Year book of motion pictures (1941)

SCREENPLAY— Sheridan Cibney, Pierre Collings (The Story of Louis Pasteur) CINEMATOGRAPHY— Tony Gaudio (Anthony Adverse) ART DIRECTION— Richard Day (Dodsworth) SOUND RECORDINGM-G-M Sound Department, headed by Douglas Shearer (San Francisco) MUSICAL COMPOSITION— The Way You Look Tonight from Swing Time; music by Jerome Kern; lyrics by Dorothy Fields. DANCE DIRECTOR— Seymour Felix (A Pretty Girl Number from The Great Ziegfeld) FILM EDITING— Ralph Dawson (Anthony Adverse) SCORING — Leo Forbstein (Anthony Adverse) SHORT SUBJECTS— One-reeler: Board of Education (M-G-M-Hal Roach); Two-reeler: The Public Pays M-G-M-Jack Chertok); Cartoon: Country Cousin United Artists-Disney); Color Subject: Give Me Liberty (Warner Bros.). SPECIAL AWARD— The March of Time, as a distinct novelty. — 1936-1937 1 ^ d Earth) BEST PRODUCTION— The Life of Emile Zola (Warner Bros.) ^ ACTRESS — Luise Rainer (The Good Earth) ACTOR — Spencer Tracy (Captains Courageou^) SUPPORTING ACTRESS— Alice Brady (In Old/Chlcago) SUPPORTING ACTOR— Joseph Schildkraut <The Life of Emile Zola) t DIRECTION— Leo McCarey (The Awful Tr^th) ASSISTANT DIRECTOR— Robert Webb (In Old Chicago) \ / ORIGINAL STORY— William A. Wellman, Robfer son (A Star Is Born) SCREENPLAY— Norman Riley Raine, Heinz Geza Herczeg (The Life of Emile Zola) CINEMATOGRAPHYKarl Freund (The Good ART DIRECTOR— Stephen Cooson (The Lost Horizon) SOUND RECORDING— Thomas Moulton (The Hurricane) ' MUSICAL COMPOSITION— "Sweet Leilani," by Harry Owens (Waikiki Wedding) [ DANCE DIRECTION— Hermes Pan (A Damsel in Distress) 1 FILM EDITING— Gene Havlick, Gene Melford (lost Horizon) SCORINC:— 100 Men and a Girl (Universal) SHORT SUBJECTS— One-reeler: The Private Life of the Ganets (Educational); Two-reeler: Torture Money (M-G-M); Cartoon: The Old Mill (Walt Disney); Color Subject: Penny Wisdom (Pete* Smith-M-G-M) / THALBERG PLAQUE— Darryl F. Zanuck / SPECIAL AWARDS— Mack Sennett, Edgar Berien, W. Howard Green, Museum of Modern Art Film Library. — 1937-1938 — -You Can't Take It With YJi BEST PRODUCTION (Columbia) ACTRESS— Bette Davis (Jezebel) ACTOR — Spencer Tracy (Boys Town) SUPPORTING ACTRESS— Fay Bainter (Jezebet) SUPPORTING ACTOR— Walter Brennan (Kentucky) DIRECTION— Frank Capra (You Can't Take It With You) ORIGINAL STORY— Dore Schary and'Eleanore Criftin (Boys Town) SCREENPLAY— George Bernard Shaw (Pygmalion) ADAPTATION— W. P. Lipscomb^boikUwis, Ian Dal rymple (Pygmalion) ^flB^^B' CINEMATOGRAPHY— Joseph TlTCRWf ■ (Tfie Creal Waltz) ART DIRECTION— Carl Weil (The Adventures of Robin Hood) SOUND RECORDING— T. Moulton (The Cowboy and the Lady) MUSICAL COMPOSITION— "Thanks for the Memory," by Ralph Rainger and Leo Robin (The Big Broadcast of 1938) FILM EDITINCj — Ralph Dawson (The Adventures of Robin Hood) ORIGINAL SCORE— Eric Wolfgang Korngold (The Adventures of Robin Hood) SCORING — Alfred Newman (Alexander's Ragtime Band) SHORT SUBJECTS— One-reeler: That Mothers Might Live (M-G-M); Two-reeler: The Declaration of Independence (Warner Bros.); Cartoon: Ferdinand the Bull (Walt Disney-RKO Radio) THALBERG MEMORIAL AWARD— Hal B. Wallis SPECIAL AWARDS— H. M. Warner, Oliver Marsh and Allen Davies, Deanna Durbin and Mickey Rooney, Walt Disney, Gordon Jennings, Farciot Edouard and Loren R/Oer, J. Arthur Ball. — 1938-1939 — BEST PRODUCTION— Gone With the Wind (Selznick International — M-G-M) ACTRESS— Vivien Leigh (Gone With the Wind) ACTOR — Robert Donat (Goodbye. Mr. Chips) SUPPORTING ACTRESS— Hattie McDaniel (Gone With the Wind) SUPPORTING ACTOR— Thomas Mitchell (Stagecoach) DIRECTION— Victor Fleming (Gone With the Wind) ORIGINAL STORY— Louis R. Foster (Mr. Smith Goes to Washington) SCREENPLAY— Sidney Howard (Gone With the Wind) ORIGINAL MUSIC SCORE— Herbert Stothart (The ^Wizard of Oz) ^ORING — Richard Hageman, Frank Harling, John lipoid, Leo Shuken (Stagecoach) 5NC— E. Y. Harburg, Harold Arlen ("Over the Rainbow" in The Wizard of Oz) ART DIRECTION— Lyie Wheeler (Cone With the Wind) FILM EDITING— Hal Kern, James Newcom (Gone With the Wind) SOUND RECORDING— Bernard B. Brown (When Tomorrow Comes) BLACK AND WHITE CINEMATOGRAPHY — Gregg Toland (Wuthering Heights) COLOR CINEMATOGRAPHY— Ernest Haller, Ray Rennahan (Cone With the Wind) SPECIAL EFFECTS— E. H. Hansen (The Rains Came) SHORT SUBJECTS— Cartoon: The Ugly Duckling (Walt Disney); One-Reeler: Busy Little Bears (Paramount); Mote Than One Reel; Sons of Liberty (Warner Bros.) THALBERG MEMORIAL AWARD— David 0. Selznick. SPECIAL AWARDS— Douglas Fairbanks, Sr., Technic<^r, The Motion Picture Relief Fund, Judy Garland, ifam Cameron Menzies. — 1939-1940 — BEST PRODUCTION— Rebecca (Selznick InternationalUAi ACTRESS — Ginger Rogers (Kitty Foyle) ACTOR — James Stewart (The Philadelphia Story) SUPPORTING ACTOR— Walter Brennan (The Westerner) SUPPORTING ACTRESS— Jane Darwell (The Grapes of Wrath) DIRECTION— John Ford (The Grapes of Wrath) ORIGINAL STORY— Benjamin Glazer, John S. Toldy ij( Arise My Love) aCREENPLAY— Donald Ogden Stewart (The PhiladelI'Dhia Storv) ORIGINAL SCREENPLAY— Preston Sturges (The Great McGinty) >^ ORIGINAL SCORE— Leigh Harline, Paul J. Smith, Ned Washington iPinocchio) SONG— Music, Ned Washington; lyric, Leigh Harline (When You Wish Upon a Star — Pinocchio) SCORING— Alfred Newman (Tin Pan Alley) ART DIRECTION, BLACK AND WHITE— Cedric Gibbons. Paul Groesse (Pride and Prejudice) ART DIRECTOR, COLOR^Vincent Korda (The Thief of Bagdadl FILM EDITING— Anne Bauchens (North West Mounted Police) SOUND RECORDINGDouglas Shearer (Strike Up the Band) BLACK AND WHITE CINEMATOGRAPHY — George Barnes (Rebecca) COLOR CINEMATOGRAPHY— Geor?e Perinal (The Thief of Bagdad) PHOTOGRAPHIC EFFECTS — Lawrence Butler (The Thief of Bagdad) SOUND EFFECTS — Jack Whitney (The Thief of Bagdad) SHORT SUBJECTS— Cartoon: The Milky Way (M-G-M); One-Reeler: Quicker'n a Wink (M-G-M); TwoReeler: Teddy the Rough Rider (Warners) SPECIAL AWARDS— Bob Hope, Col. Nathan Levinson 81