Year book of motion pictures (1946)

National Board of B»vlr». New York. 1943. first 100 Noted Men and Women on the Screen, by Carolyn Lowery — Moffat Yard Pub lishinc Co.. 1920. Footnotes to the Film, Edited by Charles Davy — Oxford University Press, New York. 1937. For the Sake of Shadows, by Max Miller — E. P. Dutton. 1936. Foremost Films of 1938, by Frank Yreeland — Pitman Publishing Co.. N. Y.. 1939. fundamentals of Television, b.v ™. W. Benson — Mancall Pub lishing Corp.. 1930. Gay Illiterate, The, by Louella 0. Parsons — Doubleday, Doran & Co.. 1944. George M. Cohan, by Ward Morehouse— Lippincott. 1943. Grammar of the Film, by Raymond Spottiswoode — Faber & Faber. London. 1935. Handbook of Motion Picture Photography, by H. C. MacKay. Falk Publishing Co.. 1927. Handbook on Projection, by F. H. Richardson — Chalmer Publishing Co.. 1027. Harvard Business Reports (Vol. 8), McGraw-Hill Book Co.. 1930. Hays Office, The, by Raymond Moley, Bobbs Merrill. New York, 1945. Heraclltus of the Future of Films, by Ernest Betts — E. P. Dutton & Co.. New York. High Intensity Arcs, by James R. Cameron — Cameron Publishing Co.. 1927. History of the Motion Pictures, translated by Iris Barry from "Histoire du Cinema" by Maurice Bardeche and Robert Brasillach — W. W. Morton. New York, 1938. History of the Movies, by Benjamin B. Hampton — Convici Friede. N. Y.. 1931. Hollywood Saga, by William C. De Mille — Dulton, N. Y.. 1939. Hollywood Who's Who, Dell Publishing Co., New York, 1941. Hollywood, by Leo Roston — Harcourt Brace. N. Y.. 1941. Hollywood's Movie Commandments, by Olga J. Martin — W. H. Wilson Co.. N. Y.. 1937. House That Shadows Built (Biography of Adolph Zukor) , by Will Irwin — DoubledayDoran Co.. 1928. How to Become a Movie Star, by Irving Klaw — Klaw Publications, New York, 1946. How to Appreciate Motion Pictures, by Edgar Dale — the Macmillan Co.. New York. 1933. How to Hake and Operate Moving Pictures, by B. E. Jones — Funk St Wagnalls Co., 1916. How Motion Pictures Are Made, by Homer Croy — Harper & Bros.. 1918. How to Write and Bell Screen Stories, by Frances Marion — Covicl Friede. N. Y.. 1937. How They Make a Motion Pietare, by Ray Hoadley and Roman Freulich — Thomas Y Crowell Co.. N. Y.. 1939. Illusion of the First Time In Acting, by William H. Gillette—Gift edition only. 1915 (Copy in the Dramatic Museum of Columbia University. New York). Inside Secrets of Photoplay Writing, by Willard King Bradley — Funk & Wagnalls Co.. New York. cinematograph Studio Technique, by L. C. MacBean — Pitman & Sons, 1922. Know Your Movies, by Welford Beaton. Published by Howard Hill. Hollywood. 1932. The Last Word In Make-Dp, by Dr. Rudolph G. Liszt — Contemporary Play Publications. N. Y.. 1939. Law of Stage, Screen and Radio, by Roger Marchetti — SuttonHouse, Ltd,, San Francisco, 1936. Let's Go to the Movies, by Iris Barry — Payson, 1926. Life and Adventures of Carl Laemmle, by John Drinkwater — G. P. Putnam's Sons, New York. 1928. Life and Lillian Glsh, by Albert Bigelow Paine — MacMillan Co.. 1932. Maintenance Guides for Sound Equipment — Cameron PublishingCo., Ooral Gables, Fla.. 1945. Making Better Movies, by Arthur L. Gale and Russell C. Hols 1 a g — Amateur Cinema League. Inc.. New York. Making: the Movies, by Jeanne Bendick — McGraw Hill, New York, 1946. Management of Motion Picture Theaters, by Frank H. RickotBon. 1938. Manual of Arbitration Under the Motion Picture Consent Decree, by Abram F. Myers — Allied States Association of Motion Picture Exhibitors, Washington. 1941. Million and One Nights, by Terry Ramsaye — Simon 4 Schuster. 1926. Mirrors of Hollywood, by Chas. Donald Fox — Charles Renard Corp.. 1925. Modern Communications, chapters by John E. Otterson and Herbert E. Ives — Houghton Miflin Co.. 1933. Motion Picture Almanac, published yearly by Quigley Publishing Co., Rockefeller Center. N. Y. C. Motion Picture Continuities, by Frances Taylor Patterson — Columbia University Press. Motion Picture Directing, by Peter Milne — Faulk Publishing Co.. New York. 1922. Motion Picture Accounting, by W. F. Morris — M.P.V. Publishing Co.. 1924. Motion Picture Cameraman, by E. G. Lutz. Scribner. 1927. Motion Picture Directing, by Peter Milne — Falk Publishing Co.. 1922. Motion Picture Industry, by W. A. Johnson — American Academy of Political & Social Science. Philadelphia. 1926. Motion Picture Industry, by Howard T. Lewie — D. Van Nostrand Co., 1933. Motion Picture Making and Exhibiting, by Terry Ramsaye— C. C. Thompson Co., Chicago. 1914. Motion Picture Moods for Organists and Pianists, by Erno R. Cameron — Cameron Publishing Co., 1926. Motion Picture upcica, oy jauioa Rapee. Motion Picture Photography, by Carl L. Gregory — Falk Publishing Co.. 1921. Motion Picture Photography — Eastman Kodak Co.. 1924. Motion Picture Photography, by Herbert C. McKay — Falk Publishing Co.. 1924. Motion Picture Projection, by James R. Cameron — Cameron Publishing Co., Coral Gables, Fla., 1945. Motion Picture Projection Textbook— New York Technical Book Co., 1922. Motion Picture Theater Management, by Harold B. Franklin — Doran & Co.. 1927. Motion Picture Work, by D. S. Hulflsh — American School of Correspondence. Chicago 1913. Motion Pictures: How They Are Made and How to Appreciate Them, by Barrett C. Kiesling. Motion Pictures and Radio, by Elizabeth Laine — McGraw Hill, N. Y.. 1939. Motion Pictures and Youth, Payne Fund Studies — Macmillan, New York. 1933-1035. Motion Pictures us an Aid In Teaching American History, by Harry Arthur Wise — Yale University Press, New Haven, 1940. Motion Pictures for Instruction, by A. P. Hollls — The Century Co.. New York. Motion Pictures In Education, by D. C. Ellis — T. Y. Crowell Publishing Co., 1923. Motion Pictures with Sound, by James R. Cameron — Cameron Publishing Co.. 1929. Motors and Motor Generators, by James R. Cameron — Cameron Publishing Co., Coral Gables, Fla., 1946. Movie Lot to Beachhead, by the editors of Look. Doubleday Doran. New York, 1945. Movies Come from America, The. by Gilbert Seldes — Scribner'B. New York, 1937. Movies' Five Qualifications, by E. R. Winstrom — Universal Publishing Co.. Hollywood, 1925. Movies on Trial, The, compiled and edited by William J. Perlman — Macmillan. N. Y., 1936. Moving Pictures — How They Are Made and Worked, by Frederick A. Talbot — J. B. Lippincott Publishing Co., 1923. Moving Pictures In Education, by Frank U. Freeman — University of Chicago Press, 1924. Musical Presentation of Motion Pictures, by George W. Beynon — O. Shirmer, 1921. National Comm.'s Motion Picture Study Clubs — National Commission for Better Films, 1926. Never a Dull Moment, by Charles Francis Coe — Hastings House, 1944. New Courts of Industry, by Louis Nizer — The Longacre Press. Inc., New York, 1936. New Technique of Screen Writing, by Tamar Lane — Whittlesey House, New York, 1936. 809