Year book of motion pictures (1951)

Phillips, Henry Albert. The feature photoplay. Springfield. Home Correspondence School, 1921. Pryor, William Clayton and Pryor, Helen Sloman. Let's go to the movies. N. Y., Harcourt, Brace & Co., 1939. Pudovkin, V. I. Film technique and film acting. N. Y.. Lear Pub., 1949. Read, Oliver. Tlie recording and reproduction of sound. Indianapolis, Sams & Co., 1949. Reyner, John H. Cine-photography for amateurs, 3rd. ed. London, Chapman, 1939. Richardson. F. H. Bluebook of projection. 7th ed. N. Y.. Quigley, 1943. Rideout, Eric H. The American film. London, Mitre. 1937. Rose. A. R. How to direct. London, Focal Press, 1949. Rose, Jackson J. American ciematographer hand book and reference guide. 7th ed. Los Angeles, American Society of Cinematosraphers, 1950. Sehary. Dore. Case history of a movie. N. Y., Random House, 1950. Simon. S. Sylvan. Let's make movies. N. Y., Samuel French. 1940. Sinclair, A. T. and others. Sound film projection, 3rd ed. London, Newnes. 1950. Society of Motion Picture Engineers. The technique of motion picture production. N. T., Intersience Pub.. 1944. Spencer, D. A. and Waley. H. D. The cinema today. London, Oxford University Press. 1946. Spencer, D. A. Colour photography in practice. London, Pitman & Greenwood, 1948. Spottiswoode. Ra.vmond. Basic film techniques. Berkeley, University of California Press, 1948. Spottiswoode. Raymond. A grammar of the film. III. BIOGRAPHY Allister, Ray. Friese-Greene; close-up of an inventor. London, Marsland Pub., 1948. Arliss, George. My ten years in the studios. Boston Little, Brown & Co.. 1940. Balron. Michael and others. Twenty years of British film, 1925-1946. London, Falcon Press. 1947. Bardeche, Maurice and Brasillach. Robert. The history of motion pictures. N. Y., Norton, 1938. Barry, Iris. U. W. Griffith. American film master. N. Y., Museum of Modem Art.. 1940. Bowman. W. Dodgson. Charlie Chaplin, his life and art. N. Y., John Day Co., 1931. Cannom, Robert C. Van Dyke and the mythical city of Hollywood. Culver City, Murray & Gee, 1948. Cooke, Allistair. Douglas Fairbanks, the making of a screen character. N. Y., Museum of Modern Art, 1940. Crichton, Kyle S. The Marx Brothers. Garden City, N. Y.. Doubleday, 1950. De Mille, William C. Hollywood saga. N. T., Dutton. 1939. Doyle. G. R. Twenty-flve years of films. London. Mitre Press. 1936. Drinkwater. John. The life and adventure of Carl Laemmle. N. Y., Putnam, 1931. Fowler. Gene. Father Goose, the story of Mack Sennett. N. Y., Covici-Friede, 1934. Fowler, Gene. Good night. Sweet Prince: the life and times of John Barrymore. N. Y., Viking Press. 1944. Fox. Charles Donald. Famous film folks; a gallery of life portraits and biographies. N. Y.. Doran. 1925. Fox, Charles Donald. Mirrors of Hollywood: with brief biographies of favorite film folk. N. Y., Renard. 1925. Goldwyn, Samuel. Behind the screen. N, T., Doran. 1923. Green. Fitzhugh. The film finds its tongue. N. Y., Putnam. 1929. Griffith, D. W., Mrs. (Linda Arvidson). When the movies were young. N. Y., Dutton, 1925. Hampton. Benjamin B. A history of the movies. N. Y.. Covici-Friede. 1931. Harmon. Francis S. The command is forward; selections from addresses on the motion picture industry in war and peace. N. T., Richard B. Smith, 1944. Berkeley and Los Angeles University of California Press. Sprungman, Ormal I. Add sound to your movies. N. Y.. Ziff-Davis. 1948. Sprungman, Ormal I. Editing and titling movies. N. Y., Ziff-Davis, 1947. Stanislavski, Constantin. An actor prepares. N. Y., ITieatre Arts, 1942. Strasser, Alex. Amateur movies and how to make them, rev. ed. N. Y., The Studio, 1949. Talbot, Frederick A. Moving pictures, how they are made and worked. Phila., Lippincott, 1923. Talbot, Frederick A. Practical cinematography and its applications. London, Heineman, 1913. Tell, Pincus W. Opportunities in motion pictures. N. Y., Vocational Guidance Manuals, 1949. Turney, Harold. Cartoon production. Hollywood, Film Guide. 1940. Tuttle, Harris B. Colour movies for the beginner, rev. ed. N. Y.. Ziff-Davis. 1949. Vale, Eugene. The technique of screenplay writing; a book about the dramatic structure of motion pictures. N. Y., Crown Pub., 1944. Walker, R. M. Stage and film decor. London, Pitman, 1940. Watts, Stephen, ed. Behind the screen; how films are made. N. Y., Dodge, 1938. White, Moresby and Stock, Freda. The right way to write for the films. London, Rolls House, 1948. Wood. Leslie. The miracle of the movies. London, Burke Pub. Co., 1947. Woodhouse, Bruce. From script to screen. London, Winchester Pub., 1948. Wright, W. L. Photoplay writing. N. Y., Palk Pub. Co.. 1922. AND HISTORY Hart. William S. My life east and west. Boston. Houghton Mifflin, 1929. Hays, Will H. See and hear; a brief history of motion pictures and the development of sound. N. Y., Motion Picture Producers and Distributors of America. 1929. Hughes, Elinor. Famous stars of fllmdom. Boston, L. C. Page & Co.. 1932. Irwin, Will. The house that shadows built. N. Y., Dovibleday, Doran, 1928. Jacobs, Lewis. The rise of the American film; a critical history. N. Y., Harcourt, Brace & Co., 1939. Laing. E. E. Greta Garbo: the story of a specialist. London. Gifford, 1946. Look. Movielot to beachhead; the motion picture goes to war and prepares for the future. N. Y., Doubleday. Doran & Co.. 1945. Low. Rachel and Manvell, Roger. The history of the British film, 1896-1906. London, Allen & Unwin, 1948. Low. Rachel. History of the British film, 19061914. London. Allen & Unwin, 1949. Lubschez. Ben J. The story of the motion picture, 65 B. C. to 1920 A. D. N. Y., Reeland Pub., 1920. Martin. Pete. Hollywood without make-up. Phila., Lippincott, 1948. Menjou, Adolphe and Musselman, M. M. It took nine tailors. N. Y., Whittlesey House, 1948. Miller, Max. For the sake of shadows. N. Y., Dutton. 1936. Morris, Lloyd R. Not so long ago. N. Y., Random House, 1949. Movies at war; reports of War Activities Committee. Motion Picture Industry. 1942-45. N. Y.. 1945. Noble. Peter. Hollywood scapegoat: the biography of Erich von Stroheim. London. Fortune Press, 1950. Paine. Albert Bigelow. Life and Lillian Gish. N. Y., Maemillan, 1932. Parsons, Louella O. The gay illiterate. N. Y., Doubleday, Doran, 1944. Quigley, Martin, Jr. Magic shadows; the story of the origin of motion pictures. Wash., Georgetown University Press. 1948. Rambova. Natacha. Rudy: an intimate portrait of Rudolf Valentino, London. Hutchinson, 1926. Ramsaye, Terry, A million and one nights; a 901