Film year book (1948)

House That Shadow Built (Biography of Adolph Zukor) , by Will Irwin — DoubledayDoran Co.. 1928. How to Become a Movie Star, by Irving: Klaw — Klaw Publications. New York. 1046. How to Appreciate Motion Pictures, by Edgar Dale — the Macmillan Co.. New York. 1033. How to Make and Operate Moving Pictures, by B. E. Jones — Funk & Wag-nails Co., 1016. How Motion Pictures Are Made, by Homer Croy — Harper A Bros.. 1018. How to Write and Sell Screen Stories, by Frances Marlon — Covid Friede, N. Y., 1937. How They Make a Motion Picture, by Ray Hoadley and Roman Freullch — Thomas Y. Crowell Co.. N. Y.. 1030. How They Make a Motion Picture, by Ray Hoadley — Thomas Y. Crowell. New York. 1939. How to Make Movies — Eastman Kodak Co., Rochester. N. Y.. 1942. How to Use the Educational Sound Film, by M. R. Brunstettere — University ol Chicago, 1937. Illuxion of the First Time In Acting, by William H. Gillette— Gift edition only. 1016 (Copy in the Dramatic Museum of Columbia University. New York » Images du Cinema Francais, by Nichols Vedres — Editions du Chene, Paris. Inside Secrets of Photoplay Writing, by Wlllard King Bradley — Funk & Wagnalla Co.. New York. Klnematograph Studio Technique, by L. C. MacBean — Pitman Sc Sons. 1022. Know Your Movies, by Welford Beaton. Published by Howard Hill. Hollywood. 1032. The Last Word In Make-Up, by Dr. Rudolph G. Liszt — Contemporary Play Publications. N. Y.. 1030. Law of Stage, Screen and Radio, by Roger Marchetti — SuttonHouse. Ltd.. San Francisco. 1036. Let's Go to the Movies, by Iris Barry — Payson. 1026. Life and Adventures of Carl Laemmle, by John Drinkwater — G. P. Putnam's Sons. New York. 1028. Life and Lillian Glsh, by Albert Bigelow Paine — MacMillan Co., 1032. Life and Works of D. W. Griffith, by Iris Barry — Museum of Modern Art. New York. Maintenance Guides for Sound Equipment — Cameron Publishing Co., Coral Gables. Flams. Making Better Movies, by Arthur L. Gale and Russell C. Hols 1 a g — Amateur Cinema League. Inc.. New York. Making the Movies, by Jeanne Bendick — McGraw Hill, New York, 1946. Management of Motion Picture Theaters, by Frank H. Rickotson. 1038. Manual of Arbitration Under the Motion Picture Consent Decree, by Abram F. Myers — Allied States Association of Motion Picture Exhibitors, Washington. 1041. Mechanized Muse, The by Margaret Kennedy — G. Allen & Urwin. London, 1942. Million and One Nights, by Terry Ramsaye — Simon & Schuster. 1026. Mirrors of Hollywood, by Chas. Donald Fox—Charles Renard Corp., 1926. Modern Communications, chapters by John E. Otterson and Herbert E. Ives — Houghton Miflin Co.. 1933. Motion Picture Almanac, published yearly by Quigley Publishing Co.. Rockefeller Center. N. Y. C. Motion Picture Continuities, by Frances Taylor Patterson — Columbia University Press. Motion Picture Directing, by Peter Milne — Faulk Publishing Co.. New York. 1922. Motion Picture Accounting, by W. F. Morris — M.P.V. Publishing Co.. 1924. Motion Picture Cameraman, by E. G. Lutz. Scribner. 1927. Motion Picture Directing, by Peter Milne — Falk Publishing Co.. 1922. Motion Picture Industry, by W. A. Johnson — American Academy of Political & 8ocial Science. Philadelphia. 1926. Motion Picture Industry, by Howard T. Lewis — D. Van Nostrand Co., 1933. Motion Picture Industry, The by Daniel Bertrand, W. Duane Evans and E. L. Bianchard — U. S. Govt. Print. Oft.. Washington. 1941. Motion Picture Laboratory Practice — Eastman Kodak Co.. Rochester. N. Y. Motion Picture Making and Exhibiting, by Terry Ramsaye — C. C. Thompson Co., Chicago, 1914. Motion Picture Moods for Organists and Pianists, by Erno R. Cameron — Cameron Publishing Co.. 1028. Motion Picture Optics, by James Rapee. Motion Pictnre Photography, by Carl L. Gregory — Falk Publishing Co.. 1021. Motion Pictnre Photography — Eastman Kodak Co.. 1024. Motion Picture Photography, by Herbert C. McKay — Falk Publishing Co.. 1024. Motion Picture Projection, by James R. Cameron — Cameron Publishing Co., Coral Gables. Fla.. 1946. Motion Picture Projection Textbook— New York Technical Book Co.. 1922. Motion Picture Sound Engineering, by Research Council of the Academy of Motion Picture Arts and Sciences — Van Nostrand. 19.18. Motion Picture Theater Management, by Harold B. Franklin — Doran & Co.. 1927. Motion Picture Work, by D. S. Hulflsh — American School of Correspondence. Chicago 1013. Motion Pictures: How They Are Made and How to Appreciate Them, by Barrett C. Riesling. Motion Pictures and Radio, by Elizabeth Laine — McGraw Hill. N. Y., 1939. Motion Pictures and Youth, Payne Fund Studies — Macmillan. New York, 1933-1036. Motion Pictures and Youth, by Werrett W. Charters — Macmillan. New York. 1933. Motion Pictures as an Aid in Teaching American History, by Harry Arthur Wise — Yale University Press, New Haven. 1940. Motion Pictures and the Social Attitudes of Children, by R. C. Peterson and Louis L. Thurston— Macmillan, New York. 1933. Motion Pictures for Instruction, by A. P. Hollis — The Century Co.. New York. Motion Pictures In Education, by D. C. Ellis — T. Y. Crowell Publishing Co.. 1023. .Motion Pictures in Education, compiled by Edgar Dale, H. W. Wilson — H. W. Wilson Co., New York, 1937. Motion Pictures with Sound, by James R. Cameron — Cameron Publishing Co.. 1929. Motors and Motor Generators, by James R. Cameron — Cameron Publishing Co.. Coral Gables, Fla.. 1946. Movie Lot to Beachhead, by the editors of Look, Doubleday Doran, New York, 1945. .Movie Making for the Beginner, by Herbert C. McKay — ZiffDavis Publishing Co.. Chicago. Movies Come from America, The, by Gilbert Seldes — Scribner's. New York, 1937. Movies' Fire Qualifications, by E. R. Winstrom — Universal Publishing Co.. Hollywood, 1926. Movies on Trial. The. compiled and edited by William J. Perlman — Macmillan, N. Y.. 1936. Moving Pictures — How They Are Made and Worked, by Frederick A. Talbot — J. B. Lippincott Publishing Co.. 1923. Moving Pictures In Education, by Frank U. Freeman — University of Chicago Press. 1924. Musical Presentation of Motion Pictures, by George W. Beynon — O. Shirmer, 1921. National Comm.'i Motion Picture Study Clubs — National Commission for Better Films. 1926. Never a Dull Moment, by Charles Francis Coe — Hastings House. 1944. New Courts of Industry, by Louis Nizer — The Longacre Press. Inc.. New York, 1935. New Technique of Screen Writing, by Tamar Lane — Whittlesey House. New York. 1936. New Theater and Cinema of Soviet Russia, by Huntley Carter — Chapman & Dodd. Ltd., London, 1924. New Theaters for Old, by Mordecat Gorelik — Samuel French. New York. 1941. Newer Aspects of the Citizens' Solution of the M. P. Problem, by C. C. Gilman — C. C. Gilman. Minneapolis, 1926. 923