FilmIndia (1940)

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FILMINDI A July, 1940 Aruna is brought to Vijay's home and treated like a child of the family by Didi. Vijay's older sister, without knowing the circumstances of her parentage. Diwanji, the trusted servant of the family, however, shares the secret with Vijay. Aruna is happy and grows quickly like a plant in a hot-house. Vijay soon goes away to the city to complete his education. At the college he meets Mallika Rai a sophisticated society girl. While Vijay professes to be a practical idealist, Mallika Rai impresses one as an over-bubbling theorist. And yet because of affinity of ideals, there is a sympathetic communion between the two. ROMANCE AND INTRIGUE RAJNIKANT Education over, ANURADHA Vijay returns to to his village to find Aruna now a grown-up woman scattering charms all round. Vijay falls in love with her and with hi.: characteristic honesty proposes to her. After a small family storm, the wedding takes place and Vijay and Aruna are launched into new life. . Didi who is unaware of the stigma attached to Aruna's birth, leaves the family for a change and we are soon introduced to Lallan the younger brother of Didi who attempts to blackmail Aruna into submission to his lust by threatening to expose the actual circumstances of her birth. Vijay who had gone away to the city to b'-ing Mallika Rai to he'p him in village uplift activities, returns home with her to find Aruna on the verge of u break-down. Lalit Mehta, Production Manager, whose untiring efforts have contributed to make "Woman" a beautiful picture. And from now on the story rushes fast to a dramatic climax, through thrilling suspense and awe-inspiring doubts to reach a solution that makes every one happy. "Bahurani'' has a successful story, because in addition to its being well written for the screen, it has succeeded in delivering its message in a soothing and suggestive way without creating any sharp contrasts vinoy desai that destroy the harmony and rhythm of life. DISTINCTIVE PERFORMANCES Kishore Sahu gives a star performance and surprises his many friends and critics by his super!) artistry in portraying a role which is none too easy to play because of its psychological content. He did it with an admirable restraint which was atonce dignified and perfect. Mubarak's character role of Diwanji is a perfect presentation of its type given with a correct under Off the sets — a pal! Director Shantaram with the Dnyaneshwar kids — a kid among k ds — all joy and smiles. Do they love him? Ah do they? 34