Exhibitors Herald World (Oct-Dec 1930)

Record Details:

Title:
Exhibitors Herald World
Date:
Oct-Dec 1930
Publisher:
[Chicago, Quigley publishing company]
Volume:
Exhibitors herald world
Leaf #:
000892
Language:
English
Subjects:
motion pictures, Motion pictures -- Periodicals
Collection:
Early Cinema and Hollywood Studio System
Format:
Periodicals
Contributor:
Library of Congress, MBRS, Moving Image Section
Sponsor:
Library of Congress, Motion Picture, Broadcasting and Recorded Sound Division
Coordinator:
Media History Digital Library
Description:
Founded in 1915 by a Chicago printing company as a regional trade paper for Midwest exhibitors. In 1916, editor Martin Quigley bought out the owners, and over the next 15 years, he grew EXHIBITORS HERALD into one of the most important national, weekly trade papers in the film business. Quigley acquired MOTOGRAPHY in 1917 and MOVING PICTURE WORLD in 1927. In 1930, he acquired MOTION PICTURE NEWS and the new 'consolidated' publication became MOTION PICTURE HERALD. From the pulpit of his editorial page, Quigley preached the need to improve the motion picture industry and improve the quality of the films. He skillfully served as a mediator in disputes -- between distributors and exhibitors, between the film industry and the Catholic Church (Quigley was one of the architects of the Production Code). Quigley claimed that EXHIBITORS HERALD represented the 'independent exhibitor' and sections like 'What the Picture Did for Me?' certainly provided a forum for theater owners. But plenty of exhibitors viewed Quigley as a servant to the studios and large theater chains. In response, publications such as SHOWMEN'S TRADE REVIEW, INDEPENDENT EXHIBITORS FILM BULLETIN, HARRISON'S REPORTS, and BOX OFFICE were either formed or grew significantly in the years following Quigley's brief moment of consolidation in 1930. -- Eric Hoyt, 2014
Date Added:
July 25, 2024
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KXH1BIT0RS HERALD -WORLD December 6, 193<> Looking them over, and we'll venture to say they have his full approval. Karl Freund, the ponderous chief photographer of Universal's brilliant comedy, "The Boudoir Diplomat," is using the cameraman's blue glass in his intensive study of several members of the cast. They are (beginning at the left) Ian Keith, Betty Compson and Mary Duncan, who have important roles in the picture. Robert L. Ripley, famous cartoonist and author, in a scene from the fifth of the "Believe It or Not'' series he is making for Vitaphone Varieties. H* presents some more of his entertaining novelties through the medium of the talking screen. Jack L. Warner, Jr., being greeted by M. A. Silver, general manager of the W B Pacific Coast theatres, on the occasion of the dedication of the Huntington Park theatre. Jack, Jr. is becoming extremely proficient as an extemporaneous speaker. Who wouldn't be happy to get back from a wonderful trip abroad, if they received such a spontaneous and cheery welcome as this? ■ It's no" wonder Louise Fazenda's face is just wreathed in smiles. She has just returned after two months across the water, and is now ready to begin work. The Darmour studio retinue turned out enforce. In the foreground, Louise, Lew Foster and Albert Herman.