The Film Daily (1932)

Page scan 000120 from The Film Daily

Record Details:

Title:
The Film Daily
Date:
1932
Publisher:
New York, Wid's Films and Film Folks, Inc.
Volume:
The Film Daily (Jul-Dec 1932)
Leaf #:
000120
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine
Collection:
Hollywood Studio System
Format:
Periodicals
Contributor:
Media History Digital Library
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
This leading industry publication, published out of New York, was founded in 1915 by Wid Gunning (who called his publication Wid's Daily until 1922). The Film Daily documented the rise of the Hollywood studios, the transition to sound, and the evolution of the American film industry (the paper finally shuttered in 1970). The Film Daily included feature reviews, news stories, and advertisements, but its extensive coverage of short films in the 1920s and 30s distinguished it from other trade papers of the period. -- Eric Hoyt, 2011/2013
Date Added:
August 01, 2024
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IRENE THIRER FOUND THE BUYING PUBUC-YOUR PATRONS-WANT THESE PARAMOUNT PICTURES! HAROLD LLOYD in "Movie Crazy" MARLENE DIETRICH in ''Blonde Venus" with Herbert Marshall, Cary Grant, Directed by Joseph Von Sternberg "NIGHT AFTER NIGHT" with George Raft, Nancy Carroll, Mae West, Wynne Gibson, Alison Skipworth "A FAREWELL TO ARMS" with Helen Hayes, Gary Cooper and Adolphe Menjou FOUR MARX BROTHEI in "Horsefeathers" "THE BIG BROADCAS1 with Stuart Erwin, Leila Hymans, Bing Crosby, Burns and Allen, Boswell Sisters, Kate Smith, Cab Calloway, Mills Brothers, Arthur Tracy MIRIAM HOPKINS At CLARK GABLE In "No Bed of Her Own MAURICE CHEVALIEI in "Love Me Tonight" with Jeanette MacDonal* a Rouben Mamoulian Production , MRAM'-HMT *~r IRENE THIRER Motion Picture Critic, New York Daily News • For the first time in the history of this business a producing company has been brave enough to invite the critic of the largest daily newspaper in the country to personally get public reaction to coming product! • It isn't what we want ... it isn't what you want . . . it's what the public wants that counts... Paramount's daring in this move is only because of their complete faith and assurance in the box office power of these eight coming Paramount Pictures. «il !•*