Film year book (1943)

Film Making from Script to Screen, by Andrew Buchanan — Faber & Faber, London, 1937. Film Production, by Adrian Brunei — Newnes, London, 1936. Films for the Community in Wartime, by Mary Losey — National Board of Review, New York. 1943. First 100 Noted Men and Women on the Screen, by Carolyn Lowery — Moffat Yard Publishing Co.. 1920. Footnotes to the Film, Edited by Charles Davy — Oxford University Press, New York. 1937. For the Sake of Shadows, by Max Miller — E. P. Dutton, 1936. Foremost Films of 1938, by Frank Vreeland — Pitman Publishing Co., N. Y.. 1939. Fundamentals of Television, bv 1. W. Benson — Mancall Publishing Corp., 1930. Grammar of the Film, by Raymond Spottiswoode — Faber & Faber. London. 1935. Handbook of Motion Picture Photography, by H. C. MacKay. Falk Publishing Co.. 1927. Handbook on Projection, by F. H. Richardson — Chalmer Publishing Co.. 1927. Harvard Business Reports (Vol. 8), McGraw-Hill Book Co., 1930. Heraclitus of the Future of Films, by Ernest Betts — E. P. Dutton & Co.. New York. High Intensity Arcs, by James R. Cameron — Cameron Publishing Co., 1927. History of the Motion Pictures, translated by Iris Barry from "Histoire du Cinema" by Maurice Bardeche and Robert Brasillach — -W. W. Morton, New York. 1938. History of the Movies, by Benjamin B. Hampton — Convici Friede. N. Y.. 1931. Hollywood Saga, by William C. De Mille — Dulton. N. Y.. 1939. Hollywood Who's Who, Dell Publishing Co., New York, 1941. Hollywood, by Leo Roston — Hareourt Brace, N. Y., 1941. Hollywood's Movie Commandments, by Olga J. Martin — W. H. Wilson Co.. N. Y.. 1937. House That Shadows Built (Biography of Adolph Zukor) , by Will Irwin — DoubledayDoran Co., 1928. How to Appreciate Motion Pictures, by Edgar Dale — the Macmillan Co., New York, 1933. How to Make and Operate Moving Pictures, by B. E. Jones — Funk & Wagnalls Co.. 1916. How Motion Pictures Are Made, by Homer Croy — Harper & Bros.. 1918. How to Write and Sell Screen Stories, by Frances Marion — Corici Friede, N. Y.. 1937. How They Make a Motion Picture, by Ray Hoadley and Roman Freulich — Thomas Y. Crowell Co.. N. Y.. 1939. Illusion of the First Time in Acting, by William H. Gillette— Gift edition only. 1915 (Copy in the Dramatic Museum of Columbia University, New York). Inside Secrets of Photoplay Writing, by Willard King Bradley — Funk & Wagnalls Co., New York. Kinematograph Studio Technique, by L. C. MacBean — Pitman & Sons, 1922. Know Your Movies, by Welford Beaton, Published by Howard Hill, Hollywood. 1932. The Last Word in Make-Up, by Dr. Rudolph G. Liszt—Contemporary Play Publications. N. Y., 1939. Law of Stage, Screen and Radio, by Roger Marchetti — SuttonHouse, Ltd., San Francisco, 1936. Let's Go to the Movies, by Iris Barry — Payson. 1926. Life and Adventures of Carl Laemmle, by John Drinkwater — G. P. Putnam's Sons, New York, 1928. Life and Lillian Gish, by Albert Bigelow Paine — MacMillan Co., 1932. Making Better Movies, by Arthur L. Gale and Russell C. Hol s 1 a g — Amateur Cinema League, Inc., New York. Management of Motion Picture Theaters, by Frank H. Rickot son. 1938. Manual of Arbitration Under the Motion Picture Consent Decree, by Abram F. Myers — Allied States Association of Motion Picture Exhibitors, Washington, 1941. Million and One Nights, by Terry Ramsaye — Simon & Schuster. 1926. Mirrors of Hollywood, by Chas. Donald Fox—Charles Renard Corp., 1925. Modern Communications, chapters by John E. Otterson and Herbert E. Ives — Houghton Miflin Co., 1933. Motion Picture Almanac, published yearly by Quigley Publishing Co., Rockefeller Center. N. Y. C. Motion Picture Continuities, by Frances Taylor Patterson — Columbia University Press. Motion Picture Directing, by Peter Milne — Faulk Publishing Co.. New York, 1922. Motion Picture Accounting, by W. F. Morris — M.P.V. Publishing Co., 1924. Motion Picture Cameraman, by E. G. Lutz. Scribner. 1927. Motion Picture Directing, by Peter Milne — Falk Publishing Co.. 1922. Motion Picture Industry, by W. A. Johnson — American Academy of Political & Social Science, Philadelphia, 1926. Motion Picture Industry, by Howard T. Lewis — D. Van Nostrand Co., 1933. Motion Picture Making and Exhibiting, by Terry Ramsaye— C. C. Thompson Co.. Chicago. 1914. Motion Picture Moods for Organists and Pianists, by Erno Rapee. Motion Picture Optics, by James R. Cameron — Cameron Publishing Co., 1926. Motion Picture Photography, by Carl L. Gregory — Falk. Publishing Co., 1921. Motion Picture Photography — Eastman Kodak Co., 1924. Motion Picture Photography, by Herbert C. McKay — Falk Publishing Co., 1924. Motion Picture Projection and Sound Pictures, 8th edition, by James R. Cameron — Cameron Publishing Co., Woodmont. Conn.. 1942. Motion Picture Projection Textbook— New York Technical Book Co.. 1922. Motion Picture Theater Management, by Harold B. Franklin — Doran & Co.. 1927. Motion Picture Work, by D. S. Hulflsh — American School of Correspondence, Chicago 1913. Motion Pictures: How They Are Made and How to Appreciate Them, by Barrett C. Kiesling. Motion Pictures and Radio, by Elizabeth Laine — McGraw Hill. N. Y.. 1939. Motion Pictures and Youth, Payne Fund Studies — Macmillan, New York, 1933-1935. Motion Pictures as an Aid In Teaching American History, by Harry Arthur Wise — Yale University Press, New Haven. 1940. Motion Pictures for Instruction, by A. P. Hollis — The Century Co., New York. Motion Pictures in Education, by D. C. Ellis — T. Y. Crowell Publishing Co., 1923. Motion Pictures with Sound, by James R. Cameron — Cameron Publishing Co.. 1929. Motors and Generators, by James R. Cameron — Cameron Publishing Co., 1927. Movies Come from America, The, by Gilbert Seldes — Scrib ner's. New York, 1937. Movies' Five Qualifications, by E. R. Winstrom — Universal Publishing Co.. Hollywood. 1925. Movies on Trial, The, compiled and edited by William J. Perlman — Macmillan, N. Y„ 1936. Moving Pictures — How They Are Made and Worked, by Frederick A. Talbot — J. B. Lippincott Publishing Co., 1923. Moving Pictures in Education, by Frank U. Freeman — University of Chicago Press. 1924. Musical Presentation of Motion Pictures, by George W. Beynon — O. Shirmer, 1921. National Comm.'s Motion Picture Study Clubs — National 694