Exhibitors Herald and Moving Picture World (Apr-Jun 1930)

Record Details:

Title:
Exhibitors Herald and Moving Picture World
Date:
Apr-Jun 1930
Volume:
Exhibitors Herald and Moving Picture World (Apr-Jun 1930)
Leaf #:
0001046
Language:
English
Collection:
Hollywood Studio System and Early Cinema
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
March 21, 2024
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Pathe keeps _ the comedy™ ball rolling! w jH The brand that produced in 1929-30 the box-office comedies titled "The Salesman," "Turkey for Two," "The Smooth Guy" and others, is * -continued by Pathe in 1930-31 — since good things come in droves, and it’s up to Pathe to keep the comedy ball rolling! Just one of the eight series under the Pathe banner this year, the SIX Checker Comedies have already brought you such shorts as "Rich Uncles," a farce in which Richard Carle, Addie McPhail and Ed Deering caper gloriously about, directed by Fred Guiol; "America or Bust," a genuine novelty with an all-star cast, headed by the ever funny Daphne Pollard, with Jimmy Aubrey, Lee Shumway, directed by Frank Davis; and "Big Hearted," with Harry Gribbon, Vivian Okland, Dorothy Gulliver, Ray Hughes, directed by Robert De Lacy. ONE OF THE 8 PATHE WONDER SERIES • '30-'31 c H E qL K E] R c OM E D j 1 E S