Year book of motion pictures (1951)
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★ ****★*★* ACADEMY AWARDS ***★**★★*
Interior Decoration: Wilfred Shingleton
(Great Expectations). fiditing: Francis Lyon, Robert Parrish (Body
and Soul).
Sound Recording: Gordon Sawyer (The
Bishop's Wife). Cineinatograpliy, Black and White: Guy
Green (Great Expectations). Cineinalography, Color: Jack Cardiff (Black
Narcissus).
Special Effects, Visual: Arnold Gillespie, Warren Newcome (Green Dolphin Street).
Special Effects, Audible: Douglas Shearer, Michael Steinore (Green Dolphin Street).
Short Subjects-Cartoon: Tvveetie Pie (Warners): One Reel: Goodbye Miss Turlock M-G-M; Tiuo-Reels: Climbing the Matierhorn (Monogram).
Sj)ecial Awards: Shoe Shine (Lopert): Ken Murray (Bill and Coo): James Baskett (Uncle Remus in Song of the South); Industry Pioneers: George K. Spoor. Thomas Armat, Albert E. Smith. Col. William N. Selig: C. C. Davis (Western Electric): Charles R. Dailey (Paramount Laboratories); Nathan Levenson (Warners).
Documentary Short Subject: First Steps (UN division of Films and Visual Education).
Documentary Features: Design for Death (RKO).
1946
Best Production: The Be-t Years of Our
Lives (RKO-Samuel Goldwyn). Actress: Olivia de Havilland (To Each His
Own).
Actor: Fredric March (The Best Years of Our Lives).
Suj)porting Actor: Harold Russell (The Best
Years of Our Lives). Supjjorting Actress: .Anne Baxter (The
Razor's Ed^eV Direction: William Wyler (The Best Years
of Our Lives). Screenplay: Robert E. Sherwood (The Best
Years of Our Lives). Ori'^inal Screenplay: Muriel Box and Sydney
Box (The Seventh \'eil). Original Story: Clemence Dane (Vacation
from Afarriage). Scoring, Musical: Monis Stoloff (The Jolson
Story).
Scoring, Drama: Hugo Friedhofer (The Best
Years of Our Lives). Original Sonii: On the Atchison. Topeka and
Santa Fe (The Har\ey Girls): music, Harry
Warren: Lyrics, Johnnv Mercer. Art Direction, Black and While: Lyle Wheeler
and William Darling (Anna and the King
of Siam).
Art Direriinn, Color: Cediic Giljbons and Paul Groesse (The 'S'earling).
Interior Decoration, Black and White:
Thomas Little and Frank E. Hughes (Anna
and the King of Siam). Interior Decoration, Color: Edwin B. Willis
(The Yearling). Filming Editor: Daniel Mandell (The Best
Years of Our Lives). Sound Recording: Joiin Livadary (The Jolson
Story).
Cinematography, Black and White: Arthur Miller (.Anna and the King of Siam).
Cinematography, Color: Charles Rosher, Leonard Smith and Arthur Arling (The Yearling).
Special Effects, Photographic: Thomas How
.'ird (Blithe Spirit). Short Subjects— Cartoon: The Cat Concerto
(M-G-M): One-reel: Facing Your Danger
(Warners): Two-reel: .A Boy and His Dog
(Warners).
Special Axuards: Samuel Goldwyn (Thalberg Memorial Award); Laurence Olivier; Harold Russell; Ernst Luhitsch; Claude Jarman, Jr. (Junior .Award).
Documentary Production: Seeds of Destiny, (short subject).
1945
Best Production— The Lost Weekend (Paramount).
Actress— ]oan Crawford (Mildred Pierce). Actor— Kay Milland (The Lost Weekend). Su pportinc[. Actor— ];\n\es Dunn (A Tree
Grows in Brooklyn). Supliorting Actress— Ann Revere (National
\'elvet).
Direction— XMWy Wilder (The Lost Weekend).
Srrecip/j/rtv— Charles Brackett, Billy Wilder (The Lost ^Veekend).
Original Screen play— V.\<.hnT(] Sihweizer (Marie-Louise).
Orirrinnl .S/on-Charles G. Booth (The House
on 92nd St.). Scoring. Musical— Ceov^ie Stoll (.Anchors
A weigh).
Scorini^. Drr7)?in— Miklos Rozsa ('Spellbound). Original Son<;—"U Might As Well Be Spring"
(State Fair). !\fusic. Richard Rodgers; Lyrics. Oscar Hammerstein. II. Art Direction, lilack and IT7n7e— Wiard Ihnen
(Blood on the Sun). Art Direction, <7o/or— Ilans Dieier, Ernst
Feijte (Frenchman's Creek). Iiilerinr Decoration, Black and ]Vhite—A.
Roland Fields (Blood on the Sun). Interior Decoration, Co/or— Hans Dreier,
Ernst Fegte (Frenchman's Creek). Film Editing— Roherl J. Kern (National
\'elvet).
Sound Rccording—Siephcn Duini (The Bells of St. Mary's).
★★*★****★**★*★★******
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