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Editor-in-chief and Publisher: Jonas Mekas. Editors: Louis Brigante, George N. Fenin, Edouard de Laurot, Adolfas Mekas, Andrew Sarris, Gilbert Seldes, P. Adams Sitney, David C. Stone.
FILM CULTURE is published quarterly by Film Culture, 414 Park Avenue South, New York 16, N.Y. All letters, subscriptions and manuscripts should be addressed to: FILM CULTURE, GPO BOX 1499, NEW YORK 1, N.Y. Subscription rates (domestic and foreign): $4.00 for one year. Single copy: $1.00. Opinions expressed by the contributors do not necessarily represent those of the editors. Copyright 1962 by Film Culture. Printed in the U.S.A. Publishers’ Printing Representative: Harry Gantt. Distributed by Eastern News Distributors, Inc., 255 Seventh Avenue, New York 1, N.Y. Application to mail at second class postage rates is pending at New York, N.Y. Postmaster — send notices on form 3579 as well as all correspondence to P.O.Box 1499, New York 1, N.Y.
FILM CULTURE NO. 27 WINTER 1962/63 G.P.O. Box 1499,New York 1, New York
NOTES ON THE AUTEUR THEORY IN 1962 — by Andrew Sarris WHITE ELEPHANT ART VS. TERMITE ART — by Manny Farber SHOOT THE PIANO PLAYER — by Pauline Kael
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THE GOLDEN POET (SENSELESS) — by Gregory Markopoulos LETTER FROM LONDON — by Mark Shivas ROMAN NOTEBOOK — by Storm De Hirsch o......sccsssssssessssssssssssssseccsseccseeeeecccececccees COFFEE, BRANDY & CIGARS — XXXVIII —by BH. G. Weinbere .......cceceseicccssice. THE PERFECT FILMIC APPOSITENESS OF MARIA MONTEZ —
Cn I a | RTT IETS 9s) SOO SHIRLEY CLARKE SHOOTING “THE COOL WORLD” —
photographs by Leroy McLucas
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PHOTOGRAPHS: Maria Montez, D.W. Cannon, Gregory Markopoulos,
Storm De Hirsch, Luchino Visconti, Federico Fellini, Orson Welles
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DRAWINGS — by Gretchen Weinberg F. C. FILM RATINGS
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ON THE COVER: ROBERT BREER