The film and the public (1955)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

CONTENTS The Production Budget 193 The Position of the Film Producer 1 94 Film Production 197 The Problems of British Producers 208 THE CINEMA AND SOCIETY The Cinema and other Forms of Entertainment 216 What the Audience Wants 2 1 9 Does the Industry Aim at too Narrow an Audience? 220 The Film Addict and Delinquency 222 False Values in Some Films 226 The Star System 228 Children and the Cinema 234 Puritanism and the Cinema 237 The Public and Film Censorship 241 State Control of the Film 248 Freedom of Expression and the Pressure Groups 253 The Film as a Public Service 257 The Specialized Use of the Film 260 The Specialist Cinema and the Film Societies 263 The Ownership, Copyright, and the Wilful Destruction of Films 265 TELEVISION AND THE FILM Television versus the Cinema 267 The Television Audience 269 Public Service versus Commercial Television 272 The Film and Television 277 CONCLUSION 286 9