Exhibitors Herald and Moving Picture World (Apr-Jun 1930)

58 Better Theatres Section May 10, 19 Why Not Let the SUPERIOR PROJECTOR SOLVE YOUR PROJECTION PROBLEMS FOR ALL TIME For DURABILITY, ECONOMY IN OPERATION and SCREEN RESULTS it has no equal. An outstanding leader in improving the art of Better PROJECTION. Adaptable to all leading Soimd Reproducers. Our dealers will be glad to give you a demonstration. VVe pride ourselves in serving the Exhibitor well. Manufactured by Coxsackie Holding Corporation Coxsackie, N. Y., U. S. A. “Day by Day SUPERIOR in every way” K LI ECL STANDARD TYPES HECTORS for Sound Recording Apparatus "PIN PLUG Connectors, especially designed for quickly connecting electrical circuits of sound recording devices, telephone and signaling systems — to the sound-proof camera booth, the monitor room and other locations about the studio . . . numerous designs, meeting innumerable requirements . . . various current capacities +• . . different combinations for multiple and branch-off circuits . . . any number of poles desired . . . substantial, serviceable, practical. Write for Bulletin No. 102. KflUBQL BIOS Universal Electric Stage Lighting Co..inc. ESTABLISHED 1896 THEATRICAL * DECORATIVE • SPECTACULAR UGHTlHGi 321 West SOth Street NEW YORK, N.Y, A REQUEST tie Many exhibitors, theatre mana j gers and projectionists write asking ji questions, the answers to which often I involve telephone calls and which ! always involve the use of more or less of my own time as well as the time of a stenographer, besides the use of I stationery, etc., and they do not even honor me by remitting a stamped envelope. Now I don’t suppose they even give $ the matter a thought. Two cents is not much. It is not even enough to bother thinking about. However, ' while that is true, two cents plus two i i] cents plus two' cents many, many (1( times per day, runs up to a rather i amazing sum at the end of a year. Moreover, not infrequently either the name or address cannot be deciphered, f£ so I am blamed for not answering, whereas I didn’t answer simply for the reason that I could not. In future, gentlemen, I must respectfully ask all of you who want a an answer to your questions, or who :>i ask for advice, or who want a carbon « copy of the reply to be later published in this department, please inclose a self-addressed, stamped envelope. If you don’t care enough about my answer to do that — well, I shall have to consider the matter ended. A Bit Amusing I AM in receipt of the first number Cinematography, a new publicati issued by the International Photogi phers of the Motion Picture Industi Lawrence A. Fiferlik, a member of lot No. 644, IATSE&MPMO, is ma aging editor. The publication is t evolution of International Photogi, phers’ “Bulletin,” which started as four-page pamphlet. The new public tion will be issued monthly and bids fa to be a publication of real worth. \ welcome it to the field. However, I noticed one thing whi was rather amusing. It was an arti( telling of the Projection Advisory Cou cil’s election of officers, in which soi space was expanded setting forth . those various things the Council is g ing to do and those it has done. No that is quite all right. It is perfect proper and fair, because we know t Council has already accomplished go and hope and presume it will do mu more. However, nowhere in that artic or any other, did any kind word appe for the work the Moving Picture Wor carried forward for years in the da when projection was a sneered-at thii and when those "who espoused its cau were sneered at, too. Not one word w said or ever has been, so far as I kno concerning the fact that this work w begun in 1908 and was carried forwa. many, many years before anyone el regarded projection as even worth a se ond thought, or of the projectionist , anything much better than a convenie thing to kick around and lay all tl blame to. Nor did I see a single woi