Independent Exhibitors Film Bulletin (1941)

Record Details:

Title:
Independent Exhibitors Film Bulletin
Date:
1941
Author:
Film Bulletin Company
Publisher:
New York, Film Bulletin Company
Volume:
Film Bulletin (1941)
Leaf #:
000361
Language:
English
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
East Coast exhibitor publication. Founded in 1934 by the Independent Exhibitors' Protective Association in response to the perceived shortcomings of Motion Picture Herald and the Motion Picture Theatre Owners (MPTO). Served as a news source, reviewing service, and forum for independent exhibitors to share their many grievances. -- Eric Hoyt, 2014
Date Added:
March 21, 2024
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EXPLOITATION PICTURE of the issue A Warner Brothers Picture. Cast: James Cagney, Bette Dails, Stuart Erwin, Eugene Pal'ette, Jack Carson, George Tobias, Harry Davenport, William Frawley, Edward Brophy. Directed by William Keighley; Screen I'lay by Julius J. and Philip G. Epstein; from the Story by Kenneth Earl and M. M. Musselman; Director of Photography, Ernei Haller, A. S. C; Musical Director, I.eo B. Forbstein; Music by Max Steiner. 7B$ »2 ^ogBther and Terrific! * Si — JAMES ^gj '^^^ DAVIS "'"> >'•" SOI./,,, ,„ « WAHNEH BROS HIT . DAVIS THE BRIDE CAME C. O. D Two of the most dynamic players of the Warner lot, James Cagney and Bette Davis, clash in their first comedy together — and the resulting explosion can be spelled E-XP-L-O-I-T-A-T-I-O-N! Here's how its all happens: Cagney as a pilot who is about to lose his plane to a finance company, consents to deliver bride-to-be Bette (at freight rate) to irate papa, Eugene Pallette, to prevent her marriage to I-love-me Jack Carson. When they are forced down on a California desert and forced to take refuge in a semighost town, Jimmy and Bette really have it out. George Tobias minus his accent and Stuart Erwin round out an excellent cast, while veteran William Keighley, ace comedy director, tops off one of the most promising productions in a long time.