Exhibitor's Trade Review (1919)

March 22. 1919. EXHIBITOR'S TRADE REVIEW 1221 Tin MUSICAL BETTING FOR "RAVISHED ARMENIA" Prepared by B. M, BsrK character of picture is a frank ^nd_ fearless exposurt of mc horrible atrocities practised by the Turks, . upon the poor and innocent Christian-Armenian;, with scene of action in Armenia, Turkey and Arabian deserts. Particularly note effects of tolling bells, dog barking, shots and cyrab3l crashes as suggested in the cues. „ In order to musically interpret this picture two THEMES arc '1CTHEME A (PATHETIC THEME) is "Mountain Song," from Mountain Suite by Gaston Borch, the Tempo being a Characteristic llallade Andante. THEME B (VILLAINOUS THEME i is "The Crafty Spy," the Tcnioo being a Characteristic Heavy Dramatic. * = viev,,c(i, it consisted of eight reels. 7.100 feet, i projection speed of 91 minutes. Sub Titles or Descriptive Cuei D Opening Tempo When picture • and had ■ IJ4 2tf 3J4 8% 10 II 14H In the city of Tchemesh-Gedsnk (tolling bell) Andranik, a well-to-di herder Husein Pasha "Father Biyscs gave it" (dog barking) "I know your father well" March, 1915, in the Sultan's When Mr. Morgcnthau leaves palace The wheels of Administration Djevdet Bey "You will be held prisoners until" (shots) IS 14 iej 20} 15 21 T Two is company D When Armenians read poster T "The German Consul is my" T Easter morning (shots) T "Father, what shall I do?" T Through peaceful Ar M*fic and Descriptive Tempo In the Hall of the Mountain King — Grieg (From Peer Gynt Suite) (Heavy Dramatic Marcato) The Morning— Grieg (From Peer Gynl Suite) (Allegretto Pastorale) Mountain Song — Borch (From Mountain Music Suite) (Characteristic Ballade Andante) (THEME A) The Crafty Spy— Borch (Heavy Dramatic) (THEME B) Anitra's Dance — Grieg (From Peer Gvnt Suite) (Pastoral) Repeat: THEME A Repeat: In the Hall of the Mountain King Misterioao Dramatico No, 22 —Borch Repeat: THEME B Sinister Theme— Vcly (Heavy Dramatic) Allegro Agitato No. 8 — Andino 22>i T "I have positive proof that you" 16 23tf T "There is hut one God" (shots) (cymbal crashes) 24 H T "My husband has not 17 2SH T "The German Consul has refused" 18 26M T "If they kill you, father" ZS',4 D When Andranik mounts horse 19 29 T "There is no hope, tell the girls'" 20 3U-J T "I have come for the girl" 21 32J4 T Edith Graham in charge 22 32>i D When soldiers enter 3!) T 24 40 T 25 42 T 4b J£ T 26 4614 T SOJ.'j T 27 51J4 T 53# T iTurkiih Altec.ro Martin) Rondo -Rerge (Excerpts Beethoven Sonata Pathetiquc) (subdued agitation) Furioso No. 60 — Shepherd Andante Pnthctiuue No. 23 —Borch Furioso No. 11— Kiefert Repeat; Simitet THEME Agitato No. 6— Kiefert JS 54 M 30 60 31 61>i MM 32 63H 33 64 H 65 34 6SM 34 H T "They have taken mother and" 23 35 T Dawn (tolling bell) "I have come to ask the protection" "I warn you that unless you" From every town and hamlet throughout Refugees from the North held "There were fifty thousand of us" (fire effects) The Kurds, roving tribes The castle of Kclimal Effendi— "Musa Bey look ' Aurora" Orgies of the Spirits— lljinskv (Oriental Allei Con Fucco) Repeat: Furioso No, 60 Dance of (he Gnomes — Iljinsky (Oriental Allegro Giusto) Repeat; Agitato No. 49 T The wily Turk T At Tigris, after having massacred T The dreaded shadow i of night T And her day of hor D When (rfrl leaves tent T "Get a stick arid break it" T H«dji Glwfour will i»y T A convoy from Trcbliond arrives T The end o( the nightly revel* T When dawn broke T Before the walls of Guelick T Kurdish outdoor 70 T 36 70 a T T 38 74 D 76 « T 39 7?) i " 78 D 79 H T 41 42 81 82 a T T 84 T 43 86J$ D 44 88 T 45 89 T 91 T i Avii (shots) We must r monastery" T The inoii.i-iii'i'V Dralmkti When Turks np| locks h the Repeat: THEME A Repent: Agitato No. 6 r\ndnnte Patliettque No, 10 — Berge Agitato Appassionato No. 55 — Rorch March of the Dwarfs— Grieg i MIcrto I Irii ni»l I liorm tcrlstic) Repeat: iirwir* of ihe Spirit* Repent: THEME A nine Beard ami Fntlma [lontllx (Cluu aoteriitlc Oriental Allegretto) Repent: Furioso — Levy \l, moiirh l re .|" (I'haiMi U-iislic Am land ( ntilabilr) Dmumtlc Agitato Nh, 43 Dorcli Repent; THEME It rite i'. iv, ii. Dendl* (Fannticnl Oriental) Vivo Finnic Berge (1'rom Symphonettc Suite) With the North Stnr \m.i iv, many nioiiths of hardships MUSICAL SETTING FOE "MISS DOTCIE FROM DIXIE" Released March 34 by Vitagraph The 'character of picture is a modern comedy drama, with scene of action in Southern and Northern homes. See Screen Reports for Synopsis. Particularly note direct cue of "Nellie Gray," being sung to the accompaniment of a guitar at 31 VS. The THEME selected for Dulcic (Miss Gladys Leslie), is "Canterbury Bells," from the Boutonniere Suite, by Gerard Tonning, the Tempo being a Capricious Allegretto. When picture was viewed, it consisted of 5 reels, 4,700 feet, and had a projection speed of 60 minutes. Sub-Titles or Dcscrip Music and Descriptive Time. tive Cues. Tempo 0 D Opening Canterbury Bells — Tonning (From Boutonniere Suite) (Capricious Allegretto) (THEME) Southern Airs — Lampe (Characteristic Selection) today, rgct Uncle John Culpeppe "You're nineteen Dulcic" "Mammy ain't forget Capricious Annette — B' (Moderato Caprice) Valsc Divine — Rosey (Valse Moderato) 10 VS 11 'A 12M 2BJ4 29'A T Dulcic was met— T And the reason is plain T The next morning Uncle T "You're making yourself ridiculous" T The Culpepper reception T Albert Loclchnrt T The reception was a success T There is a chance left for (piano only according to action) D When Dulcic screams T "You've been very sweet" T Uncle John is a social T Both Uncle John and Orrin D When Orrin joins Dulcie T "If you will get my guitar" D When Dulcie takes guitar T Thus Christmas rolls T "Christmas gift, missie" Repent: THEME Constance— Golden (Moderato Intcrmezro) Review March — Berg (Maestoso) Savannah— Roscy (Popular One-step) Romance D'Amour (Melodious Moderato) THEME e— Castillo ;retto Intermezzo) -Berg 35)4 T At Inst Uncle John Dra ic) 37 a T 39 T the 40 T 42*4 T ^ n" 43J4 1) When LoolSuir "ci 45 T UnHr'john now ■ mined etcr 47 T "DulCie, 1 haven't noney" 49 T "I have jum learnt 1 that" 50 •X at the Culpepper 5\H T Once more in Di\ c 54 T All the nnhaiiniip 55 T cd"" ' 57 T "There's (he old t Orrin" (train « Tcc'tfl) 58 T "Dnl Yankee man 60 T The End (Moderato Poco Agitato) Repent: THEME Camel in — Ton nlng ( Prom Boutonniere Suite) i Allegretto Cnntnhile) Repeal: THEME. Sheplici d's 1'ipe (From Romantic Suite Ki'tiirmlniiiK-.' Repeal; THEME MUSICAL SETTING FOR "THE PROBATION "WIFE" Released by Seleot THEME: "Think, Love, of Mc" (Moderato), by Grey. Used by permission of Sam Fox, through Belwin, In York. Repeat: Mysterious Nights (Valse Drnmntinue), by Berg nth avenu> Ne (2 i . 50 j c.) Title and Character of Composition and Length of Scene THEME ("1 min. 30 sec.) Continue to action (2 min. 25 sec.) Weird Oriental dance, by Levy (45 sec.) Continue pp (1 min. 5 sec.) Mysterious Nights (Valse Dramatique), by Berg (2 min. 15 sec.) Elegic, by Massenet (30 sec.) NOTE — To be played ; Elcgie, by Massenet (2 min. 15 i 1 To Be Played Until T (.Title) or S (Scene) We beg to introduce I understand so well There was Peter Marr, loor little NOTE— To be played with orchestri Can that sob stuff What do you war 9 Atonement (3/4 Andante), by Zamccnik (2 min, 35 sec.) 10 Melody (Moderato), by Krctschmer (40 sec.) 11 Continue to action (3 min. 55 sec.) 12 Pizzicato Misterioso, by Minot (2 min. 30 sec.) 13 THEME (I min. 55 sec.) 14 Adagictto (From Symphonette Suite), by Rcrge (2 min. 35 sec.) 15 Visions (Intermezzo Character istic), by Buse (2 min. 45 sec.) Dramatic Suspense, by Winklei T And so you see, my dear T Then another life opened T And about this time T A break for liberty T That afternoon fate T Why, you're the man And so happy, healthy (3 i 35 ! 17 THEME (2 I V'30 see.) Beth Mowbray w; And so they wcr ried As time went on Che Vampire (I)rnmatic), by Levy (2 min.) /alse Divine (Operatic Medley), by Rosoy Continue pp (1 min. 5 sec) I'HF.MF (A min. 50 sec) (Vnlse Lento), 24 The Wooing Hour (2/4 Mod erato GrnzioHo), by Zamccnik (2 min. 45 sec.) 25 THEM E ff (2 min. 30 sec.) 26 Continue to action (1 min. 20 sec.) 17 Birds and Butter fuel (Inter mezzo Capricioso), by Vely (3 min, 10 sec.) 28 THEME (3 min.) T And Nil, thanks to Ninn'i T An the piny went on T Another evening T At the Clnridgc T This is our dance S Interior of automobile T The next day ot three T Brace up, there he is T And thai night T Huntley only wnntcd Until the End MUSICAL SETTING FOR "IT'S A BEAR" Released by Triangle timing is based on a speed limit of 14 minutes per n (Characteristic), by S. M. Berg. ■0 Be Played Until T (Title) or S (See ' 7 Sinister Theme (3 j by Vcly 10 sec.) Title and Character of Composition and Length of Scene Intermezzo (Allegretto), by Puerner (2 min. 55 sec.) Visions (Intermezzo Character istic)t by Buse (1 min. 55 sec.) Continue ff (1 min. IS sec.) THEME (3 min, 45 sec.) May Dreams (Moderato Romance), by Borch (1 min. 20 sec.) Wild and Woolly (Western Allegro), by Minot (1 min. 5 sec.) T Orlando' absent-minded iincss holds me Courageous insects East goes West Letterbox, Wyoming T The hired hands figured THEME (3 l Savannah (Popular unc-iicjj; > by Rosey (2 min. 35 sec.) Impish Elves (Winsome Intermezzo), by Borch (2 min.) Comedy Hurrv, by O Hare (1 min. 35 sec.) Hunkatin (Comic One-step), by Levy (2 min. 40 sec.) THEME (2 min. 25 sec.) Golden Youth (Valse Moderato) by Rosey (3 min. 50 sec.) Birds and Butterflies (Intermezzo Capricioso), by Vely (2 min. 50 see.) THEME (2 min. 25 sec.) T Boys, this is the No shooting, think of my furniture Do you think you will like Force of habit was strong A saloon is no place for a dog Anybody can bluff once Sea Cook — nobody could ride him Why, this seems like a j. 7, by Minot . 35 sec.) races (Allegro), by T The third trap T PIon> for the hi Walch ), by S Boys shots T Who's lb. im't Bluffed tenderfoot ■ np fl min. 15 sec.) T Half Ri 1 1 Hurry), by T 27 THEME (50 Pete and Slim, Texas cow punchers Roh, you'd better get County figured things You developed into a Until the end MUSICAL SUGGESTIONS FOR "THE MARRIAGE PRICE" Released by Arte raft Eva van Hordei brother (2 m Clumsy bear he 7 T Let me _take 1 T After the dinner (1 min. 20 sec.) T Dawn and a message (1 min. 10 sec.) D Close-up of telegram (2 min. 40 sec.) Valse Moderne, by Rosey (Tempo di Valse) A la Mode, by Rosey (2/4 One-step) Birds and Butterflies, by Vel (Allegretto Capricioso) •Clematis, by Tonning (4/4 Moderato) Sparklets, by Miles (4/4 Moderato) Bleeding Hearts, by Levy (4/4 Andante) (1 : , 30 e e of : I suppose I am in wrong (4 min. 45 see.) I'll try taking care (2 min. 40 sec.) At Van Horden's club (1 min. 55 sec.) Driven to sacrifice (1 min. 30 sec.) Finding positions scarc< (4 min. 5 sec.) Good Lord, don t try (1 min. 10 sec.) It is only a step (3 min. 25 sec.) Page Miss Tremaine (5 min. 10 sec.) Dramatic Agitato, by Hough (Agitato) •Clematis, by Tonning (■V4 Moderato) flcr Sunsei, hy A. Pryor (4/4 Moderato) ibillage, by Castillo < \II.-ijrctto Intermezzo), mttrhury Cells, by Tonning (3/4 Moderato) Camelia, by Tonning (3/4 Allegretto) Hunkatin, by Levy (Half Tone One-step) 'Clematis, by Tonning (4/4 Moderato) Mv\ti-rimia Ni/hK by S. Berg (Valse Dramatique) Aft Ma hi Hag 16 T Failing to find (3 min. 40 17 T Helen, there is (1 min. 50 1 18 T After two wee (3 min. 15 19 T C (Train. 3*° 20 T Do you rcmem (4 min. 35 21 T It's Fred now (2 min. 50 22 T I took your m (1 min. 45 't have to cc.) ier the day? Dramatic Narrative, hy Pement (4/4 Andante) Dramatic Reproach, by Bei ge (4/4 Dramatic) M. 'Repealed Selections. ic) (4/4 I Ma u.v, by Paul Vcly (3/4 Dramatic) Clematis, by Tonning (4/4 Moderato) (4/4 D Tragi