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larch 1942
FILMINDIA
All the time, if it pleases you. But what would you like to teach me? Come ever to Bombay and between 10 and 6 I am found at my office.
B. R. Vijayanarayan (Hassan)
Do you read any other film magazines?
Where are the any other mags? I haven't come across any. I have been so much engrossed in "filmindia'' that I have had no time to look about.
is not an embrace. It is a loving crash between adia and John Cavas, the two athletes of "Jungle Princess", a Wadia thriller.
looking cut for your name or money you will be disappointed.
t. K. Grover (Lahore)
How is :'t that some film stars who were twenty, two ears back a-e stiil repcrted as twenty years old?
Time stands still where the age of a film star is concerned. The publicity mathematicians roughly count one year for every five years and some times they entirely miss their count. But when the star steps puT.ng at the box-offices, she becomes suddenly eld in a day. The stars don't mind, as the process hy.ps to feed their feminine vanity, at least for some time.
liss Lccna Lai (Lahore)
It seems that insp'te of being a graduate Prithviraj oes n: t speak good English in the film "The Court Dancer". If he wishes to improve his English diction pnd him to me.
He will read this and rush. Prithvi is an honert artiste and he will learn from anyone. And if you ere really good at teaching, meeting you will be an additional pleasure to him. About his diction in "The Court Dancer", Prithvi has an exp'anation cf his own. Why not write to him at: Prithviraj Kapur. College Road, Matunga. Bombay and hear what he has to say.
I very much wish to meet you. Could you spare pme time?
L. Anantha Sayanam (Madras)
Is Prithviraj a bachelor? His son, Raj, is.
S. M. Jalil (Allahabad)
Who has got the G.har Gold Medals during the last three years?
GoZd seems to have gone too expensive for Gohar's name to be embossed on it. Sardar Chandu'-al Shah will now present rolls of cotton wool as tokens of distinction. The cotton wool will at least be useful for A.R.P. purposes.
Motilal is always aood at (bene iob« — r*wtiallv when the weight is as p'easant as Shamim in "Arman", Kedar Sharma's first picture at the Ranjit Studios.
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