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Page Twenty THE FILM SPECTATOR July 7, 1928
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I MICHAEL ORME I
I London's Greatest Critic I
I Says in i
I "The London Sketch'^ |
s June 6 Issue i
I FRANCIS X, BUSHMAN
1 has always struck me as an extraordinarily arresting personality on the screen. |
I Whether it be his dignity and restraint, or whether his peculiarly illuminating eye |
I is responsible for his dominance, the fact is that whenever Bushman appears he does |
I dominate the scene. |
I It was so in the famous "BEN HUR" film, when the proud and unscrupulous |
i Roman stood out against a crowded background far more vividly than the romantic |
I Prince of Hur. |
I It is, therefore, always a pleasure to welcome Francis Bushman in a part worthy of i
I his steel. Such a part has been pro\ided for him in "THE THIRTEENTH JUROR" |
I which gives him far greater acting opportunities than have come his way of late. |
I He rises to them in a powerful and interesting interpretation of the central figure, |
I Henry Desmond. "The Thirteenth Juror" holds our attention from first to last. |
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HAROLD LIPSITZ
(HAROLD BYRON)
1927 Scenario Editor — Fox 1928 Supervisor — Fox
Mr. Lipsitz will write
under the name of
Harold Byi'on
Mr. Lipsitz is the newly appointed Scenario Editor Columbia Studios
DEMMY LAMSON
I ^''^'tl^l'"''''' ruth'^lier I
H Story Department INC. |
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