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THE FILM AND THE PUBLIC
very personal notes on his day by day feelings whilst making La Belle et la Bete. The Animated Film. Roger Manvell. The Sylvan Press, 1954. A brief history of the animated film. The artistic problems, achievements and potentialities of this special branch of film-making are discussed with special reference to the Halas and Batchelor film version of George Orwell's fable Animal Farm.
4. The Film and Society
The Film in National Life. A. C. Cameron. Allen and Unwin, 1932. 'Being the Report of an Enquiry conducted by the Commission on Educational and Cultural Films into the Service which the Cinematograph may render to Education and Social Progress.'
America at the Movies. Margaret Thorp. Yale, 1939; Faber, 1947. Margaret Thorp examines what the American film-goers want, what they get, and how the industry organizes them to want what they get.
Hollywood. Leo Calvin Rosten. Harcourt Brace, 1941. The result of a three-year investigation conducted by a team of social investigators. An astonishing collection of data about the organization, finance, and personnel of Hollywood.
Tendencies to Monopoly in the Cinematograph Film Industry. Stationery Office for the Board of Trade, 1944. A wartime study of the ramifications of the British film industry, especially in relation to the extension of power by the Rank Organization and the relationship of the British to the American film industry during the War. Other official Reports for the Board of Trade include the Report of the Film Studio Committee (1948) on whether or not it would be advisable for the Government itself to own studio space to let to the independent producers, the Report of the Working Party on Film Production Costs ( 1 949) , and the Report of a Committee of Enquiry on the Distribution and Exhibition of Cinematograph Films (i949)
Freedom of the Movies. Ruth Inglis. University of Chicago Press (G.B., Cambridge U.P.), 1947. Written as a report from the American Commission on Freedom of the Press, which included the film in its survey. This is an important book on the history of American film censorship and its social implications.
Essai sur les Principes d'une Philosophic du Cinema. Vol. I. Introduction Generale. Gilbert Cohen-Seat. Presses Universitaires de France, 1946. An outstanding study of the importance of the
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