FilmIndia (Dec 1937 - Apr 1938)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

FILM INDIA VOL. 3 No. 9 The pity, however, is that few, even amongst the intellectuals, can reach the heights of the director, even to get a nodding acquaintance with the throbbing soul of the theme. Performances: Pahari Sanyal, after my foregoing remarks, is certainly good — though with limitations. His music was neat and clever but his voice lacked the divine melody which is an essential for a role like this. Kanan Bala gave a very popular performance, and at places she has given admirable glimpses of Devaki Babu's genius in direction. Chhaya's performance was clever. A new one who caught the eye was Md. Ishaq with a beautiful diction and suitable action to back. And now, Prithvi, going from one good performance to another better. This man has changed beyond recognition. He has now become a polished artiste. And there are few to touch him in his performance, which is excellent and admirable. Nemo, the slap-stickers was not bad. Rampyari's appear ance was revolting though her small performance was not bad. Costumes & Settings: Attractive and suitable. Special Effects: Some of the shots of "Vasant Utsav" provide a variety of technique. General Remarks: Just see this picture if you call yourself a film fan of some status. Publicity: The publicity that ushered this picture was rather clever and was in a large way responsible in attracting the intelligentsia of the city. Box Office Value: Success for a picture like this will entirely depend on the class of audience a theatre is used to receive. For intellectuals it is a treat. But in any case the picture should be booked, even by giving the distributors a minimum guarantee. If you lose in the bargain, but I doubt if you will, consider the deficit as your contribution towards producing such a great picture. It is a picture to be proud of for every one connected with the industry. Reviewed by Mr. Baburao Patel. "HIS HIGHNESS" Producers: Prakash Pictures. Released at: Super Talkies. Date of Release: 4th Dec. 1937. Bombay Circuit Distributors: Evergreen Pictures, Bombay. Star Value: Dogs 'Tommy' and 'Tiger' and Horse 'Bahadur'. Other Cast: Jayant, Sardar Akhtar, Gulab, Shirin, Umakant, Lalloobhai, Ismail, etc. Screen Play: By Batuk Bhatt. I have not yet come across another story which was more unsuitable for filming purposes. The man who has written this one, can hardly be called a screen writer. The subject matter and the plot development are both rotten and puerile. Language: (Urdu) (ByAnuj): The dialogues which are silly most of the time are written in verse, thereby robbing the entire picture of even a trace of reality. \ group photo 1 n the occasion of the visit of Their Excellencies the Viceroy and the Vicereine to the New Theatres' Studio, Calcutta. 44