Film technique and film acting : the cinema writings of V. I. Pudovkin (1954)

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72 PUDOVKIN time, integrated from elements of real time picked from actuality by the camera. Editing is the language of the film director. Just as in living speech, so, one may say, in editing : there is a word — the piece of exposed film, the image ; a phrase — the combination of these pieces. Only by his editing methods can one judge a director's individuality. Just as each writer has his own individual style, so each film director has his own individual method of representation. The editing junction of the pieces in creatively discovered sequence is already a final and completing process whose result is the attainment of a final creation, the finished film. And it is with this process in mind that the director must attend also to the formation of these most elementary of pieces (corresponding to the words in speech), from which later the edited phrases — the incidents and sequences — will be formed. THE NECESSITY TO INTERFERE WITH MOVEMENT The organising work of the director is not limited to editing. Quite a number of film technicians maintain that editing should be the only organising medium of the film. They hold that the pieces can be shot anyhow and anywhere, the images must only be interesting ; afterwards, by simply joining them according to their form and kind, a way will be found to assemble them to a film.34 If any unifying idea be taken as basis of the editing, the material will no doubt be organised to a certain degree. A whole series of shots taken at hazard in Moscow can