The Film Daily (1934)

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dential secretary and spy for the commissars and Cheka police, betrays him in the name of patriotism, but political amnesty in the end saves them for each other. Suspense builds tremendously through fateful episode and character clash, and the weakest spot in the picture is the end, where the lovers are kept alive for the sake of general audience satisfaction, perhaps, instead of meeting the artistically demanded death they expect. One of the high merits is the way the revolutionary political phases have been handled to keep them valid and potent without offense. Technical direction and photographing also rate high praise, as does the orchestration of Leo F. Forbstein. An Advertisement of WARNER. BROS. PICTURES FOR 1934-35