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A "SLEEPER" COMES TO BROAD
with a cargo oF BOX-OFFICE PY
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THE NEW YORK TIMES,
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Jack London*! 'The Mutiny of the Elsinore' Makes a Routing Adventure Film at the Criterion
from every vantage point, irom in decks up through her rigging, fror
By FRANK i. NUGENT d,ck, up through he
The Criterion opened a eurprlee the 1
package yesterday, "The Mutiny or through a ■
the Elsinore," and found Haalf— ai she hove-to for
paokajre yesterday, "The Mutiny of the Elsinore," and found Itself— somewhat to Ha own aatontebment, no doubt— with aa trim an adventure film ai aver croaaed the aaaa
n astonishment, board; there ar trim an advan ashore or afloa
e plunges I a lifeboat
any things, richly deny so thrlll
from England. Written in Jack ing to see.
London's beat pulpwood style, with The yarn they're spinning is like
Lyn Harding playing the bucko most tales of mutiny: the captain
mata, Paul Lukaa as the aupar murdered, the first mate shot down,
cargo and a beautifully chosen (ne eecond office '» i»»»n» «>»>>
crew of cutthroats aboard, tha aaga the trouble-r
of tha Elainore makes bully 'screen supercargo b„u .^
reading, especially If you've a taata ter left to fight it out. But there
for a bluaterlna»yarn. It haa paoa, j, nothing formular about the rest
suspense, excitement— that galore— 0f it, with its shrewd interplay pf
but, beyond all these, it haa grand photography.
Mutiny la always exciting. The very word 1a exciting. But tha moat exciting part of tha mutiny on the Elainore ia the way tha camera has seen a fine old threemaster under a full head of sail. There isn't much praoaaa work here. Tha Elsinore Is a real ahlp,
well-told Incident, its richness of characterization. Messrs. Harding and Lukas do wall enough aa the heroes of the occasion, but the rei ' eroea of tha piece are its vlllainsLel Martin-Harvey as the aea
oond mate, Willlai i„ ad O'Sullivah.
here. Tha Elainore Is a real ahlp, :,*""*. ,r"„ L~ l.,.j i. * hava atudled har could
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DAILY NEWS— -^r -fc ■£ "Exciting and interesting picture of the sea . . . tense with melodrama."
PAU
LYN HARDING KATHll Directed by ROY LOCKWC
First Newj
LOEWS CRITJ
Bo] ENTIRE LOEWS Mil
WORLD-TELEGRAM— "Gripping ... a film that grows on you as it goes along."
BOX OFFICE — "Tingling adventure, colorful narrative, superlative casting, characterizations and photography, everything in the way of realism and thrills . . . taut . . . exciting . . ."
EXHIBITOR— "Rough, tough as the sea, this should be box ' office . . . high-rating sea-thriller."
NEW YORK POST— "Full of red, raw meat of elemental conflict . . . outstanding examples of sea and ship photography."
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