The Film Daily (1934)

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adapting the Russian wartime memoirs of H. Bruce Lockhart. Dialog is crisply selective and advances the story with smooth and powerful precision. Michael Curtiz turns in what is probably his best job of direction, sweeping along intimacies of romance and larger movements of riot and political upheaval with unerring dramatic instinct. He contributes his large share of good taste to a picture which never once deviates from refinement and sense of eye-witness reality. The main scene is the dangerous, critical life in and around British diplomatic offices in Petrograd and Moscow when the Allies strove to prevent Russia from making separate peace and to stave off the red revolution. Howard is a consul general, operating secretly, loving and being beloved of Kay Francis. She, a confi