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FIL INDIA
March 1938
h pily. Anis Khatoon doesn't ;oably like belonging to their family and would not like to come in the way.
ยป * *
Yakub, Sagar's villain, seems to have taken up racing, as I find him very often at the Mahalaxmi Race Course. Horses perhaps pay better than producers. Anyway, the business is entirely cash on spot and no excuses.
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Director Atorthy's progress is painfully slow at the "Film City". He is perhaps worried about the money people owe him. Why not buy off those worries and allow him to complete the "Educated Fool"?
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Actor Mubarak who has now become a producer, I beg your pardon, a co-producer is worried about his maiden attempt called "Sathi". Has he in completing this story of companions, lost companionship? No prize is offered for a correct reply.
They say that Director Gunjal of Imperial is going to join the Shalini Cinetone. Khan Bahadur Ardeshar the proprietor, is disappointed because they merely say so.
Leela in "Gopichand" a Saraswati picture in shooting.
The second cinecolour picture is called "Mother India" with Shariffa as the mother and Pramilla as the prize baby of the show. Even if it becomes twice as good as "Kisan Kanya" will it help the Imperial nursery?
Sohrab Mody has given a national lead to the producers by producing "Meetha Zahar" a picture advocating prohibition. Chimanlal Desai must chastise this Parsi producer by producing another deriding the advantages of toddy. Sohrab Mody had no right to violate thus the secret code amongst the producers.
Motoring from Andheri to Bombay, one meets several pariah dogs trekking for the Prakash Studios in Andheri. After "Challenge" and "His Highness" this studio seems to have become a sanctuary for all pariahs. And goaded by the proverb: "Every dog has his day", every dog goes
An interesting situation from "Jwala" a Huns picture coming to the screen next month.
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