Film year book (1935)

Marston — D. Appleton & Co., \ew York. Art of the Theater by Sarah Bernhardt — Bles Publishing Co., London, 1924. Behind the Motion Picture Screen, by Austin C. Lescabora — Scientific American Publishing Co., 1921. Behind the Screen, by Samuel Goldwyn— Doran & Co., 1923. Breaking Into the Movies, by Charles Reed Jones — Unicorn Press, 1928. Breaking Into the Movies, by John Emerson and Anita Loos — James McCann Publishing Co., 1921. Building Theater Patronage, by Barry & Sargent — Chalmers Publishing Co., 1928. Camera Secrets of Hollywood, by Robert C. Bruce and Pat Dowling — Camera Secrets Publishing Co., Hollywood, 1932. Cameron's Encyclopedia on Sound Pictures, by James R Cameron — Cameron Pub. Co.. 1931. Cameron's Television, by James R. Cameron — Cameron Pub. Co.. 1932. Censorship of the Theater and Moving Pictures, by Lamar T. Beman— H. W. Wilson Co. Charlie Chaplin, His Life and Art, by W. Dogson Bowman, — John Day Co., New York. Cine Camera, The, by Herbert C. McKay — Falk Publishing Co., New York, 1930. Cine Titling and Editing, by Herbert C. McKay— Falk Publishing Co., New York, 1932. Cinematographic Annual, American Society of Cinematographers, Hollywood. Cinematograph Book, by B. E. Jones — Funk & Wagnalls, 1921. Cinema Craftsmanship, by F. T. Patterson — Harcourt Brace & Co., 1921. Cinema Handbook, by Austin C. Lescaboura — Scientific American Publishmg Co., 1921. Cinema, Its Present Position and Future Possibilities, by Cinema Commission of inquiry — William & Norgate London, 1921. Cinematic Design, by Leonard Hacker — American Photograiihic Publishing Co., Boston. Cinematography and Talkies, by James R. Cameron — Cameron Pub. Co., 1932. Condensed Course in Motion Picture Photography, A, New York Institute of Photography, 1920. Costume Throughout the Ages, liy Mary Evans — J. B. Lippincott Co., Philadelphia. Cyclopedia of Motion Picture Work, American School of Correspondence, Chicago, 1911. Directors' Annual & Production Guide, published each June by The Film Daily, 1650 Broadway, New York City. Educational Talking Picture, The, by Frederick L. Devcrcu.x — University of Chicago Press. Electricity for Operators, by James R. Cameron — Cameron Publishing Co., 1927. Elementary Text-Book of M. P. Projection, by James R. Cameron — American Red Cross Institute. Elinor Glyn's System of Writing, by Elinor Glyn — Author's Press, 1922. Encyclopedia of Music for Pictures, by Erno Rapee — Belw:n, 1925. K.xperimental Television, by A Frederick Collins — Lithrop, Lee and Shepard Co., Boston. 1933. Famous Film Folk, by Charles Donald Fox — Doran & Co., 1925. Famous Stars of Filradom (Men) by Elinor Hughes— L. C. Page & Co., Boston, 1932. Feature Photoplay, The, by Henry Albert PInllips — Home Correspondence Scliool, Spring lield. 111. Film Daily Year Book, pubhshed about January 1, yearly, by The Film Daily, 1650 I'.road way. New York City. Film Facts and Forecasts, by L'Estrange — Fawcett Co., 1927. Film Industry, by Boughey — Pitman & Sons, 1921. First 100 Noted Men and Women on the Screen, by Carolyn Lowery — Moffat Yard Publishing Co., 1920. Fundamentals of Television, by T. W. Benson — Mancall Publishing Corp., 1930. Handbook of Motion Picture Photography, by H. C. MacKay, Falk Publishing Co., 1927. Handbook on Projection, by F. H. Richardson-Chalmer Publishing Co., 1927. Harvard Business Reports (Vol. 8), McGraw-Hill Book Co., 1930. Heraclitus of the Future of Fi ms, by Ernest Belts — E. P lJuttou & Co., New York. High Intensity Arcs, by James R. Cameron — Cameron Publishing Co., 1927. History of the Movies, by Benjamin B. Hampton — Confici Friede, N. Y., 1931. House That Shadows Built (Biography of Adolph Zukor), by Will Irwin — DoubledayDoran Co., 1928. How to Appreciate Motion Pictures, by Edgar Dale — The MacmiUan Co., New York, 1933. How to Make and Operate Moving Pictures, by B. E. Jones — Funk & Wagnalls Co., 1916. How Motion Pictures Are Made. by Homer Croy — Harper & Bros., 1918. Illusion of the First Time in Acting, by William H. Gillette— Gift edition only, 191 i (Copy in the Dramatic Mu seum of Columbia University, New York). Inside Secrets of Photoplay Writing, by Willard Kinv; Bradley — Funk & Wagii;ills Co., New York. Kinematograph Studio Technique, by L. C. MacBean — Pitman & Sons, 1922. Know Your Movies, by Welford Beaton. Published by Howard Hill, Hollywood, 1932. Let's Go to the Movies, by Iris Barry — I'ayson. 1926. Life and Lillian Gish, by Albert Bigelow Paine — MacMillan Co., 1932. Making Better Movies, by Arthur L. Gale and Russell C. Holslag — Amateur Cinema League, Inc., New York. Mary and Doug, by Allene Talmet — Macy Masius Co. Million and One Nights, by Terry Ramsaye — Simon & Schuster, 1926. Mirrors of Hollywood, by Chas. Donald Fox — Charles Renard Corp., 1925. Motion Picture Almanac, published yearly by Quigley Publishing Co., 1619 Broadway, N. Y. C. Motion Picture Continuities, by Frances Taylor Patterson — Columbia University Press. Motion Picture Directing, by Peter Milne — Falk Publishing Co., New York, 1922. Modern Communications, chapters by John E. Otterson and Herbert E. Ives — Houghton Miflin Co., 1933. Motion Picture Accounting, by W. F. Morris--M. P. V. Publishing Co., 1924. Motion Picture Cameraman, by E. G. Lutz, Scriber, 1927. Motion Picture Directing, by Peter Milne — Falk Publishing Co., 1922. Motion Picture Industry, by W. A. Johnson — American Academy of Political & Social Science, Philadelphia, 1926. Motion Picture Industry, by Howard T. Lewis — D. Van Nostrand Co., 1933. Motion Picture Making and Exhibiting, by Terry Ramsaye — C. C. Thompson Co., Chicago, 1914. Motion Picture Moods for Organists and Pianists, by Erno Rapee. Motion Picture Operation, Stage Electrics and Illusions, by H. C. Hortsmann — Drake, Chicago. 1914. Motion Picture Optics, by James R. Cameron — Cameron Publishing Co., 1926. Motion Picture Photography, by Carl L. Gregory — Falk Publishing Co., 1921. 661