The filmgoers' annual (1932)

Record Details:

Title:
The filmgoers' annual
Date:
1932
Publisher:
London : Simpkin Marshall, Limited
Volume:
The filmgoers' annual (1932)
Leaf #:
00024
Language:
English
Subjects:
Motion Pictures, Film Industry Yearbook",nyarc-museumofmodernar
Collection:
Global Cinema, Books, Hollywood Studio System, and United Kingdom
Format:
Books
Contributor:
The Museum of Modern Art Library, New York
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

16 The Filmgoers' Annual LP j H i jpc-p-ir vi LITTLE CAiSAR THE central figure in this sensational film is a gangster who has a yearning for bigger and better things in banditry. He wants to succeed on a grand scale, and, one by one, he topples over the people in his way, as he boasts he " can take it as well as dish it out." His ruthless methods, his daring escapades and his overweening vanity make " Little Caesar" perhaps the most realistic drama of gangster life yet seen in films. " Little Caesar " is drawn with clean, hard-cut lines. It contains no mawkish sentimentality whatsoever and no concessions to obvious film convention.