Film year book (1947)

Mew Tork 11. N. T.. ALeonqoln 4-8344. Bdlton: Richard Griffith, Bettina Gunczy, Marie L. Hamilton, Arthur Beach, Henry Hart, Stephen P. Belcher, Jr. NEW YORK MOTION PICTURE CRITICS' REVIEWS Complete reviews of motion pictures reprinted from eight New Tork newspapers, weekly by Critict' Theater BOTlews, Inc.. 236 S. 22nd St.. LExinrton 2-2240. New Tork 10. N. T. Publisher: Richard P. Coffin. Editor: Bachel W. Coffin. NEW YORK THEATRE CRITICS' REVIEWS Complete reviews of stage shows reprinted from eigrht New York newspapers, weekly by Critics' Theater Reviews. Inc., 236 E. 22nd St., LExington 2-3240, New York 10, N. Y, Publisher: Richard P. Coffin. Editor: Rachel W. Coffin. ON THE MOTION PICTURE ABC's of Visual Aids and Projectionist Manual, by Philip Mannino — Philip Mannlno. Box 406, State College, Pa., 1946. Alice in Dlovielund by Alice Williamson— Appleton Publishiner Co.. 1938. Amateor Movie Craft, by James R Cameron — Cameron Publishingr Co.. 1927. Amateur Movie Making, by Herbert C. McKay — Falk Publishing Co.. 1938. Amateur Movies and How to Make Them, by Alex Strasser — The Studio. New Tork. 1937. America At the Movlee, by If ar saret Thorp — Yale Dnlverslty Press, New Haven, 1939. American Film, The, by Eric H. Rideout — Metre. London, 1937. An Hour With the Hovles and the Talkies, by Gilbert Seldes — J. B. Llppincott Co.. Philadelphia. Are We Movie Made?, by Raymond Moley — Macy Masius, 1938. Art and Prudence, by Mortimer J. Adler — Longmans. Green & Co.. New Tork. 1937. Art and the Actor, by Constant Coquelin — Publiahed in 1915 (Copy is in the Dramatic Museum of Columbia University, New York ) . Art of CInepIastlos, by Ell Faure — The Four Seas Co.. Boston, 1923. Translated from the French by Walter Pach. Art of Photoplay Making, by v. O. Freeburg — MacMllIan Publishing Co.. 1018. Art of the Moving Picture, by Vachel Lindsay — MacMillan, New Tork. 1922. Art of Sound Pictures, by Walter B. Pitkin and William M. Marston — D. Appleton & Co.. New Tork. Art of the Theater, by Sarah Bernhardt — Bles Publishing Co.. London. 1924. Art of Walt Disney, The, by Robert D. Feild — Macmillan Co., New York, 1942. As I Remember, by Arnold Genthe — John Day and Reynal & Hitchcock, N. T., 1936. Basle Electronics for Projectionists— Cameron Publishing Co.. Coral Gables, Fla.. 1946. Behind the Motion Picture Screen, by Austin C. Lescabora — Sdentiflc American Publlshinr Co.. 1021. Behind the Screen, by Samuel Goldwyn — Doran & Co., 1923. Best Film Flays 1943-44, edited by John Gassner and Dudley Nichols, Crown Publishers. New Tork. 1945. Best Pictures of 1930-40 and the Tear Book of Motion Pictures In America, edited by Jerry Wald and Richard Macauley — ^Dodd. Heade A Co., N. T.. 1940. Breaking Into the Movies, by Charles Reed Jones — Unicom Press. 1928. Breaking Into the Movies, by John Emerson and Anita Loos —James McCann Publishing C0..1921. British Film, The, Compiled by Peter Noble — British Year Book, London, 1946. Building Theater Patronage, by Barry & Sargent — Chalmers Publishing Co.. 1928. Camera Secrets of Hollywood, by Robert C. Bruce and Pat Dowling — Camera Secrets Publishing Co.. Hollywood, 1932. Cameron's Encyclopedia Sound Motion Pictures, by James B. Cameron — Cameron Pub. Co.. Coral Gables, Fla., 1946. Cameron's Television, by James R. Cameron — Cameron Pub. Co.. 1032. Cartoon Production: Film Guide's Handbook, by Harold Tomey — Film Guide. Hollywood, Calif.. 1940. Censorship of the Theater and Moving Pictures, by Lamar T. Beman — H. W. Wilson Co. Charlie ChapUn, His Life and Art, by W. Dogson Bowman, — John Day Co.. New Tork. Cine Camera, The, by Herbert C. McKay — ^Falk Publishing Co.. New Tork. 1930. Cine Tltlhig and Editing, by Herbert C. McKay — Falk Publishing Co., New Tork, 1932. Cinema as a Graphic Art, The, by Bladimir Nilsen — George Newnes, Ltd., London. 1937. Cinematographic Annual, American Society of Clnematograpbers, Hollywood. Cinematograph Book, by B. E. Jones — Funk & Wagnalls 1921. Cinema Craftsmanship, by F. T. Patterson — Harcourt Brace & Co.. 1921. Cinema Handbook, by Austin C. Lescaboura — Scientific American Publishing Co., 1021. 873 Cinema, Its Present Position and Future Possibilities, by Cinema Commission of Inquiry — William & Norgate, London, 1921. Clnematio Design, by Leonard Hacker — American Photographic Publishing Co.. Boston. Cinematography and Talkies, by James R. Cameron — Cameron Pub. Co.. 1932. Condensed Course in Motion Picture Photography, A, New York Institute of Photography, 1930. Contlnnons Performanee, Carrie Balaban — 6. P. Putnam's Sons. N. T.. 1042. Costume Throngbont the Ages, by Mary Evans — J. B. Llppincott Co., Philadelphia. Cyclopedia of Motion Fieturs Work, American School of Correspondence, Chicago. 1911. D. W. Griffith: American FUm Master, by Iris Barry — Museum of Modern Art, N. T.. 1940. Designing for Moving Pictures, by Edward Carrick (Edward Craig) — Studio Publications, London and New York, 1941. Documentary Film, by Paul Rotha — W. W. Norton & Co., N. Y.. 1930. Douglas Fairbanks t The Making of a Screen Character, by AUastair Cooke, Museum of Modem Art. N. T.. 1940. Educational Motion Pictures and Libraries, by Gerald Doan McDonald — American Library Association. Chicago, 1042. Edueational Talking Picture, The, by Frederick L. Derereux — University of Chicago Press. Electricity for Operators, by James R. Cameron — Cameron Publishing Co.. 1927. Elementary Text-Book of M. P. Projection, by James R. Cameron— American Red Cross Institute. Encyclopedia of Exploitation, by Bill Hendricks and Howard Waugh — Showmen's Trade Review. N. Y.. 1937. Encyclopedia of Music for Pictures, by Erno Bapee — Belwin. 1935. Examination Questions and Answers, Motion Picture Projection— Cameron Publishing Co.. Ooral Gables. Fla.. 1046