The film daily year book of motion pictures (1947)

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Bxperimental 'felevlston, by A. Frederick Collins — Lithrop, 1*9 and Shepard Co., Boston. 1933. Famous Film Folic, by Cliarles Donald Fox — Doran Sc Co.. 1926. Famoas Stars of Filmdom (Men) by Elinor Hug^hes — L. C. Page & Co., BoBton, 1932. Feature rhotoplay, Tlie, by Henry Albert Phillips — Home Correspondence School, Spring:field. 111. Film and Theater, by Ailardyce Nlcoll — Thomas T. Crowell & Co.. New York, 1936. Film Acting, by I. V. Podovkin, translated by Ivor Montagu — Oeorg'e Newnes, Ltd., London, 1935. Film Daily Year Book, published annually, by The Film Daily, 1501 Broadway, New York City. Film Facts and Forecasts, by L'Estrangre — Fawcett Co.. 1927. Film Index, The: A Bibliography Museum of Modern Art Film Library, New York, 1941. Flhn Industry, by Boughey — Pitman & Sons. 1921. Film Making from Script to Screen, by Andrew Buchanan — Faber & Faber, London, 1937. Film Production, by Adrian Brunei — Newnes, London, 1936. Films for the Commaaity in Wartime, by Mary Losey — National Board of Review, New York. 1943. First 100 Noted Men and Women on the Screen, by CiU'olyn Lowery — MoSat Yard Publishing Co., 1920. Footnotes to the Film. Edited by Charles Davy — Oxford University Press, New York. 1937. For the Sake of Shadows, by Max Miller — E. P. Dutton, 1936. Foremost Films of 1938, by Frank Vreeland — Pitman Publishing Co., N. Y., 1939. Fundamentals of Television, b.v V. W. Benson — Mancall Publishing Corp.. 1930. Gay Illiterate, The, by Louella 0. Parsons — Doubleday. Doran & Co.. 1944. George M. Cohan, by Ward Morehouse—Lippincott. 1943. Grammar of the Film, by Raymond Spottiswoode — Faber & Faber, London, 1935. Handbook of Motion Picture Photography, by H. C. MacKay. Falk Publishing Co., 1927. Handbook on Projection, by F. H. Richardson— Chalmer Publishing Co.. 1927. Harvard Business Reports (Tol. 8), McGraw-Hill Book Co., 1930. Hays Office, The, by Raymond Moley. Bobbs Merrill, New York, 1945, Heraolitus of the Future of Films, by Ernest Betts — E. P. Dutton & Co.. New York. High Intensity Arcs, by James R. Cameron — Cameron Publishing Co.. 1927. History of the Motion Pletnret, translated by Iris Barry from "Histoire du Cinema" by Maurice Bardeche and Robert Brasiliach — W. W. Morton. New York, 1938. History of the Movies, by Benjamin B. Hampton — Convici Friede. N. Y., 1931. Hollywood Saga, by William C. De Mille — Dulton. N. Y., 1939. Hollywood Who's Who, Dell Publishing Co., New York, 1941. Hollywood, by Leo Roston — Harcourt Brace, N. Y., 1941. Hollywood's Movie Commandments, by Olga J. Martin — W. H. Wilson Co., N. Y., 1937. House That Shadows Built (Biography of Adolph Znkor), by Will Irwin — DoubledayDoran Co.. 1928. How to Become a Movie Star, by Irving Klaw — Elaw Publications, New York, 1946. How to Appreciate Motion Pictures, by Edgar Dale — the Macmillan Co., New York, 1933. How to Make and Operate Moving Pictures, by B. E. Jones — Funk & Wagnalle Co., 1916. How Motion Pictures Are Made, by Homer Croy — Harper & Bros.. 1918. How to Write and Sell Screen Stories, by Frances Marion — Covici Friede, N. Y.. 1937. How They Make a Motion Picture, by Ray Hoadley and Roman Freulich — Thomas Y. Crowell Co.. N. Y.. 1939. lllnNion of the First Time In Acting, by William H. Gillette— Gift edition only. 1915 (Copy in the Dramatic Museum of Columbia University, New York ) . Inside Secrets of Photoplay Writing, by Wlllard King Bradley — Funk & Wagnalls Co., New York. Kinematograph Studio Technique, by L. C. MacBean — Pitman & Sons. 1922. Know Your Movies, by Welford Beaton, Published by Howard Hill, Hollywood, 1932. The Last Word In Make-Up, by Dr. Rudolph Q. Liszt — Contemporary Play Publications, N. Y.. 1939. I.iiw uf Stage, Screen and Radio, by Roger Marchetti — SuttonHouse. Ltd., San Francisco, 1936. Let's Go to the Movies, by Iris Barry — Payson. 1926. Life and Adventures of Carl Laemmie, by John Drinkwater — G. P. Putnam's Sons. New York, 1928. Life and Lillian Olsh, by Albert Bigelow Paine — MacMillan Co.. 1932. Maintenance Guides for Sound Equipment — Cameron Publishing Co., Coral Gables, Fla.. 1945. Making Better Movies, by Arthur L. Gale and Russell C. Hols 1 a g — Amateur Cinema Leasrue. Inc.. New York. Making the Movies, by Jeanne Bendick — McGraw Hill, New York, 1946. Management of Motion Picture Theaters, by Frank H. Rickotson, 1938. Manual of Arbitration Under the Motion Picture Consent Decree, by Abram F. Myers — Allied States Association of Motion Picture Exhibitors, Washington, 1941. Million and One Nights, by Terry Ramsaye — Simon A Schuster, 1926. Mirrors of Hollywood, by Chas. Donald Fox — Charles Renard Corp., 1925. Modem Communications, chapters by John E. Otterson and Herbert E. Ives — Houghton Miflin Co.. 1933. Motion Picture Almanac, published yearly by Quigley Publishing Co., Rockefeller Center, N. Y. C. Motion Picture Continuities, by Frances Taylor Patterson — Columbia University Press. Motion Picture Directing, by Peter Milne — Faulk Publishing Co., New York. 1922. Motion Picture Accountinc, by W. F. Morris — M.P.V. Publishing Co., 1924. Motion Picture Cameraman, by E. G. Lutz, Scribner. 1927. Motion Picture Directing, by Peter Milne — Falk Publishing Co.. 1922. Motion Picture Industry, by W. A. Johnson — American Academy of Political & Social Science, Philadelphia, 1926. Motion Picture Industry, by Howard T. Lewis — D. Van Nostrand Co., 1933. Motion Picture Making and Exhibiting, by Terry Ramsaye— C. C. Thompson Co.. Chicago, 1914. Motion Picture Moods for Organists and Pianists, by Emo R. Cameron — Cameron Publishing Co.. 1926. Motion Picture Optics, by James Rapee. Motion Picture Photography, by Carl L. Gregory — Falk Publishing Co., 1921. Motion Picture Photography — Eastman Kodak Co.. 1924. Motion Picture Photography, by Herbert C. McKay — Falk Publishing Co., 1924. Motion Picture Projection, by James R. Cameron — Cameron Publishing Co., Coral Gables. Fla.. 1945. Motion Picture Projection Textbook— New York Technical Book Co.. 1922. Motion Picture Theater Management, by Harold B. Franklin — Doran & Co.. 1927. Motion Picture Work, by D. B. Hulfish — American School of Correspondence. Chicago 1913. Motion Pictures: How They Are Made and How to Appreciate Them, by Barrett C. Kiesling. Motion Pictures and Radio, by Elizabeth Laine — McGraw Hill. N. T.. 1939. Motion Pictures and Youth, Payne Fund Studies — Macmillan, New York, 1933-1936. Motion Pictures as an Aid In Teaching American History, by Harry Arthur Wise — Yale University Press, New Haven, 1940. Motion Pictures for Instruction, by A. P. Hollls — The Century Co., New York. Motion Pictures In Education, by D. C. EllisT. Y. Crowell Publishing Co.. 1023. 877