-cracks. IAPPINESS BOYS (536): (Billy Jones and Ernest Hare, radio stars) four popular songs. IAPPINESS BOYS (537): Favorite radio star* in four new songs. HARRINGTON SISTERS (2262): From the "Passing Show.'* in a earden of sonus. TWO WEEKS OFF: Trailer (2978). Jack Mulhall, Dorothy Mackaill, Jed Prouty and Gertrude Astor at seaside cottage. First National-Vitaphone talking production. OUFFY AND GLEASON (775), in "Fresh from Hollywood." Scene: Park. Jimmy Duffy, comedian from "Follies," in short skit. Numbers: a. "I'm Mr. Duffy of Mr. Gallagher and Mr. Shean"; b. "I've Got a Horse and Cornet." I0SIE HEATHER (744), in "The Character Comedienne." Scene: Drawing room. Scotch comedienne doing three numbers: a. "There’s a Welcome There for You"; b. "Nervous Girl"; c. "We Have a Wonderful Girl." ARTHUR AND MORTON HAVEL (769), in "Playmates." Scene: Drawing room. From musical comedy "Just a Minute," with characterizations of "bad egg" and "mother's boy." Numbers: a. "I Want to Be with My Mammy Down in Miami": b. "Heigho Ho Cheerio." CODEE AND ORTH (757), in "A Bird in the Hand." Scene: Park. Comedy sketch of wayward lady feeding invisible birds, with starving boy friend standing by in agony. ISA KREMER (748). Scene: Living room. Two popular melodies: a. "The Second Minuet"; b. "Little Sparrow." GRACE LA RUE (739). Scene: Drawing room. Star of Follies" and "Artists and Models" in Vitaphone debut. Numbers: a. "Where's the Boy For Me"; b. "I Loved i Your Eyes." ,REO DONOHUE AND U-NO (734). in “A Traffic Muddle.” Scene: Street. Red Donohue with. U-No, his mule. DOLL: Score (3121-28). Synchronized score plwed by Vitaphone Symphony Orchestra. Numbers 3121 to 3128. inclusive. Reels 1 to 8. (SLAD RAG DOLL: Trailer (3007). Claude Gillingwater. seated in armchair, is questioned by reporter concerning PDnCii»i making this Warner BrothersVitaphone picture. FROZEN RIVER: Score (2991-96). Synchronized score YitaPb°ne Symphony Orchestra. Numbers 2991 to 2996. inclusive. Reels 1 to 6. IME. PLACE AND THE GIRL, THE: Trailer (2998). James Kirkwood in guise of schoolmaster calls upon pupils, thus introducing cast. PRISONERS: Trailer (2979). Ian Keith, as district attorney introduces leading players and star, Corinne Griffith. First National-Vitaphone talking picture. T1 SINCLAIR AND LA MARR (753), in "At the Seashore." Comedy. Number: a. "I've Never Had a Vacation." SATURDAY’S CHILDREN: Score (3131-39). Synchronized score played Vitaphone Symphony Orchestra. Numbers 3131 to 3139, inclusive. Reels 1 to 9. First National; Vitaphone production. MADONNA OF AVENUE A: Score (3051-58). Synchronized score played by Vitaphone Symphony Orchestra. Number* 3051 to 3058 inclusive. Reels 1 to 8. DIVINE LADY, THE: Score (3031-40). Synchronized scors I played by Vitaphone Symphony Orchestra. Numbers 3031 to 3040 inclusive. Reels 1 to 10. Fiist National-Vitaphone production. SONNY BOY: Trailer (3000). Presents Davey Lee, Juvenile star. SATURDAY’S CHILDREN: Trailer (2998). Grant Withers. male lead, discourses on this Maxwell Anderson picture, t lashbacks show some scenes. First National-Vitaphone production. HOT STUFF: Trailer (2977). Billy Bakewell. juvenile lead, and Alice White and Louise Fazenda tell about this picture. First National-Vitaphone production WHY BE GOOD: Trailer (2960). Jack Mulhall gives glimpses of this Colleen Moore picture. Flashback shown. First National-Vitaphone production. FROM HEADQUARTERS: Trailer (2867). Henry B. Walthall, in jungle hut and wearing U. S. Marine uniform, explains situation and introduces Monte Blue, star. ROBERT EMMETT KEANE (2849-50) in "Gossip." Scene Hotel parlor. Star of legitimate stage is supported by John Miljan, Warner Brothers player, and Claire Whitney, screen and stage player. DAVE BERNIE AND ORCHESTRA (2796) in "Here Comes the Showboat." Scene: Showboat. Numbers: a. "Here Comes the Showboat": b. "Oh, You Have No Idea"; c. "High, High, High Up on a Hilltop"; d. "Constantinople." MADONNA OF AVENUE A: Trailer (2718). Grant Withers, male lead, as master of ceremonies introduces Dolores Costello, Louise Dresser and other featured players. Shows one of the sets in reproduction. RUDY VALLEE AND HIS CONNECTICUT YANKEES (771). Band set. Vallee's radio band. Numbers: a. "Down the Field"; b, "Deep Night"; c. "Cutside." TISDALE (766). Scene: Southern plantation. Tisdale, negro singer, presents these numbers: a. "The Sweetness of Your Song"; b. "Bye and Bye"; c. "Oh. Didn't It Rain." HARRY HORLICK AND GYPSIES (763). Scene: Band set. Horlick and his A. & P. Gypsies, are on a national radio hook-up weekly. Numbers: a. "Two Guitars"; b. "Black Eyes"; c. "Chiquita"; d. "March of the Toys"; e. "Gypsy Love Song." RAYMOND HITCHCOCK (760) in "An Evening at Home with Hitchy." Scene: Living room. Number: a. "Here Comes the Groom." BERNIE CUMMINS AND ORCHESTRA (752). Scene: Band set. Cummins and his Biltmore orchestra present modern songs. Numbers: a. "Come On Baby"; b. "If I Had You": c. "Here Comes the Ball and Chain." MAX SCHMELING (745). Scene: Gymnasium. Heavyweight champion of Germany skips rope, shadow boxes and engages in one-round bout. PAUL TREMAINE AND ARISTOCRATS (742). Scene: Band set. Jazz band of variety stage. Numbers: a. "I've Been Working on the Railroad": b. "On the Road to Mandalay"; c. "Chinese Dream"; d. "Fanfare"; e. "Here Comes the Showboat"; f. "Medley." FANNIE WARD (721). Scene: Living room. Sixty-two year old flapper in two numbers: a. "Flapper Fannie"; b. "Radio Widow." THREE BROX SISTERS, THE (2888) in "Headin' South." Scene: Pullman drawing room. Harmonizing of Southern ®ongs. Numbers: a. "Doin' the Raccoon"; b. "Imagination"; c. “Way Down South." ELEANOR PAINTER (746). Scene: Salon. Lyric soprano of musical comedy and opera. Presents these numbers: *• *!f'ove Is Heat of All"; b. "Habanera"; c. "How About Ma." WHITING AND BURT (741), in "Song Sayings." Scene: Drawing room. Vaudeville and Ziegield's Follies players. Assisted at the piano by Edmund J. Weber, composer, who arranged act. Numbers: “What Did You Say"; b. “The Frog Song"; c. “That's My Idea of Heaven." HOPE HAMPTON (740) in the Fourth Act of Massenet's Opera, “Manon." Scene: Salon. Former motion picture star is assisted by four principals, chorus and the Vitaphone Symphony Orchestra. MISS MARCELLE (716). Scene: Drawing room set. Vaudeville comedienne, in brown-face makeup, renders syncopated songs in southern dialect. Numbers: a. “Shine"; b. “If I Never See You Again"; c. “My Troubles Are Over." LOVE AND THE DEVIL: Score (3111-17). Synchronized by Vitaphone Symphony Orchestra. Numbers 3111 to 3117 inclusive. Reels 1 to 7. First National-Vitaphone production. DAVE BERNIE (2797). Scene: Drawing room set. Directs own orchestra. Numbers: a. “Happy-Go-Lucky Lane"; b. “Down Where the Sun Goes Down"; c. “St. Louis Blues;" d. “San." HOLLINGSWORTH AND CRAWFORD (2753), in “Bedtime." Scene: The family boudoir. Short sketch of sleepy husband and nagging, jealous wife. TAL HENRY (732). Scene: Band set. With His North Carolinians Orchestra. Has played at college proms and over the radio. Renders these numbers: a. “Come On Baby'; b. “Shame On You"; c. “Milenberg Joys." MAL HALLETT (730). Scene: Band set. Furnishes jazz program with his “Way Down East Orchestra." Num bers: a. “Lots of Mama"; b. “Mother Machree"; c. “War Medley." GREEN’S FAYDETTS (710). Scene: Band set. “Green's Twentieth Century Faydetts" from vaudeville. Numbers: a. “Because My Baby Don’t Mean Maybe Now"; b. “Sweet Mystery of Life": c. “Changes." CHILDREN OF THE RITZ: Score (3071-77). Synchronized score by Vitaphone Symphony Orchestra. Numbers 3071 to 3077, inclusive. Reels 1 to 7. First Nationai-Vitapbone production. GUIDO DEIRO (2968). Scene: Living room. Piano accordionist in these numbers: a. “Romeo and Juliet"; b. “Drigo’s Serenade." DIVINE LADY, THE: Trailer (2967). Milton Sills makes introductory remarks and shots from the picture are shown. Corinne Griffith, the star, also speaks. First NationalVitaphone production. LOVE AND THE DEVIL: Trailer (2959). Milton Sills introduces Maria Corda and scenes of Venice are shown. First National-Vitaphone production. HIS CAPTIVE WOMAN: Trailer (2949). Frank Reicher introduce* Milton Sills and the latter presents Dorothy Mackaill. Locale is a courtroom. First National-Vitaphone production. SEVEN FOOTPRINTS TO SATAN: Trailer (2929). Creighton Hale relates highlights of story. Flashbacks. First Nationai-Vitapbone production. FROZEN RIVER: Trailer (2792). Raymond McKee tells story which introduces dog star Rin Tin Tin. Shots show Rinty and David Lee. FANCY BAGGAGE: Trailer (2701). Hallam Cooley introduces members of cast as they board yacht. Flash PAUL' CUNNINGHAM AND FLORENCE BENNETT (736). Scene: Living room. They offer three vocal numbers and Miss Bennett gives dramatic impersonation of Hollywood extra. Numbers: a. “Sleep Baby Sleep"; b. “Boy of Mine"; c. “Hollywood Parade"; d. "Kentucky Home." JUNE (735). Scene: Drawing room. English musical comedy stark recently starred by Arthur Hammerstein is assisted by John Hundley. Numbers: a. "Me and tho Man in the Moon": b. "My Troubles Are Over." JULIA SANDERSON AND FRANK CRUMIT (733). in "Words of Love." Scene: Living room. Julia Sanderson and Crumit, co-starred for ten years in musical comedy, render these numbers written by Crumit: a. "No Wonder You're a Wonderful Girl"; b. “I Can Live Without You"; c. "Precious Little Thing Called Love." FRED ARDATH (720), in "The Corner Store." Scene: Grocery store. Ardath is supported by Claude Allen of musical comedy stage. Cole Carrol and Klar Magnus. Numbers: a. "Sipping Cider Through a Straw"; b. "The Swiss Yodeling Song"; c. "Oh Molly the Cuckoo Is Calling Me"; d. "Rock Me to Sleep." TAJADO’S TIPICA ORCHESTRA (706). Scene: Band set. Official orchestra of Mexican government gives these numbers: a. "Dansa Tipica"; b. "Amapola del Camino"; c. "Gao Monter." CHILDREN OF THE RITZ: Trailer (2950). Jack Mulhall and Dorothy Mackaill. First Nationai-Vitapbone production. BORN AND LAWRENCE (2920) in “Tke Side Show." Scene: Drawing room. Musical comedy stage stars in dances and jokes. Numbers: a. "Dear Old Girl"; b. "Humoresque." BEN BARD (2910) in "The Champion Golfer." Scene: Exterior of golf club. Bard teaches Bobby Callahan, of the variety stage, how to play golf. SAMMY COHEN (2800) in "What Price Burlesque." Scene: Living room. Imitations. Numbers: a. "Me and My Shadow"; b. "Sleep"; c. "My Mammy." KID GLOVES: Trailer (2719). Conrad Nagel, blithely fighting his way through bullets, bumps into Lois Wilson and they talk about the picture. FOUR SYNCO-PETS, THE (731) in "Musical Moment." Scene: Drawing room. Keith artists present these numbers: a. "Indian Dawn"; b. "Neapolitan Nights"; c. "Sweet Mystery of Life"; d. "The Fortune Teller"; e. "I’ll Never Ask for More." MAL HALLETT (729). Scene: Band set. Mai Hallett and his Entertaining Orchestra are well known to prom crowds at Eastern universities and night clubs. Numbers: a. "Doin' the Raccoon": b. "Tin Pan Parade"; c. "Bugle Call"; d. "Yankee Doodle": e. "Harbardiana"; f. "Come, Let's Take a Stroll"; g. "We Love the College Girls." STELLA HAYHEW (728) in "The Hallelujah Lady." Scene: Living room. Star of "Hit the Deck" sings three darky songs: a. "Comfort"; b. "Judgment Day"; c. "Feet." FRANK CRUMIT (727) in "The One Man Glee Club." singing his own compositions. Scene: Living room. Numbers: a. “The Song of the Prune"; b. "I Miss You Lize"; c. "Little Annie Rooney": d. "In the Shade of the Old Apple Tree"; c. "A Bird in a Gilded Cage"; f. "Bedelia”; g. "She Was Happy 'Til She Met Me"; h. "The Preacher and the Bear." PHIL BAKER (725) in the farce, "In Spain." Scene: Exterior of arena. Star of Shubert musical shows has three assistants. JAY VELIE (717), in "A Journey of Songs." Scene: Drawing room. Musical comedy tenor presents: a. "Vienna Maid"; b. "When Irish Eyes Are Smiling"; c. "Italy." ARTHUR PAT WEST (2919) in "Ship Ahoy”, atmospheric comedy in which Pat West appears as able-bodied seaman. Scene: Deck of yacht. Numbers: a. "La Paloma"; b. "She’s My Sweet Dumb, Dumb Dora"; c. "Sweet Senorita." BRUCE BOWERS (2870) in "Artistic Mimicry", with imitations including one of little boy making radio debut and Jewish lady preparing for swim. Scene: Draped set. SERENADERS, THE (2814), in "Red Hot Harmony." Scene: Fire station house. Double quartet of male voices with these numbers: a. "It Goes Like This"; b. "Stars and Stripes Forever"; c. "You Tell M» Your Dream”; d. "Every Sunday Afternoon." BORN AND LAWRENCE (2640), in "The Aristocrats." Scene: Drawing room. Comedians of variety stage in pantomime and songs. Numbers: a. "I Wonder What's Become of Sally"; b. "Down by the Old Millstream” ; c. "Wobbly Walk." DOROTHY AND ROSETTA RYAN (726) in "Mirth and Melody." Scene: Living room. Stars of Keith Circuit accompany themselves with guitars. Numbers: a. "I Love You, Sweetheart of All My Dreams"; b. "Scups of Coffee"; c. "Just Like a Melody." PHIL BAKER (724), in "A Bad Boy From a Good Family." Scene: Drawing room. Comedian of Broadway and Keith Circuit with his accordion. Numbers: a. “Baker Blues"; b. “Big Butter and Egg Man From the West"; c. “How About Me"; d. "I’ll Get By." STANLEY AND GINGER (714) in "A Few Absurd Moments." Song and dance team of variety stage. Scene: Living room. Numbers: a. "That's My Weakness Now"; b. "Just Like a Melody Out of the Sky." LERDO’S MEXICAN ORCHESTRA (705). Scene: Orchestra *et. Mexican band under Lerdo, composer and musician, has toured U. S. on Keith Circuit. Numbers: a. "Celito Lindo"; b. "Rancho Grande"; c. "Patria Mia." BORN AND LAWRENCE (2940) in "Pigskin Troubles." Scene: Exterior of gymnasium. Act Is staged on college campus and includes shots of football crowds. Numbers: a. "Me and My Shadow"; b. "Dirty Hands— Dirty Face." PARAGONS. THE, (2883), in "In the Tropics." Scene: Tropical barroom. Quartet seen on Keith Circuit is assisted by Doris Walker. Numbers: a. "Happy Days and Lonely Nights"; b. "Come On Baby"; c. "Winter Song": d. "Kentucky Babe"; e. "Happy (My Baby Just Said Yes)." LITTLE BILLEE (2869), in "The Flaming Youth." Scene: Reception hall. Midget star of variety stage gives original songs and tap dancing. Numbers: a. "Wonderful Wife": b. "Down On 33d and 3d"; c. "Sweet Georgia Brown’ ; d. "Anything You Say." JOE LEWIS (2868). Scene: Night club. Lewis of Parody Club £Cts as master of ceremonies. Numbers: a. "Chicago"; b. "Oh Gussie"; c. "Sonny Boy"; d. Original selection. BOBBY FOLSOM (2839), in "A Modern Priscilla." Scene: Living room. Broadway show girl tells story of Puritan Priscilla and the same girl of modern times in narrative song. Number: "Priscilla of the Puritan Days.” BOBBY GILLETT (2839), in "Syncopated Breezes." Scene: Living room. Banjoist is assisted by Doris Walker, who sings introductory number. Numbers: a. "Happy Days and Lonely Nights"; b. "The Rosary"; c. "St. Louis Blues"; d. "Ida (Sweet as Apple Cider)." HUGHES AND PAM (2837). in "The Fall Guy." Scene: Living room. Interspersed with falls are funny stories. ROY FOX (2819). "The Whispering Cornetist" has specialty number and three with his Montmartre Orchestra. Scene: Band set. Numbers: a. "My Melancholy Baby"; b. "Sally of My Dreams"; c. "My Window of Dreams"; d. "Louisiana." , .. HOPE VERNON (2815), in "The Sunshine Girl." Scene: Drawing room. Broadway star offers four songs and mutates violin sounds. Numbers: a. "Beloved"; b. **Arms of Love"; c. "I Loved You Then"; d. "There’s a Rambow 'Round My Shoulder." , KJ ERULF’S MAYFAIR QUINTET (2650), in "A Musical Melange." Scene: Draped set. Three harpists, violinist and vocalist in classical and semi-classical numbers: a. "Neapolitan Nights"; b. "Sextette from Lucia : c. "Lonelv Little Bluebird." AIN’T IT THE TRUTH? (2648-49). Scene: Living room. Comedy of manners in two reels, written by Ralph Spence, title writer and author of "The Gorilla." Cast includes William Davidson. Grace Valentine, Dot Farley, Patricia Caron. James T. Mack and Walter Rodgers. NEAL SISTERS, THE (719), in "Blondes That Gentlemen Prefer." Scene: Living room. Trio featured on Keith and Publix circuits. Numbers: a. "Gentlemen Prefer Blondes": b. "Doin' the Raccoon”; c. "Boola Boola. JAY VELIE (718), in "Songs of Love." Scene: Living room. Musical comedy tenor presents: a. "You Gave xour Heart to Me"; b. "Tommy Lad": c. "Mother Machree. ORIGINAL HILLBILLIES, THE (715). Scene: Interior log cabin. North Carolina jazz band of radio and stage appearances. directed by A1 Hopkins, presents: a. to Old Virginny"; b. "Echoes of the Chimes ; c. ^ ine Frank Wilson Rage"; d. "Wasn't She a Dandy . e. "Chicken Reel " BREEN'S FLAPPERETTES (Til). Scene: Band set. Girl Ja2z band, on Keith circuit, the past two years, is M W Nina Grey. Numbers: a. "St. Louis Blues ; b. Mother Goose Parade”; c. “That Redhead Gal.” McKAY AND ARDINE (708). in "Back From Abroad. Variety comedians use mispronunciation of words for tjteir playlet, fun. Number: "You Will Lifce Pun WEARY RIVER: Score (3021-30). SyMhromzezd by Vitaphone Symphony Orchestra. Numbers 3021 to 30 1 inclugve. Reels 1 to 9. First National production with talking SEVEN1* FOOTPRINTS TO SATAN: Sc°r® (3001"06U,1T5S; chronized by Vitaphone Symphony Orchestra Numbers 3001 to 3006 inclusive. Reels 1 to 6. First National QUEEN OF THE NIGHT CLUBS: Score (2971-76). Synchronized by Vitaphone Symphony Orchestra. Numbers 2971 to 2976 inclusive. Numbers 1 to 6. All-talking picture. ONE STOLEN NIGHT: Score (2961-66). S^J^omzed by Vitaphone Symphony Orchestra. Numbers 2961 to 29bO inclusive. Reels 1 to 6. With talking sequences. GREYHOUND LIMITED, THE: Score (2951-67). Synchronized by Vitaphone Symphony Orchestra. Numbers -951 ta 2957 inclusive. Reels 1 to 7. With talking sequences. STOLEN KISSES: Score (2951-47). Synchronized by Vitaphone Symphony Orchestra. Numbers 2941 to 2947 inclusive. Reels to 7. With talking sequences. . D’AMOUR— EXIT MARCH (2918). Played by Vitaphons Svmphony Orchestra. Composer is Gage. Without film. WEARY RIVER: Trailer (2909). Introducing Richard Barthelmess. First National production. _ RANGERS, THE (2900), in “After the Round-Up. Scene. Exterior desert camp. Double male quartet offering ^tnrea ballads. Numbers: a. “Cheyenne"; b. “San Antonio ; o. “West of the Great Divide"; d. "Rose of Monterey , e. BORN AND LAWRENCE (2885). in "The Country Gentlemen." Scene: Living room. Numbers: a. “Sleepy lime Gal"; b. “Silver Threads Among the Gold"; c. Down Home Rag." NO DEFENSE: Trailer (2720). Monte Blue addressing audience. Flash-backs and story from Monte. QUEEN OF THE NIGHT CLUBS: Trailer (2706). Texas Guinan tells all about night clubs. Flashbacks. JANET ADAIR (2629), in “Here Comes the Bridesmaid." Scene: Church exterior, bedroom. Playlet, starring Janet Adair, told in narrative song. Numbers: a. “Bridesmaid"; b. “No One’s Fool": c. “It's Right Here For You.” GUS AR N HEIM ORCHESTRA (2136). Scene: Draped set. Gus Arnheim and His Cocoanut Grove Orchestra of Hollywood play the following numbers: a. “Who’s You. That's You": b. “Sinsr Me a Rabv Sone" : c. “FlaDnerette."