FilmIndia (Feb-Dec 1949)

OUR REVIEW "Andaz" Draws Crowds At Liberty! Dilip Kumar Gives His Greatest Performance ! \l henever Indian producers try to portray sophistication in their pictures they always end by being clumsy and unconvincing. Somehow Indian artistes when they try to ape Western sophisticated ways of life, they always look more funny than convincing. The assumption that fancycostumes, horse riding, perfumes, ball-room dancing and birthday parties make up for all the sophistication required in motion pictures is entirely wrong. All these are, of course, so many outward symbols of sophistication but then sophistication being an essentially mental attitude it has to be mainly expressed in an intellectual manner and with the necessary poise and personality to be completely effective. Merely dressing the dummies for monkey tricks like horse-riding and ball-room dancing cannot Jend sophistication to a story. Seen from this view point, not one character in "Andaz" succeeds in convincing us. And it is a pity that director Mehboob, who is known for vividly portraying some rare realism of life in the past, should have this time stooped to give us a story in an artificial environment entirely inconsistent with the realities of contemporary life in India. The social life which Mehboob portrays in "Andaz" is perhaps found in a few city homes but the people who live this life are in such a small minority that their life and deeds can hardly provide a theme for millions in the country. A social theme is the one which presents the problems of the masses to the masses and suggests an optimistic solution of them. The gambols of a few Westernized monkeys can hardly make a story for 350 million Indians. "Andaz" is, therefore, a story of the few for the few. TALE OF HUMAN HEARTS ! Basically, the story of "Andaz" has some deep human values. Neena, a rich man's only daughter, is saved from a riding accident by Dilip, a young man, whose origin remains a mystery till the end. He is born in the picture on a horse back and we know nothing about his home, his ANDAZ Producers: Mehboob Productions Language: Story : Music: Photography: Audiography : Hindustani Sim ms Lucknavi Nausbad Faredoon Irani Kausbik Cast: Nargis, Dilip Kumar, Raj Kapoor, V. H. Desai, Cuckoo etc. Released At: Liberty, Bombay Date of Release: 21st March 1949 Directed By: MEHBOOB parents, his occupation or his social standing till the end. The only parent of his that we see is the horse which bears his weight in the introductory sequence. Neena feels grateful and accepts Dilip as a life-long friend. Dilip misunderstands gratitude and falls in love with Neena. When Neena's father dies, according to the dramatic schedule, Neena gives half her wealth to Dilip and asks him to manage the rest. Dilip considers this as further evidence of her love for him. Now, Rajan. another young fellow, returns from England — goodness knows after doing what ! We are told that Rajan and Neena love each other since childhood and have been waiting for each other many years. It is the ideal love that waits till eternity. Rajan and Neena are soon married but on the marriage day Dilip wants to pack off. In a little exchange of thoughts Neena is shocked to discover that Dilip loves her very deeply. To keep the story going. Dilip, of course, chooses to stay a little longer and continue with the management of the business. Neena goes to Simla, away from home and away from Dilip's love. Neena loves her husband and proves this by presenting him with a child, an orthodox act for a sophisticated girl. She doesn't want to return to the city and very soon the fretting of Rajan turns into suspicion. Love now suffers an eclipse of doubt and matters soon rush to a climax when Dilip Kumar, one of our most popular artistes, gives an excellent performance in "Andaz" of Mehboob Productions. Rajan returns with Neena to their home town. Dilip becomes aggressive in his love and Rajan becomes more suspicious and quarrelsome till at last Neena empties her revolver into Dilip's chest when he tries to enforce his affection on her. Neena is now tried for murder and of all people Rajan accuses her of disloyalty. Neena is sentenced to transportation for life and not till then does Rajan discover, through a letter written by Dilip and hidden in a toy, that Neena loved only Rajan and no one else. There is remorse, of course, and a mad rush to the jail gates. It ends there. A CONFUSED THEME Mehboob probably wants to tell us that our young girls should not have male friends as such friendships are often misunderstood and prove tragic in the long run. Or does Mehboob consider friendship between a man and a woman as a symbol of Western sophistication? This is rather an extreme view of relationship between a man and a woman. Friendship is essentially a human virtue and to deny it to our young girls is rather a strange order. Is it necessary that all friendships between men and women should end in sex relationship? Aren't there men who look upon their women friends as pals or sisters? Haven't we in India the ceremony of 'Rakshi Bandhan' which ties strangers into a bond of brotherhood and gives a Muslim brother to a Hindu s'.ier? Or does Mehboob want our married girls to disown all previous 41