Film and TV Technician (1957)

FILJVl & TV TECHNICIAN SUPPLEMENT May 1957 odom.o The sound crew responsible for all Post /Synch (with the exception of one character) and all music sessions in Odongo (see March Supplement) were Maurice Askew (Mixer), Bill Germain (Assistant Mixer and Boom), Edward Li. Nakhimoff (Sound Camera Opera 01 George Lewis (Maintenanci l TIGER IN THE SMOKE Year of Production 11)50. Studio: Pinewood. Laboratory. Rank Laboratories (Denham) Limited. Producing Company: Rank Organisation Film Productions Ltd. Producer: Leslie Parkyn. Production Controller: Arthur Alrott. Stars: Muriel Pavlow. Donald Sindcn, Tony Wright. Director: Roy Baker. Scenarist: Anthony Pelis ii 1 Camera Department: Lighting Camera man, Geoff Unsworth; Camera Op' re tor, .la k Atcheler; 1st Camera A tant (Focus). John Alcott; Other Camera Assistant. Jack Ri son; Second Camera Operator, Robin Vidgeon. Sound Department: Recordist (Mixer), Geoff Daniels; Sound Camera Opera tor, D. Barnett; Boom Operators. Pat Wheeler. R. Charman : Dubbing Crew, Gordon K. McCallum. V Daniels, C. Le Messurier; Music, T I Drake. Art Department: Art Director, Jack Maxsted; Assistant Art Director (Set), Len Townsend; Draughtsmen, H. Pottle (Chief), Tony Rimmington. Peter Lamont, Bob Eadie; Dre Designer, Joan Ellacott. Editing Department: Editor, John Guthridge; Assembly Cutter, Jim Kelly; Other Assistant, Maureen Howard; Dubbing Editor, Roger Cherrill; Dubbing Assistants, Stan Fiferman, Peter Pennell. Production Department: Production Manager, Fred Swan ; 1st Assistant Director, Peter Manley; 2nd Assistant Director, Tat Clayton; 3rd Assistant Director, Ron Jackson: Continuity, Penny Daniels; Production Secretary, Pauline Davies. Stills Department: Still Camerama 1, Charles Trigg. Special Processes: W. Warrington Bert Marshall, C. Culley, Syd Pearson. Unit Publicist: Bob Herrington. MORNING CALL Year of Production: 1957. Studio: Walton. Laboratory Kays Producing Company: Winwell Prod 11 tions Ltd. Producers: Bill Luckwell, D. E. A. Winn. Stars: Ron Randell, Greta Gynt. Director: Arthur Crabtree. Screenplay: Bill Luckwell, Len Town, end Camera Department: Lighting Cami man, James Harvey: Camera Opera tor, Desmond Davis: 1st Camera Assistant 1 Focus). Manny Vosoa : other Camera Assistant, Petei Ma Donald. Sound Department Recordist (Mixer) Bernie Brown; Sound Camera Opera lor. Aubrey Lewis; Boom Operator, Kevin Sutton; Sound Maintenance Charles Earl. Art Department: Art Director, John Stoll. l-'il'tuni Department: Editor John Ferris; 1st Assistant. Lollette Currie. Production Department: Production Manager and/or Unit Production Manager, Clive Midwinter; 1st Assis tant Director. Stanlej Goulder; 2nd A istant Direct or, T< m Wallis; Continuity, Peggy Anderson; Produ ti Seci 1 I an Attrill. stills Departm nt Still Cameraman, Cyril Stanborough. FORTUNE IS A WOMAN Y< 'if of Production: 1956 7. Studio: Shepperton Studios. / , nh in atoi a 11 umphries. I'i mlii, mo Company: John Harvel Product ions Ltd. Producers: Frank Launder and Sidnev Gilli.it Associate Producer: Leslie Gilliat Stars: Jack Hawkins, Arlene ' ahl Dennis Price, Ian Hunter, Bernard Miles. Director: Sidney Gilliat. Scenarists: Sidney Gilliat. Frank Launder and Val Valentin. Camera Department: Lighting Camera man, Gerald Gibbs; Camera Operator, Alan Hume; 1st Camera Assistant (Focus), Godfrey Godar; Other Camera Assistant, Ian Muir. Sound Department: Recordist (Mixer), John Aldred ; Sound Camera Operator, Desmond Edwards; Boom Operator. Charles Wheeler; Other Assistant (Maintenance), Georgi Widdows; Dubbing Crew. Red Law. Paddy Cunningham. Art Department: Art Director, Wilfrid Shingleton; Assistant Art Director. Frank Wilson; Draughtsmen. Martin Atkinson and Mrs. James Levis: Set Dresser. Kenneth Bridgeman : Dress Designer, Anthony Mendleson. Editing Depart mint: Editor, Geoffrey Foot; 1st Assistant. Michael Hart; Other A sistants, Marcel Durham, Alan Corder. Charles Morgan : Dubbing Editor. Chris Greenham. Production Department: Production Manager and/or Unit Production Manager, Roy Parkinson: 1st Assistant Director. Douglas Hermes; 2nd Assistant Director, Peter Price; 3rd Assistant Director, Roy Baird; Continuity, Phyllis Crocker; Production Secretary, Cynthia Maugham. Stills Department: Still Cameraman, John Jay. Special Processes: Wally Veevers, George Samuels. Publicity Department Publicity Director, Robin Grocott. ASSIGNMENT REDHEAD )', ar of Production : 195G. Studio Nettlefold Studios, Walton-on Thames. Laboratory: Kays Laboratories. Producing Company: Butcher' Film Productions Ltd. Producer: W. G. Chalmers. Stars: Richard Denning. Carole Mathews. liin ,-lir Marl' ari I 'oners. Icenarist: Maclean Rogers. Camera Department : Lighting Camel : man. Ernie Palmer: Camera Opera tor. Nobby Smith; 1st Camera Assistant (Focus), Eric Williams Sound Department: Recordist (Mixer), S. Squires; Sound Camera OperatOl A. Lewis; Boom Operator, Robin Clegg1 Dubbing Crew, : I C * Ham mersmith; Maintenance, F. Tomlin Art !>• partmt n< \r\ Director, John Stoll. Editing Department: Supervising Editor. Peter Mayhew; Assistant Editor. Ernie Hosier. Production Department Production Manager and/or Unit Production Manager, Clive Midwinter; 1st Assistant Director. Don Wcrks: 2nd Assis tant Dire, tor. Stanley Goulder; Continuity. Yvonne Richards: Production Secretary, Cynthia Maugham. stills Department: Still Cameraman Rickie Smith. THE KEY MAN Y, in ni Production 1957 Melton ' Laboratory : Denham. Producing Company Anglo-Guild Pro ductions. Producei Ui C Snowden. Associati I1,,, ii,, 1 1 j. O'Connolly. stars. Lee Patterson, Hy Hazell, Colin Gordon, Philip Li Director: Montgomery Tully. Si 1 narisi . J. Mai lai en Ro Camera Department: Lighting Cameraman, Philip Grindrod; Camera Operator. Bernard Lewis: 1st Cat Assistant (Focus), Peter J, Other Camera Assistants, I. M. Millan. Sound Department Recordist (Mi Keith Barber: Sound Camei, < tor, Arthur Vincent; Boom Operator, Tom Otter: Boom Assistant, Keith Pamplin; Dubbing Crew. Re Abbott. Art Department: Art Director, Wilfred Arnold: Assistant Art Director, William Holmes. Editing Department: Editor. E) Hilton; Dubbing Editor. Derek Holding. Production Department: Produ Manager, William Shore; 1st Assistant Director, Derek Whitehurst; 2nd Assistant Director, Charles Mansbridge; 3rd Assistant Director, John Kane Archer, stills Department: Still Cameraman, Frank Otlev. SEVEN WAVES AWAY Year of Production 1956. S'lulio: Shepperton Studios, Middx. Laboratory: Denham Laboratories. Producing Company: Copa Productions Limited. Executive Producer: T. H. Richmond. Producer: John R. Sloan. Stars: Tyrone Power. Mai Zetterling, Lloyd Nolan. Directors: Richard Sale: 2nd Unit. D. Eady. Scenarist: Richard Sale. Camera Department Lighting Cameraman, Wilkie Cooper Cat a 1 1 tor, Ronnie Taylor; 1st Camera Assistant 1 Focus), Michai 1 Wil oi 1 1 Unit, M. Hyams); Other Camera Assistants, R. Etherington. J. Salisbury, David Griffiths; Second Unit Camera Operator, G. W. Kelly. Sound Department Recordist (Mixet W. S. Salter; Sound Camera Operator. H. Tate; Boom Operators, C Wheeler and C. Hitchcock: Other Assistant ("Maintenance), George Widdows: Dubbing Crew. Red Law, P. Cunningham Art Department: Production Designer. Wilfrid Shingleton: Art Director, Ray Simm; Assistant Art Dire< Frank Willson Editing Department: Editor. Raymond Poulton ; Assembly Cutter, Valerie Leslie: 1st Assistant. Peter Kei 1 Other Assistant. Karen He ward: Dubbing Editor. Winston 1; Assistant Dubbing Editor. P. Musgrave. Production Department: "rode Manager and /or Unit Production Manager. R. L. M. Davidson: 1st Assistant Directors, Basil Keys <-nd Unit. P. Crowhurst): 2nd Assistant Dire, tors. Albert Pearl, then E. W. Hill and David Bracknell ; 3rd Assistant Directors. E3. W. Hill, then .1 S Angus; Location Manager. Martin Schute; Continuity. Betty Forster: Production Secretary, Inez Eiston Stills Department: Still Cameramen. Eric Gray C.'nd Unit A. Evansi. Special Processes: Wally Veevers. Publicity Department: Publicity Director. Catherine O'Brien. Scenic Artists Gilbert Wood. J. Macky. T. Samuels. Rasil Manning