We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
Correspondence, Chicago, 1913. Motion Pictures for Instruction,
by A. P. Hollis— The Century
Co., New York. Motion Pictures in Education,
by D. C. Ellis— T. Y. Crowell
Publishing Co., 1923. Motion Pictures with Sound, by
James R. Cameron, Cameron
Publishing Co., 1929. Motors and Generators, by James
R. Cameron — Cameron Publishing Co., 1927. Movies' Five Qualifications, by
E. R. Winstrom — Universal
Publishing Co., Hollywood,
1925.
Movies on Trial, The, compiled and edited by William J. Perlman— Macmillan, N. Y., 1936.
Moving Pictures — How They Are Made and Worked, by Frederick A. Talbot— J. B. Lippincott Publishing Co., 1923.
Moving Pictures in Education, by Frank U. Freeman — University of Chicago Press, 1924.
Musical Presentation of Motion Pictures, by George W. Beynon— O. Shirmer, 1921.
National Comm.'s Motion Picture Study Clubs — National Commission for Better Films, 1925.
New Courts of Industry, by Louis Nizer — The Longacre Press, Inc., New York, 1935.
New Theater and Cinema of Soviet Russia, by Huntley Carter — Chapman & Dodd, Ltd., London, 1924.
Newer Aspects of the Citizens' Solution of the M. P. Problem, by C. C. Oilman— C. C. Oilman, Minneapolis, 1926.
Newsreel Man, by Charles Pegen, Doubleday, Doran & Co., 1932.
Our Movie-Made Children, by Henry James Forman — Macmillan Co., N. Y.. 1933.
Outlook For Television, by Orrin E. Dunlap, Jr. — Harper & Bros., 1932.
Photoplay Synopsis, The, by A. Van Buren Powell — Home Correspondence School, Springfield, Mass.
Photoplay Writing, by W. L. Wright— Falk Publishing Co., 1922.
Photoplays, A Psychological Study, by Hugo Munsterburg — Appleton & Co.. 1916.
Pictorial Beauty on the Screen, by V. O. Freeburg— MacMillan Co., 1923.
Pocket Reference Book of Managers and Operators, by James R, Cameron — Cameron Publishing Co.. 1927.
Practical Hints on Acting for the Cinema, by Agnes E. Pratt— E. P. Dutton Publishing Co., 1923.
Problems of the Actor, by Louis Calvert — Holt Publishing Co., 1918.
Projectionists Guide Book — Mancall Publishing Corp., 1932.
Proiection Sound Pictures, by Aaron Nadell — McOraw-Hill Book Co.. Inc.. 1931.
Public Address Systems, Sound Equipment, 2nd edition, bv James R. Cameron — Cameron Publishing Co., 1936.
Questions and Answers on M. P. Projection, by James R. Cameron — Cameron Publishing Co., 1927.
Questions and Answers on Sound Motion Pictures, by James R. Cameron — Cameron Publishing Co., 1932.
Radio and Television for Projectionists, by James R. Cameron— Cameron Publishing Co., Woodmont, Conn., 1933,
Recording and Reproducing of Sound Motion Pictures, 2nd edition, by James R. Cameron — Cameron Publishing Co., 1936.
Recording Sound for Motion Pictures — Edited by the Academy of Motion Picture Arts and Sciences. McOraw-Hill Book Co., Inc., N. Y. C , 1930.
Richardson's Handbook of Projection, by F. H. Richardson — Chalmers Publishing Co., 1927.
Scenario Writing, by Marion Norris Oleason — American Photographic Publishing Co., Boston.
Screen Acting, by Mae Marsh — Fred Stokes Publishing Co., 1921.
Screen Acting, by Inez and Helen Klumph— Falk Publishing Co., 1922.
See and Hear, by Will H. Hays — Motion Picture Producers and Distributors of America, 1929.
Servicing Sound Motion Picture Equipment, 3rd edition, by James R. Cameron — Cameron Publishing Co., 1936.
Servicing and Trouble Shooting Charts for Motion Picture Reproducing Equipment, by James R. Cameron — Cameron Publishing Co., 1936.
Sound Equipment, Motion Picture Production, by James R. Cameron — Cameron Publishing Co., 1936.
Sound Motion Picture in Science Teaching, by Phillip Justin Rulon — Harvard University Press.
Sound Motion Pictures, by Harold B. Franklin — Doubleday Doran.
Sound Pictures and Trouble Shooters Manual, by James R. Cameron — Cameron Pub. Co., 1931.
Sound Projection, by R. Miehling — Mancall Publishing Corp., 1930.
Sound Trouble Tracer, by A. Van Buren Powell — Mancall Publishing Corp., 1931.
Soul of the Moving Picture.
translated from the German bv
Allen W. Porterfield— E. P.
Dutton Co., 1921. Sound Recording — Society of
Motion Picture Engineers,
1930.
State Censorship of Motion Pictures, by J. R. Rutland— H. W. Wilson Publishing Co., 1923.
Story of the Films, by J. P.
Kennedy— A. W. Shaw, 1927. Story of the Motion Picture, by
B. J. Lubschez — Reeland
Publishing Co., 1920. Talkies, The, by Arthur Edwin
Krows — Henry Holt & Co.,
New York. Taking and Showing of Motion
Pictures for Amateurs, by
James R. Cameron — Cameron
Publishing Co., 1927. Talking Movies, by James R.
Cameron — Cameron Publishing Co., 1927.
Talking Pictures: How They Are Made, How to Appreciate Them, by Barrett C. Kiesling — J o h n s o n Publishing Co., 1937.
Tall Tales from Hollywood, hy Tay Garnett — Liveriglit, Inc., New York.
Technical Digest of Motion Picture Arts and SciencesAcademy of Motion Picture Arts & Sciences, Hollywood. Technique of the Photoplay, by E. W. Sargent— M. P. World, 1913.
Technique of the Photoplay, by Epes W. Sargent, — Moving Picture World.
That Marvel — the Movie, by E. S, Van Zile— G. P. Putnam's Sons, 1923.
Theater and Motion Pictures — Encyclopedia Britannica, Inc., 1933.
Theater Management, by Harold B. Franklin— Doran & Co., 1927.
This Film Business, by R. P.
Messel, London, Benn., 1928. Twinkle, Twinkle, Movie Star!,
by Henry T. Brundidge — E.
P. Dutton & Co., New York.
Up the Years from Bloomsbury, by George Arliss — Little, Brown & Co., Boston.
Upton Sinclair Presents William Fox— Upton Sinclair, 1933.
Visual Fatigue of Motion Pictures, by Aaron E. Singer — Amusement Age Publishing Co., 1933.
Visual Instruction in the Public Schools, by Anna Vernona — Dorris, Ginn & Co.
What's Wrong with the Movies? by Tamar Lane — Waverly Co., 1923.
When the Movies Were Young, by Linda A. Griffith (Mrs. D. W. Griffith)— Dutton & Co., 1925.
Wild Animals in the Films, by Joseph Delmont — Mehteun & Co., Ltd., London, 1925.
With the Movie Makers, by John Amid — Othrop & Shep hard, Boston, 1923.
Writing the Photoplay, by J. B Esenwein and Arthur Leeds — Writer's Monthly Publishing Co., 1919.
Year Book, Film Daily— PubJ lished about January 1, yearly, by the Film Daily. 150»' Broadway. New York City
805