Year book of motion pictures (1941)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

ACADEMY AWARDS 1928-1929 to 1939-1940 — 1928-1929 — ACTRESS— Mary Pickford (Coquette) ACTOR — Warner Baxter (In Old Arizona) DIRECTION— Frank Lloyd (Weary River, Divine Lady. Drag) OUTSTANDING PRODUCTION— The Broadway Melody ( Me tro-GoldwynMayer) CINEMATOGRAPHY— Clyde DeVinna (White Shadows of the South Seas) ART DIRECTION— Cedric Gibbons (Bridge of San Lul Rey) WRITING— Hans Kraly (The Patriot) — 1929-1930 — ACTRESS — Norma Shearer (The Divorcee) ACTOR — George Arliss (Disraeli) DIRECTION— Lewis Milestone (All Quiet on the Western Front) f OUTSTANDING PRODUCTION— All Quief on the Western Front (Universal) \ CINEMATOGRAPHY— Joseph T. Tucker and Willard Vander Veer (With Byrd at the South Pole) ART DIRECTION— Herman Rosse (King of Sfazr) SOUND RECORDING— Metro-Goldwyn-Maye ~ (The Big House) WRITING— Frances Marion (The Big House) 1930-1931 — / ACTRESS— Marie Dressier (Min and Bill) ACTOR — Lionel Barrymore (A Free Soul) DIRECTION— Norman Taurog (Skippy) BEST PRODUCED PICTURE— Cimarron (Radio Pictures) ORIGINAL STORY — John Monk Saunders ((awn Patrol) ADAPTATION — Howard Estabrook (Cimarron) CINEMATOGRAPHY— Floyd Crosby (Tabu) ART DIRECTION— Max Ree (Cimarron) SOUND RECORDING— Paramount (SCIENTIFIC ACHIEVEMENTS) NOISE REDUCTION RECORDING EQUIPMENT— Electrical Research Products, RCA Photophone and RKO* Radio Pictures / SUPER-SENSITIVE PANCHROMATIC FILM— Du Honf Film Mfg. Co. and Eastman Kodak Co. ' HONORABLE MENTION FOR SYNCHRO-PROJECTION COMPOSITE PHOTOGRAPHY— Fox Film Co. — 1931-1932 — ACTRESS— Helen Hayes (Sin of Madelon Claudet) ACTOR— Fredric March (Dr. Jekvll and Mr. Hyde) , EXTRA AWARD— Wallace Beery (The Champ) OUTSTANDING PRODUCTION— Grand Hotel Lh^-M) DIRECTION— Frank Borzage (Bad Girl ) .j^rlBP*^ ORIGINAL STORY— Frances Marion CWe Cliamp) ADAPTATION— Edwin Burke (Bad Girl) PHOTOGRAPHY— Lee Garmes (Shanghai Express) ART DIRECTION— Gordon Wiles (Transatlantic) SOUND RECORDING— Paramount (Shanghai Express, A Broken Lullaby, One Hour With You, etc.) SHORT SUBJECTS— Flowers and Trees (Walt Disney). A Wrestling Swordfish (M^k-Senoett), Laurel and Hardy in The Music Box (Hal Roach) SPECIAL AWARD — Walt Disney (for creation of Mickey Mouse) CERTIFICATE OF HONORABLE MENTION— Technicolor HONORABLE MENTION— Eastman Kodak Co. — 1932-1933 — ACTRESS — Katherine Hepburn (Morning Glory) ACTOR— Charles Laughton (Henry VIM) DIRECTION— Frank Lloyd (Cavalcade) OUTSTANDING PRODUCTION— Cavalcade (Fox) ORIGINAL STORY— Robert Lord (One Way Passage) ADAPTATION — Sarah Y. Mason, Victor Heerman (Little Women) PHOTOGRAPHY— Charles Lang (Farewell to Arms) ART DIRECTION— William Darling (Cavalcade) SOUND RECORDING— Harold C. Lewis (Farewell to Arms) SHORT SUBJECTS— Three Little Pigs (Walt Disney); '' So This Is Harris (RKO Radio); Krakatoa (Educational) — 1933-1934 — UTSTANDING PRODUCTION — If Happened One Night (Columbia) TRESS — Claudette Colbert (It Happened One Night) iCTOR--^lark Gable (It Happened One Night) DIRECTIM— Fi^nk Capra (It Happened One Night) ORIGIN>qR|STORY— Arthur Caesar (Manhattan Melodrama ) SCREENPtAY— Robert Riskin (It Happened One Night) ART DIMCTION— The Merry Widow CINEMAfbGRAPHY— Victor Milner (Cleopatra) SOUND RECORDING— One Night of Love ASSISTiWT DIRECTOR— Johnny Waters SHORT sJBJECTS — Tortoise and the Hare, La Cucara eba. City of Wax SCORTNG— One Night of Love MUSICAL COMPOSITION— The Continental — 1934-1935 — BESTCiPRODUCTIONMutiny on the Bounty (M-G-M) ACv^S — Bette Davis (Dangerous) ACm)R— Victor McLaglen (The Informer) 01l#pTI0N— John Ford (The Informer) INAL STORY— Ben Hecht and Charles MacArthut e Scoundrel) ENPLAY— Dudley Nichols (The Informer) EMATOGRAPHY— Hal Mohr (A Midsummer Night's ream) DIRECTION— Richard Day (The Dark Angel) ND RECORDING— William Steinkampf (Naughty larietta) MSlCAL COMPOSITION— Lullaby of Broadway from Id-Diggers of 1935; Music by Harry Warren, rics by Al Dubin DANCE DIRECTION— Dave Gould (I've a Feelin' You're Foolin' from Broadway Melody of 1936 and Straw Hat number from Folies Bergere) FILM EDITING— Ralph Dawson (A Midsummer Night's Dream) SISTANT DIRECTION— Clem Beauchamp (Lives of ^^^^_Lancer) 'COmMiMbik Steiner (The Informer) SHORT SUWaTS— Cartoon Three Orphan Kittens, (Walt DisnoL; Comedy: How to Sleep, (M-G-M); Novelty; \K^^^Over Mount Everest (Educational) [935-1936 — OUTSTANDING PRODUCTION— The Great Ziegfeld (M-G-M) ^ ACTRESS — Luise Rainer (The Great Ziegfeld) ACTOR — Paul Muni (The Story of Louis Pasteur) SUPPORTING ACTRESS— Gail Sondergaard (Anthony Adverse) SUPPORTING ACTOR— Walter Brennan (Come and Get It) DIRECTOR — Frank Capra (Mr. Deeds Goes to Town) ASSISTANT DIRECTOR— Jack Sullivan (The Charge of the Light Brigade) ORIGINAL STORY— Sheridan Cibney, Pierre CollingS (The Story of Louis Pasteur) 79