We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
"Destined to be recalled whenever great motion pictures are mentioned. Added to the small uncrowded shelf devoted to the cinema's masterworks. Flawless. Almost incredible Tightness of film's casting. A great American motion picture. Its greatness lies in many things. What we've been trying to say is that The Grapes of Wrath' is just about as good as any picture has a right to be; if it was any better, we just wouldn't believe our eyes."
— Frank S. Nugent, N. Y. Times
"Honest, eloquent, challenging screen masterpiece. A great film. A heart-shaking and engrossing motion picture. Speaks straight and passionately of things close to the hearts of the people. A triumph of artistry and showmanship. An exciting and enriching emotional experience. Makes one proud to have even a small share in the affairs of the cinema."
— Howard Barnes, N. Y. Herald Tribune
"The most daring picture that has ever come out of Hollywood and one of the most important. Magnificent . . . great film document. An absorbing spectacle."
— Kate Cameron, N. Y. Daily News
"Darryl Zanuck's greatest production achievement. A work of great importance and significance. Always it is intensely fascinating and stirring. Has outstanding factors for boxoffice success. Well-nigh flawless." —Hollywood Reporter
"Profoundly stirring narrative takes possession of the screen and you. Much bigger than entertaining . . . unusually powerful." —Archer Winsten, N. Y. Post
"Dynamic entertainment pointed towards top grosses. Takes its place with industry's milestones. Grippingly and effectively enacted. The emotional impact is tremendous and the picture seems to eclipse the book itself." —Film Daily
Second day tops Rivoli's