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°f course, all work and no play would make even these Jills very dull girls. When they work — which is the greater part of the time — they work very, very hard ; and so, when they play, they have to play twice
as hard, to make up for it. "And the right kind of playing clothes are every bit as important as the right kind of working clothes," they say —you can see that they know what they're talking about.
"Dear me, it's getting cold!" said Joan Sawyer, throwing about her shoulders a beautifuil gauzy scarf of tulle. We happened to catch her while she was standing still, long enough for us to examine this white chiffon dance frock with gorgeous feather trimming.
They're Ready— On With the Dance.
Most Anyone Would Feel Like Dancing in Gowns Like These.
LASKY
Nothing at all to make, my dear. Just four flounces and a bit of bodice is plenty for a gown for Cherie Malone. Of course it is strapped on over the shoulders and made of iridescent sequins. And there is the tulle drapery and the silk lining and things. But with a countenance and manner like Cherie Malone's, what matters her gown?
WHITE PHOTO
"It is so difficult," explains Jane Grey, ' ' to know how to arrange one's arms in a picture." We find no fault with her arms.
PATHB WHITE PHOTO
Grace Darmond likes yards
and yards of material in
her gowns. You can tell
that, can't you?
It isn't often we have the opportunity to see Mary in evening gowns, she is kept so busy at ingenue parts. Reading poetry, too !