Exhibitor's Trade Review (1919)

Page scan 0001007 from Exhibitor's Trade Review

Record Details:

Title:
Exhibitor's Trade Review
Date:
1919
Publisher:
New York, Exhibitor's trade review, inc.
Volume:
Exhibitor's Trade Review (Mar-May 1919)
Leaf #:
0001007
Language:
English
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
In late-1916, Exhibitor's Trade Review entered a crowded market of weekly motion picture trade publications that already included the Moving Picture World, Motion Picture News, Exhibitor's Herald, and Motography, along with theatre and vaudeville-oriented papers that covered film, such as Variety, the Billboard, and the New York Clipper. To gain market share and differentiate itself from competitors, Exhibitor's Trade Review pursued a variety of tactics -- some constructive (gathering allies among exhibitor organizations), others destructive (smearing the reputations of competing trade papers and certain film companies that refused to buy advertising). Despite the behind-the-scenes controversies, though, Exhibitor's Trade Review appears to have, in the words of Alan Gevinson, 'established itself legitimately in its role as advisor to and fighter for the independent exhibitor.' All the issues that mattered to independent exhibitors were covered, including censorship, taxes, distributor contracts, piano accompaniment, and, of course, the films. In 1926, Exhibitor's Trade Review ceased weekly publication and only offered the daily service, Exhibitor's Daily, which was acquired a few years later by Martin Quigley as he attempted to consolidate the industry's trade papers under his control. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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Mas 17, 1919. THE SERVICE PAPER MUSICAL SETTING FOR "AN AMATEUR ADVENTURESS" Belc:ied May 5 by Mo'ro. of aclia . Parfe IEME selected fo is "May Dreams," by Porch When picture. whs viewed jeetion spceil of 60 mini * stenographe 7Ym< 0 D 2*S D T 5 T 6/, '% 7H T 9H T 39,_ and suggestion of "My Hero" ma Wood (Miss Emraey Wehlen) rcmpo being a Moderate Romance, insisted of 5 reels, and lind a pro vt Music and Descriptive Capricious Annette— Borch (Moderate) Caprice) Vampire THEME— Vely dir. a tie) Once a week George took May Dreams — Itorch (Modern to Romance (THEME) Path of Flowers— Waldlvufel (Standard Waltz) MUSICAL SETTING FOR "THE UNWRITTEli CODE" Released May 19 by World Film clul. Sec Screen Reports (or Synopsi Paiticularly note scenes of Jap and effects as suggested >n the cues. The THEME selected for Kiku-San (Miss Shirley Mason) is "A Jan an esc Sunset," by Deppcn, the Tempo being a Characteristic Japanese Andante. When picture was viewed, it consisted of 5 reels, S.200 feet, and had .t projection speed of 73 minutes. Music and D, Geisha Ho. Sub-Tillcs or Descriptive Timt 0 D Opening 114 T T Kiku-San A Geisha house — T T The new day The American Club *T "I hone we shall see Suzuki having seen — (Japanese orchestra) When Kiku-San sees Dick 7 10 T D Tempo A Japanese Sunset — Deppen (Characteristic Japanese Andante) (THEME] In a Chinese Tea-Room— Langey (Characteristic Allegretto) Mandarin Dance — Kcmpinski I Chinese Eccentric j Repent: THEME f any kind" D W hen George scrv I4M T "That'* win 1 I is married" If. T "If you tliii to" k I nn going 17M T Her first M p along — 19 j D When Claxt snburj enters .1 T lie to you T "Well what of it" "Why. Mr. Claxto ibury T "/From now on William" 28 1 T 30 '4 T 31 And' this w Morclcy. that 11V When scene When, scene fades to Ainericni Club When seen fade to Kiku-San 17 U D When faihe r close At the Am ifub " i\ D When fatli r call Kiku San 244$ D When Dick Kiku San Tin: following ,1)1 enioon X«-M evening ' When Dick house Rcisha 3nJ4 D When Dick pays money 31 D When fight scene 33V D When Dick talks to Kiku San ' 33 H T Kiku-San's .rot he 17H D When KiUS.it> returns home 39H D When scene fades to club 41 T Kiku-San's veddin i! day (gong-strokssj Repeat; THEME Impish Elves— Hurch (Winsome Iniermcixo) Agitato Appassionato— Borch Hirds 1 Intc -Ve lique) c (from Repeat: Mandarin Dance Repeat: THEME 1 Jramatlc Recitative — Le Japanese Reverie— Barl (Andantino) Repeat: THEME Heavy Mysleriosrj — Lei mirsky (Allegretto Con Moto) Agitato No. 69— Minot (Allegro Agitato) In a Pagcda — Hratton (Chnraclcrislic Allegro) Repeat: THEME Sinister THEME — Vely Andante Doloroso No. 51 — Borch "hinesc Wedding Prut essioti — Hosnier (Poco Modcrato) tried foJCiDOlen secretary" 52 H SV/i 56M failure '■Wh.ii ;in "Oh. I wni WItcn OUv "Don't put on nirs" "You hnve certainly earned your" "I am sorry you itisi D At T "And so Kiku-San found— 4HW T "I hope he doesn't" 49 T The ball at lite American Club 53 n When Kiku-Snn sees 56 T "It is not yet too late" fin "He nuke Kiku-San" f.: T "You must cast him off" 6iH T News from home (sleigh-bells) 65 T The lonirlv night 67 T "Plensc go away" D When scene fades to Margaret (wave effects) D When scene fades to Kiku and brother T The End 1845 e Choco Rcpcat: THEME The Flatterer— Chaminadc (Direct cue) segue to I IIKMK Amlar Repent: THEME Valse Divine— Roiey (Valse Lento) Eccentric Comedy THEME, by Robert*; segue to Hunkntiti, by Levy Repent: THEME Bleeding Hearts — Levy (Andantino Srntimento) Repeat: THEME In a Tea Garden— Grey (A Japanese Idyl) Repent: THEME Dramatic Tension No. 9 — Audi no The I-ndy Picking Mulberries—Kellcy (A Chinese Episode) Mysterious Nights — Berg (Valse Dramatique) Tragic THEME— Vely Chinese Serenade— Puerner (Characteristic Allegretto) Turbulence ftorch (Allegro Agitato) Impish Elves— Borch (Winsome Intermezzo) Repeat: THEME Adagio Cantabilc — Berge (Exccrpl* lteethovcn Sonata Pathetique) Mountain Song — Borch_ (from Mountain Music Suite) Repeat: THEME MUSICAL SETTING FOR "A HOUSE DIVIDED" Released by Frank Hall rin timing is based on a speed lir OOC feet).' ["HEME: "Love's Old. Sweet Song,' Title and Cliaiactcr of Composition and Length of Scene Illusion Intermezzo (Moderate), by Bustanoby (2 nun. and 25 sec.) Santa Claus (Overture), by Olncy (2 min.) Golden Youth (Valse Moderate), by Roscy (2 min. and 30 sec.) THEME (40 sec.) He Is a Jolly Good Fellow, March (Popular Old Timer) (3 min. and 5 sec.) Drinking THEME, by Roberts and 30 1 pp. (40 c.) Caricious Annette (Modern to Caprice), by Borch (1 jnin. and S sec.) it of 14 minutes per by Molloy. Played L'nl T Th. T(Titlc) or S(Seeuc) Christmas Eve party That little min* Helen Ben's bashful advances S Close up of letter 10 THEME (50 sec.) Note: As piano solo to action Intermezzo (Modcrato), by .. _.jd 30 s -.. 11 THEME (25 sec.) Note: As piano solo to action (dit 12 THEME (1 min. and 55 sec.) Note: As piano solo to action. 13 Love Song, by Abbott I.ee (1 nun. and 25 sec.) 14 THEME (4 min. and 10 sec.) 15 May Dreams (Modcralo Ro mance), by Horch (1 min. and 30 scr.) 16 Path of Flowers (Waltz), by ltrooks (4 min. and 15 sec.) 17 THEME (1 min.) 18 Dramatic Recitative, by Levy (1 min. and 15 sec.) :9 Ave Maria, by Gounod (1 min. and 25 sec.) 20 Serenade Romantique (Andante), by (1 nd 15 Organ improvise (church scene) (1 min. and 15 sec.) Mary slops playing piano cue). Mary playing piano Mary stops playing piano Christmas afternoon THEME (1 min. 40 sec.) Continue pp. (45 sec.) ' Piano Solo (direct cue) Just a Song at Twilight (1 min. and 5 sec.) Valse Divine, by Rosey (2 ibin. and 10 sec.) Dramatic Narrative, by Pcmcnt (3 min. and 35 sec.) Sorrow THEME (Andante Pathetique), hy Borch (2 min. and 55 sec.) Heart Wounds (Dramatic Pathetic), by Grieg (4 min. and 10 sec.) Lamcnto (Dramatic Pathetic), bv Gabriel-Marie (3 min. and 15 sec.) THEME (50 sec.) Contin T In London (1 md 15 c.) Last Spring ( Dramatic 1, by Grieg (4 min. and 15 sec.) Love Song (Dramatic), by Flcgier 12 min. and 25 sec.) THEME IT. (3 min. and 35 sec.) T I sorry T Whv. that is Mrs. Philip T The heart breaking news T As it ncared the day T How long have >ou been T The aftermath T Mary goes back to T Then let's go to hire T Just a song at twilight Until the End MUSICAL SETTING FOR "THE CRIMSON GARDENIA" Released by Goldwyn ised on n speed limit of 14 minutes per reel Love Theme" (Melodious Moderate), by Abbott slcr THEME— "Sinister Theme" (Dramatic Misterioso), by The timing : (1,000 feet). Love THEM 77f/c and Character of CompoAro, silion and Length of Scene 1 Intermezzo Francaise (Mod crato), by Hammer (3 min. and 10 sec.) 2 Sinister THEME (1 min. and 55 sec.) 3 Pizzicato Myslerioso. by Minot (.1 inin. and 35 sec.) 4 The Crafty Spy (Original De scriptive Mysterioso), by Uorch (2 min. and 30 sec.) 5 Love THEME (3 min. and 35 sec.) To Be Played Until TlTitle) or S(Scenc) Emile, Emile De Due States Marshal Alfred Le Due— beneath It is my niece, Madelon He will go first Last Spring (Dramatic), by Grieg (2 min. and 55 sec.) Carnival Overture, bv Dvorak (5 min. and 20 sec.) Festival Dance and Valse of the Hours from "Coppelia," by Delibes (5 min. and 5 sec.) Dance if the Serpents (Allegro), by Boccalari (3 min. and 35 sec.) "": Tension, by Levy 1(i Erotik (Dramatic), by Grieg (3 1 .nd 15 : =■) 11 Hurry Ho, 33. by Minot (1 nd 5 ._ THEME (3 min. and 50 sec.) Dreams of Devotion (Dramatic), by Langey (2 min. and 30 sec.) Tragic THEME, by Vely (S Love THEME nd 10 : c.) Is that the cirl They have scparat It is the wolf and The fight Emile, mon cher I know how you 1 My whole world ] changed The real Emile : Hi. 1.1: (2 (Allegro Agitato), nd 30 sec.) 19 Love THEME (3 min. and 20 sec.) 20 Mysterious Nights (Valse Dra maliiiuc), by Berg (2 min. and 45 sec.) 21 Sinister THEME (3 min. and 35 sec.) 22 Cruesome Mysterioso No. 31, by Borch (3 min. and 15 sec.) 23 Finale (Allegro Vivo), from Svmphoncttc Suite), by flcrge (1 min. and 35 sec.) 24 Continue ff. '" Note "Willi .n 25 Love THEM You are Emile Le Due Emile gets killed A secret service man Seven-thirty Eiiiht o'clock Thai proves nolhiuc Foots, this is only a trick After the fight roll watching shots." Until the End EXCEL PICTURES FOX FILM CORPORATION