The Film Daily (1925)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THIS IS FOR YOU, MR. MESSITER! We're tickled to hear about the big business at the Whitehurst Theatres, Baltimore. Your congratulations to Metro-Goldwyn-Mayer are certainly appreciated. Business great with "Never The Twain" at the New Theatre! And records broken with Ramon Novarro in "The Midshipman" at the Century. Those things are good to hear. You wish us "continuous success in producing pictures with the merit of these." Mr. Messiter, we want you to know this. We want all exhibitors everywhere to know this. We'll continue to make successful pictures. As long as we continue to put ourselves in your place. Our studio contains the most skilled picture creators in the world. But they never for a minute forget your slant. They ask themselves: "Will it sell tickets to Maggie, to Tom, to the millions?" "Will it stop them on the Main Streets of the world and draw them into the theatre?" Look over our releases and there's the answer. The Industry marvels at the continuous flow of hits from Metro-Goldwyn-Mayer. This Week it's **Bright Lights" with Charlie Ray and Pauline Starke; and next week it's Elinor Glyn's "The Only Thing." Every week it's a money-maker Why? Because we never start making a picture until we know darn sure. That Mr. Messiter of Whitehurst's Theatres, and thousands of showmen like him will say: "That's box-office." I' Ask The Man t Who Is Playing The Quality Fifty-Two