A grammar of the film : an analysis of film technique (1950)

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Film Technique : 2. Synthesis tionary members of the mining colony behind a show of kind consideration. The effect of this sequence was not at all what the communist director can have intended. It is part of the ideology of most educated persons that the Soviet prison system is one of the most advanced in the world, and that visitors who are shown it in action are greatly impressed by its excellence. Room, however, by so clearly demonstrating how good communists may be persecuted under the specious plea of humanity, has also demonstrated how, under the same specious plea, the same fate may befall their brethren in Russia, if their labours for the common cause are a trifle too zealous or not quite zealous enough. 14. Having thus surveyed the several types of montage, we can proceed to an example in which all take part simultaneously. We shall select a film for emendation which has been widely and recently seen, so that the task of visualization required of the reader is made as easy as possible. The Emperor Jones , taken from Eugene O’Neill’s play of the same name, described the upward path to success and subsequent downfall of an American negro. Ruthlessly pushing aside the people who had helped him, as soon as they had served his turn, he rose from the position of pull man porter to become emperor of a small island, where he was able to give rein to his 234