The Film Daily (1929)

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STAAZ <*3&£&S'* ■*$> $ '/ ***wwfi »v<t^ "A HERE'S THE ONE BIG CHANCE YOU'VE BEEN HOPING FOR! A FIVE-YEAR FRANCHISE WITH NO STRINGS ATTACHED TO IT Read this partial list of offerings for 1929-1930 "JOURNEY'S END" From R. C. Sherriff's sensational stage success — a play that is astounding the whole world. A Tiffany-Stahl-Gainsborough Production. "THE LOST ZEPPELIN" A thrilling, up-to-the-minute melodrama with Conway Tearle, Virginia Valli and Ricardo Cortez. MAE MURRAY IN "PEACOCK ALLEY." "THE MEDICINE MAN" with a star cast. From Elliott Lester's "TROOPERS THREE" by Arthur Guy Empey. P^y. "PAINTED FACES" with Joe E. Brown, Helen Foster and "WOMAN TO WOMAN," a Tiffany-Stahl-Gainsborough production Wallace MacDonald. "DANGEROUS BUSINESS" from Edwin Balmer's Cosmopolitan Magazine story. "KATHLEEN MAVOURNEEN" with Sally O'Neill. with Betty Compson, George Barraud and Juliette Compton. LEO CARRILLO IN "MISTER ANTONIO" with Virginia Valli. "THE ENCHANTING MELODIE," all-color Technicolor feature. ALL-COLOR TECHNICOLOR FEATURE as yet unnamed. TWELVE ONE-REEL "COLOR SYMPHONIES" with twelve more to follow. They are "Viennese Melody," "Songs My Mother Taught Me," "Minuette," "The Cossack's Bride," "The Sacred Hour," "Temple Bells," "Tales of Araby," "A Modern Cinderella," "The Mountain King," "A Song of India," "Pharaoh's Daughter" and "In Old Madrid." All in dialogue and sound with RCA Synchronization TIFFflNY-STflHL PRODUCTIONS INC 72 9 SEVENTH AVE. MEV/ YORK CITY,