The Film Daily (1931)

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average, which theatres depend on for sustained profits, is so far ahead of the rest that there's no comparison. That's the real basis of Paramount's leadership of this industry. Take February, for instance...'5 All Right! Here's the Array of Hits Paramount Brings in February: "SCANDAL SHEET" Los Angeles leads off by reporting a record >veek \s'\l\\ George Bancroft's biggest drama in years. A swell story, with Clive Brook and Kay Francis supporting. Beal box office dynamite. -IT PAYS TO ADVERTISE" Preview audiences rocked with laughter as Norman Foster, Carole Lombard, Skeets Gallagher and Eugene Pallette put across the comedy socks of this brisk, bright opus of today. A triumph for Paramount. "FIGHTING CARAVANS" It took the "Covered Wagon" producers to give you the mightiest outdoor thriller of the talkies. Gary Cooper, Lily Damita, Ernest Torrence and Fred Kohler are names to bring the crowds a-runniiig. "FINN AND HATTIE" Say the title and you're in laughing mood for the show. See the picture and you're weak from roars. Leon Errol, Mitzi Green, ZaSu Pitts, Lilyan Tashman and Jackie ("Sid Sawyer") Searl do mirthful marvels. "STOLEN HEAVEN" "Laughter" was just a warm-up for Nancy Carroll in drama. She starts the whole industry talking in this smashing role, sharing honors with Phillips Holmes. Give it a choice booking spot, men. "RANGO" Big national advertising smash in the newspapers and magazines make this mystery shocker a natural. That "something different" that gets the big dough. A chance that will never come again to grab a pile from a real novel tv. New CHEVALIER, DIETRICH, POWELL, BOW, CHATTERTON ARLEX, ROGERS, OAKIE, etc., hits will follow thick and fast thereafter. Meantime, February's set as a short but sweet month for Paramount showmen, and beaucoup headache for the opposish! TRADE Cparamount GREATEST NAME IN SHOW BUSINESS \, J;