FilmIndia (Jan-Nov 1942)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

FILMINDIA November 1942 Khurshid and Sa'-gal, two lovely crooners of the screen, team together for the first time in "Bhakta Surdas", a Ranjit picture. would have made a wonderful healer of human a lings. The only disadvantage would have been that Baburao Patel would have become the first patient and remained ill all his natural life. MEETS HER PARTNER I don t know whether dancers are born, tut Sadhona seems to be a born dancer. There is more grace in the turn of her little finger tnan m ti e numerous bcdy twists and hip-rolls g ven by some of our well-known stage dancers who keep on inflicting their devil-dances at regular intervals on us. With the usual artist's precocity, the romantically-m nded Sadhona plunged into romance at the eariy age cf thirteen. It was a bad case of love at first sight and the first sight revealed Producer-director Modhu Bose. They clashed together in a show Modhu had organised and in wnlch Sadhona was dancing. Modhu saw her and fell in a swoon and he has st 11 not recovered himself, though they have been married since 1930. Modhu had married a sensation because when Sadhona made tier stage appearance in 1928, the 1 es in Calcutta chewed the news for months and turned the event into a sensation. Sadhona's aristocratic society felt outraged to see a beautiful daughter of the elite gracing the stage and giving caste to a profession which the orthodox fossils had always condemned in their social hours, but patronised in their spare nights on the sly. The grand daughter of a reformist, Sadhona had rebel blocd in her and she defied them all, till in 1930, when Modhu held her hand in wedlock, two social rebels faced the world with an all-singing, alldancing symphony. What orthodox people could not he'p, they endured and these in society, who were the loudest in the wail of protest, soon settled down to enjoy and relish the inimitable art cf Sadhona Bose, as she was now knewn — that is after smart Modhu did the trick. With her husband as her producer. Sadhona Bose turned the stage dizzy with popularity. People who came to criticise stayed behind to praise, willing victims of Sadhona's charming art. Though she believes that the stage provides a greater scope for the expression of a dancer's art. she feels that the screen is more effective in popularising our ancient art of dancing, because pictures reach a much larger audience. HARD -UP SADHONA This thought spurred the Boses to produce motion pictures with Sa Romola makes a sweet heroine in "Khamoshi", a social release of Supreme