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FILM & TV TECHNICIAN SUPPLEMENT
January 1951
BEYOND MOMBASA
i ( in o) Production: 1956.
Studio: M.G.M. Studios.
Laboratory : Technicolor.
Producing Company: Hemisphere
Films Ltd.
Producer: Adrian D. Worker.
Stars: Cornel Wilde, Donna Reed, Leo Genn, Ron Randell.
Director George Marshall. (Location Retakes Ken Hughes).
Scenarists: George Levitt and Richard English.
Camera Department: Lighting Cameraman. Freddie Young; Camera Opeiator. John Harris; 1st Camera Assistant (Focus), Peter Allwork; Other Camera Assistants, W. Byatt, G. Elliott R. Gibbings; Second Camera Operator, H. Smith; Second Camera Lighting, Eric Cross.
Sound Department: Recordist (Mixer), Charles Knott; Sound Camera Operator, John Clennell; Boom Operator, P. Lacy; Other Assistant. W. Howell (Maintenance); Dubbing Crew, J. B. Smith, P. T. Jones, .1. Brammell, W. Carr.
Art Department: Art Director. Elliot Scott; Assistant Art Director, Scott McGregor; Draughtsmen, R. Bream, V Gray, W. H. Wolveridge; Set Dresser, P. James.
Editina Department: Supervising
Editor, Ernie Walter; Assembly Cutter, Ted Jeffries; 1st Assistant. Maureen Lvndon-Haynes; Other \ sistant, E. Sibley; Dubbing Editors, Roy Baker, P. Culverwell.
Production Department: Production Manager and/or Unit Production Manager, John Workman; 1st Assistant Director. Basil Keyes; 2nd Assistant Director, D. Twiddey: 3rd Assistant Director, D. Hall; Continuity. Angela Allen; Production Secretary, Jean Clarkson; Casting I'M., ior. Paul Sheridan.
Stills Department: Still Cameraman, Arthur Evans.
Spa nil Processes: E. Taylor (Models).
Publicity Department Publicity
Director, Leonard Samson.
Special Effects: i/c T. Howard; T. Lane, G. Oman (Back Projection i.
A HILL IN KOREA
year o) Production: 1955/56.
Studio: Shepperton.
Laboratory ; Humphries.
Producing Company: Wessex (Finan rial Set-up: Ian Dalrvmple Advisors Ltd. I.
Producer: Anthony Squire with Ian I >alrymple.
Stars George Baker, Stanley Baker, Harrj Andrews. Michael Medwin.
Direi tor: Julian Aymes.
Scenarists: Ian Dalrymple, Anthony Squire, Ronald Spi m ei
i amera l>< part mi nt : Lighting Camera man. Freddie Francis; Camera Operator, Arthur Ibbetson; 1st Camera Assistant (Focus). Derek Browne; other Camera Assistant i Lonald Anscombe.
Sound Department: Recordist (Mixer), A. G. Ambler: Sound Camei .. 0] i"i I »ei i k Tate ; Boom ( >perator, P Dukelow; Other Assistant. E. Vincent; Dubbing Crew, Red Law, Bob
Jones. 1/' Department: Art Director, Cedrii Dav \: ■ i. tant Art Director. W.
Hill. Inn ..ii Draught men. F Wilson.
A. M Woolai d . I >ress i Desij Win dr. .i.e. John McCorry.
irtment: Editor.
Hunt; Assembly Cutter. M. I' rl
1st Assistant. John Poyner; Othei Assistant. Eric Brown (Dubbing),
Production Department: Production Manager and/or Unit Production Manager. W. Kirby; 1st Assistant Din. i.. i, Ronald Spencer; 2nd Assistant Director, David Bracknell; :iid Assistant Director, Peter Parsons; Continuity, June Randall; Production Secretary, Ella Wylie.
stills Department : Still Cameraman, Norman Hargood.
Special Processes: Si < nic Artist, Basil Mannin; Model Shots, Wally Veevers.
Publicity Department: Publicity Director, Joy Raymond.
LOSER TAKES ALL
\<ur of Production: 1955-56.
SI ml n>: British Lion, Shepperton.
Laboratory : Humphi ies.
Producing Company: I.F.P. Limited.
Producer. John Stafford.
Sims: Rossano Brazzi, Glynis Johns, Robert Morley and Tony Britton.
Director: Ken Annakin.
Sci am ist : G. Green.
Camera Department: Lighting Cameraman, Georges Perinal; Camera Operator, Alan Hume; 1st Camera Assistant (Focus), Godfrey Godar; Other Camera Assistants, Denis Lewiston. John Shinerock.
Smtiiil Department: Recordist (Mixer). Bert Ross; Sound Camera Operator. W. E. Webb; Boom Operator, Ken Ritchie; Dubbing Crew, Red Law, Paddy Cunningham; Sound Maintenance; Norman Bolland.
Art Department: Art Director, John Howell ; Assistant Art Director, Peter Murton; Draughtsman, R. Breem ; Dress Designer, Len Townsend.
Editing Department: Supervising Editor, Jean Barker; 1st Assistant. Marcel Durham; Other Assistant. Martin Crump; Dubbing Editor, Vernon Messenger.
Production Depart mi nt : Production Manager, Jack Martin; 1st Assistant Director, Dennis Bertera; 2nd Assistant Director. John Merriman: 3rd Assistant Director, John Kerrison; Continuity, Yvonne Axworthy; Production Secretary, Sheila O'bonnel.
stills Department: Still Cameraman. Raj Hearne.
Special Processes: Matte Shots — Wally Veevei s.
Publicity Department: Publicity Director, Victor Betts.
/ ... nt ion ; Monte Carlo.
Eastman Colour CinemaScope
+.
ONE WISH TOO MANY
1 < i/i <ii Production : 1956.
studio Rotherhithe.
/ nt, m atory . Ka ■■
Producing Company Realist Film Unit
Ltd. Prodn, i i Ba il Wright. stars: Gladys Young, Sam Ci
Director: John Durst.
S< . nin is/ .John Eldridge.
Camera Department Lighting Cam. man, Adi i.in .leakms ; Camera Opt r; tor, Bill i rxlej . 1st Cam. ra Assistant (Focus), Stanlej Fairhall; Other
Camera Assistant. Charles Hasler. Junior. Sound Department Recordi I (Mixer),
'Li i \ Cot tel , Sound Camera ( (p
tor, Ken i ioddard Boom < >perator, Peri \ Britten; Dubbing Crew, Ken i 'am. i ..ii and Anvil Films Cr< w. Art I >i !"ii ■ mi nt Art 1 )ii ei tor, Bei nai d i ..ii
Di pal tmi nt Editor. Jatnes Clark i t Assistant, Deveril Goodnian Othei Assistant, Ernest Xerrl.
Production Depart mi nt : Production Manager and/or Unit Production Mana-.i i'h\, Ki . . .1 man lsi Assistant Director, Gordon Murray ; 2nd Assistant Director, Betty Crowe; 3rd Assistant Director, George Wilkinson; Continuity. Gladys Reeve; Production Secretary, Anne Krish.
Spinal 1jio,issis Howie and Margutli (Travelling Matte).
HOME AND AWAY
i i ar of Production . 1956.
studio: British National.
Laboratory: Denham.
Producing Company: J. G. & R. B. Wainwright Limited.
Producer: George Maynard.
Stars: Jack Warner, Kathleen
Harrison.
Director: Vernon Sewell.
Scenarist: R. F. Delderrield.
Camera Department: Lighting Cameraman, Basil Ennnott: Camera Operator, Gerry Turpin; 1st Camera Assis tant (Focus). Brian West : Other Camera Assistant. Eric Robinson.
Sound Department: Recordist (Mixer), Bill Bulkley: Sound Camera Operator, Peter Matthews; Boom Operator. Dave Drinkwater; Dubbing Ci • ■•■.
F. Turtle, I-!. Coldwell
Art Department: Art Director. Duncan Sutherland; Assistant Art Director, Harry White.
Editing Department : Editor. P. R. Johnson: 1st Assistant, Olive Magill.
Production Department: Prodm I ion Manager and/or Unit Production Manager. "Freddie" Pearson; 1st Assistant Director, Denis John 2nd Assistant Director, Eric Rattray; Continuity, Betty Forster; Production Secretary, Ann Stansbor.
Stills Department: Still Cameraman. Laurie Ridley.
Publicity Di part mi nt . Publicity Direi tor. A. Hibbert Jones.
CIRCUS FRIENDS
Year O) Production : 1956.
studio: Bushey Studios.
Laboratory: Rank Laboratoi
Producing Company: Femina Films
Ltd. Sci narist : Peter Rol Director: Gerald Si i >i,n ists : Peter Rogei S.
Camera Department Lighting Cameraman, Otto Heller ; Camera Op.i Gus Drisse; 1st Camera Assistant (Focus), 1>. nil Fox; Second Camera Operator. Ian St rut hers.
Sound in /nn I .... iii Recordist (Mixer), Frank Flvnn: Sound Camera Operator, Rill Kobson: Hoom Opeiator. Barry Copland: Dubbing Crew, R. Jones. P. Cunningli .
Art 1 1< p " ( "" nt \i t I 'ire. i or, Ceorge Provis.
Kditina Department Editor. Peter Boita: 1st Assistant. Michael Round.
production Depart nn nt Produi
Manager and or Unit Production
Manager, Al Marcus; 1st Assistant
Directoi Basil Keys; 2nd Assistant Director, John Meadows Continuity, jinn Randall; Production Secretary.
Trixie Wilkin.
stills Department: still Cameraman, i .te Ridlej .
PACIFIC DESTINY
In I he . i i dits l..i this film, pul li in October 1966. Robert Winter's
should ha\ . i "u. ,
Rdi'