Film year book (1946)

** BOOKS* OX THE MOTION PICTURE ABC's of Visual Aids and Projectionist Manual, by Philip Mannino — Philip Mannino, Box 406, State College. Pa., 1946. Alice In Movleland by Alice Williamson— Appleton Publishing Co.. 1928. Amateur Movie Craft, by James R Cameron — Cameron Publishing Co., 1927. Amateur Movie Making, by Herbert C. McKay — Falk Publishing Co.. 1928. Amateur Movies and How to Make Them, by Alex Strasser — The Studio. New York, 1937. America At the Movies, by Mar caret Thorp — Yale University Press. New Haven. 1939. American Film, The, by Eric H. Rideout — Metre, London. 1937. An Hour With the Movies and the Talkies, by Gilbert Seldes — J. B. Llppincott Co., Philadelphia. Are We Movie Made?, by Raymond Moley — Macy Masius. 1938. Art and Prudence, by Mortimer J. Adler — Longmans. Green & Co., New York, 1937. Art and the Actor, by Constant Coquelin — Published in 1915 (Copy is in the Dramatic Museum of Columbia University. New York) . Art of Clneplastlcs, by Eli Faure — The Four Seas Co.. Boston, 1923. Translated from the French by Walter Pach. Art of Photoplay Making, by V. O. Freeburg — MacMillan Publishing Co.. 1918. Art of the Moving Picture, by Vachel Lindsay — MacMillan, New York. 1922. Art of Sound Pictures, by Walter B. Pitkin and William M Marston — D. Appleton & Co., New York. Art of the Theater, by Sarah Bernhardt — Bles Publishing Co.. London. 1924. Art of Walt Disney, The, by Robert D. Feild — Macmillan Co.. New York, 1942. As I Remember, by Arnold Genthe—John Day and Reynal & Hitchcock. N. Y., 1936. Basic Electronics for Projectionists— Cameron Publishing Co., Coral Gables, Fla., 1946. Behind the Motion Picture Sereen, by Austin C. Lescabora — Scientific American Publishing; Co.. 1921. Behind the Sereen, by Samuel Goldwyn — Doran & Co.. 1923. Best Film Plays 1943-44, edited by John Gassner and Dudley Nichols, Crown Publishers, New York, 1945. Best Pictures of 1039-40 and the Year Book of Motion Pictures In America, edited by Jerry Wald and Richard Macauley — Dodd. Meade * Co.. N. Y.. 1940. Breaking Into the Movies, by Charles Reed Jones — Unicorn Press, 1928. Breaking Into the Movies, by John Emerson and Anita Loos — James McCann Publishing Co..l921. Building Theater Patronage, by Barry & Sargent — Chalmers Publishing Co.. 1928. Camera Secrets of Hollywood, by Robert C. Bruce and Pat Dowling — Camera Secrets Publishing Co.. Hollywood, 1932. Cameron's Encyclopedia Sound Motion Pictures, by James R. Cameron — Cameron Pub. Co., Coral Gables, Fla., 1945. Cameron's Television, by James R. Cameron — Cameron Pub. Co., 1932. Cartoon Production : Film Guide's Handbook, by Harold Turney — Film Guide, Hollywood. Calif., 1940. Censorship of the Theater and Moving Pictures, by Lamar T. Beman — H. W. Wilson Co. Charlie Chaplin, His Life and Art, by W. Dogson Bowman. —John Day Co.. New York. Cine Camera, The, by Herbert C. McKay — Falk Publishing Co., New York. 1930. Cine Titling and Editing, by Herbert C. McKay — Falk Publishing Co.. New York. 1932. Cinema as a Graphic Art, The, by Bladimir Nilsen — George Newnes. Ltd.. London. 1937. Cinematographic Annual, American Society of Cinematograph ers, Hollywood. Cinematograph Book, by B. E. Jones — Funk & Wagnalls 1921. Cinema Craftsmanship, by F. T. Patterson — Harcourt Brace & Co.. 1921. Cinema Handbook, by Austin C. Lescaboura — Scientific American Publishing Co.. 1921. Cinema, Its Present Position and Future Possibilities, by Cinema Commission of Inquiry — William & Norsrate. London, 1921. Cinematic Design, by Leonard Hacker — American Photographic Publishing Co., Boston. Cinematography and Talkies, by James R. Cameron — Cameron Pub. Co.. 1932. Condensed Course In Motion Picture Photography, A, New York Institute of Photography. 1920. Continuous Performance, by Carrie Balaban — G. P. Putnam's Sons. N. Y., 1942. Costume Throughout the Ages, by Mary Evans — J. B. Lippincott Co., Philadelphia. Cyclopedia of Motion Picture Work. American School of Correspondence, Chicago, 1911. D. W. Griffith: American Film Master, by Iris Barry — Mu seum of Modern Art, N. Y., 1940. Designing for Moving Pictures, by Edward Carrick (Edward Craig) — Studio Publications, London and New York, 1941. Documentary FUm, by Paul Rotha — W. W. Norton & Co.. N. Y„ 1939. Douglas Fairbanks: The Making of a Screen Character, by Allastair Cooke, Museum of Modern Art, N. Y.. 1940. Educational Motion Pictures and Libraries, by Gerald Doan McDonald — American Library Association. Chicago, 1942. Educational Talking Picture, The, by Frederick L. Devereux — University of Chicago Press. Electricity for Operators, by James R. Cameron — Cameron Publishing Co.. 1927. Elementary Text-Book of M. P. Projection, by James R. Cameron— American Red Cross Institute. Encyclopedia of Exploitation, by Bill Hendricks and Howard Waugh — Showmen's Trade Review. N. Y.. 1937. Encyclopedia of Music for Pictures, by Erno Rapee — Belwin. 1925. Examination Questions and Answers, Motion Picture Projection—Oameron Publishing Co., Ooral Gables, Fla., 1946. Experimental Television, by A. Frederick Collins — Lithrop. Lee and Shepard Co., Boston. 1933. Famous Film Folk, by Charles Donald Fox — Doran it Co.. 1925. Famous Stars of Fllmdom (Men) by Elinor Hughes — L. C. Page & Co.. Boston. 1932. Feature Photoplay, The, by Henry Albert Phillips — Home Correspondence School, Springfield, 111. Film and Theater, by Allardyce Nicoll — Thomas Y. Crowell & Co.. New York. 1936. Film Acting, by I. V. Podovkln. translated by Ivor Montagu — George Newnes. Ltd., London, 1935. Film Dally Year Book, published annually, by The Film Daily. 1601 Broadway. New York City. Film Facts and Forecasts, by L'Estrange — Fawcett Co.. 1927. Film Index, The: A Bibliography Museum of Modern Art Film Library, New York. 1941. Film Industry, by Boughey — Pitman * Sons. 1921. Film Making from Script to Sereen, by Andrew Buchanan — Faber It Faber, London. 1937. Film Production, by Adrian Brunei — Newnes, London, 193fl. Films for the Community In Wartime, by Mary Loaey — 805