FilmIndia (Feb-Dec 1949)

ebruary, 1949 ren an historical incident. They ring Shabri to the Panchavati ;hram on a preliminary social call id Shabri introduces herself to am, Laxman and Sita. She, of jurse, didn't notice that Prakash's ita was looking over-pregnant. Now : this meeting Ram gives a promise > Shabri to return her social call be)re leaving Dandakarnaya and habri goes happy and smiling. She ad presumably come only to ask for a appointment and not to fulfil latang's prophesy that after a visit FILM INDIA ifter an Operation cident or other causa of shocV, you e liable to lose hair. Not shock alons, Jt chronic maladies and wasting diseases id child birth claim their tall of hair no ss. The length of hair is halved or jartered sometimes and where the loss Continuous, the scalp shows through. Why let the scalp, be denuded of hair hen you can stop h«ir failing now wich savarohin. ? Loss of hair may be an /II, but it is not a necessary evil because ith Kesavaidhni you may s ive and rescue lir during illness; anJ minimsj tne ss even wnere the loss is inevitable, ive and grow beaut. fj| hair wiih TODAY PRESERVES, GROWS AND BEAUTIFIES HAIR esavardhlnl ... As. 14 esavardhini Shampoo ... As. 14 Postage and Packing extra. From most dealers or direct from OUTH INDIA CHEMICALS, COIMBATORE. from Prabhu Ramchandra to her ashram, she would go to heaven. Vijoo had to see that Shabri behaved according to modern etiquette and took a previous appointment with Ram. After Sita's kidnapping incident, Vijoo brings Ram, howling around, to Shabri's ashram and Vijoo's Ram rolls his eyes in a manner to suggest that he had some inner knowledge of Shabri's destiny, and accepts Shabri's hospitality. After this Shabri suddenly remembers having seen Ravan flying with Sita— an unimportant event which could be remembered at leisure perhaps— and Ram once again gets another stroke of grief. Vijoo's Shabri must be having some eyesight to spot Sita in Ravan's flying chariot way up in the clouds. If only we could get those eyes for spoting bombers over India our freedom would not be in jeopardy a single minute. After giving information about Sita's kidnapping, Shabri stretches the etiquette further and introduces Sugriv, Hanuman and other monkey war lords to Ram, forgetful of the fact that Sugriv was actually living on Rishymook mountain 400 miles away. How all these came within Shabri's personal introduction zone is a mystery only Mohan Dave and Vijoo Bhatt can solve! The monkey generals also report having seen Sita being taken by Ravan in the flying chariot and bring out her ornaments as further proof of their good eyesight. After all this, Vijoo's Ram stretches his ugly nostrils and takes a vow to bring back Sita and punish Ravan. Now it is time for Shabri to fulfil her destiny and prepare for heaven. So Vijoo makes her rush out wildly and stumble over a boulder. That inflicts mortal injuries and Shabri dies at Ram's feet. And not by entering fire as Valmiki would have it. But who is Valmiki before Mohan Dave and Vijoo Bhatt? A BAD MIX-UP ! 5) After mixing up all the locations and characters, contrary to the historical facts found in Valmiki Ramayan, Vijoo Bhatt and Mohan Dave reach the battle field. A battle field must naturally become a greater mix-up and Vijoo and Mohan run amok playing havoc with Recruit Jagdish Prasad Jaiswal, B.A., of Nalhofi P.O., Dt. Manbhoom (West Bengal) knows singing and has a liking for screen acting. the sequence of the numerous battle incidents. To quote only one incident of Hanuman bringing the "Sanjeevani", "Vishalyakarini ', "Suvarnakarini" and "Sandhani", the four herbal remedies from the Rishabh peak of the Himalayas. These were first brought, according to Valmiki (Yuddhakand 74) on the eighth day of the battle when Indrajit, Ravan's son, knocked both Ram and Laxman unconscious and killed crores of monkeys. It is here that Jambwan, a comrade in arms lying wounded on the battlefield, tells Hanuman to fly to the Himalayas and get the revitalizing herbs to revive Ram and Laxman. But Vijoo Bhatt and Mohan Dave have a different story to tell. They wanted the Prakash Ram to give some pathetic acting with his broad nostrils stretched from ear to ear, so that people may say "Kewo pathos chhe?". So they knocked out only Laxman unconscious (here Umakant acts the best lying half -dead) and made Ram frantic with grief. Apart from the fact that this Ram's synthetic grief made every one laugh, we would like to know by what stretch of imagination could the writer and the producer single out only Laxman for this half-dead turn contrary to historical facts as found in Valmiki Ramayan? If Mohanlal Dave and Vijoo Bhatt really wanted to be accurate they should have used a similar incident 45