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INDEX
Once in a Lifetime, 37 O'Neill, Eugene, 61, 102, 141 Othello, 80, 166
Pabst, G. W., 36
Panning shot, 76
Pavlova, Anna, 40
Peter Ibbetson, 105, 107, 146
Petrified Forest, The, 1, 31, 186;
comparison of stage play and
screen play, 172-74 Phenakistoscope, 17 Photography, resources of, 41 Pictorial element in the film, 40 Pilgrim, The, 122 Pirandello, Luigi, 48, 102 Podrecca, 45 Poetry, modern, and the film, 176
77, 179-81; necessity of, in
theatre, 185-88 Popular appeal of the film, 1-30,
49, 54-55 Prisoner of Share's Island, The, 188 Private Life of Henry the Eighth,
The, 21 Private Lives, 157-58 Professional actors, in the film, 46,
57-58, 172-73 Progress, 143 Prosody, elements of, applied to
film, 114-16 Psychological distance, theory of,
189-90 Pudovkin, V. I., 14, 42, 46, 47, 50,
51, 116, 120, 171-72 Puppets, in the film, 45 "Pure cinema," 9-1 1, 49, 54-55
Queen Christina, 21 Queen Mab, 27 Quo vadis, 19
Races, 142
Rain from Heaven, 186 Realism, in the theatre, 182-87 Reality, impression of, in film, 164
89 Reinhardt, Max, 87, 94, 178 Rhythm, in the film, 1 12-19 Rice, Elmer, 102 Richardson, Samuel, 30 Romance Sentimentale, 59, 60, in
Romeo and Juliet, 31, 166, 170 Rotha, Paul, 77, 88, 120, 121 Roue, La, 49
Savo, Jimmie, 168
Scarlet Empress, The, 28
Scenery, in the theatre, 68, 73, 167, 188; in the film, 68, 73, 168, 188
Scenes a faire, in play and film, 156
School for Scandal, The, 172
Scott, Sir Walter, 175
Scoundrel, The, 28, 52, 75, 128, 141
Screen-play, in contrast to stage play, 129-30, 135-36, 149-60; in contrast to novel, 160-61
Screen -play, writers of, 162-63
Scrooge, 64
Sequences, in a film, 43
Sequoia, 59
Shakespeare, William, 4, 7, 8, 10, 15, 16, 22, 32, 61, 80, 81, 82, 97, 101, 108, in, 163, 166, 172, 185; his plays in screen version, 178-81
Shakespearian imagery, 108-10, 179-81
Shaw, George Bernard, 34, 61, 164
65
Shelley, Percy Bysshe, 27, 55, 115,
116, 118 She Loves Me Not, 181 Sheridan, R. B., 172, 175 Sherwood, Robert, 173, 186 Shots, in a film, 41-43; panning, 76; travelling, 76; rhythmic use of, 112-19 Sidney, Sir Philip, 4-6, 8, 9, 10, 15 Silver Tassie, The, 31 Singing Fool, The, 20, 122 Sleeping Clergyman, The, 81 Slow motion effects, 78-79, 92 Soliloquy, Shakespearian, in film
treatment, 178 Sophocles, 10
So Red the Rose, 142, 148, 170 Sound, film, introduction of, 2021, 122-60; effects secured by, in film, 161-62; film, and silent film, 64, 120; control over, 95, 130-40; opposition to use of,