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The history of three-color photography (1925)

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438 History of Three-Color Photography Phot. Woch. 1890, 36, 345, 356; Phot. Archiv. 1890, 31, 321; Fabre, "Traite Encycl." Supp. A. 286. Cf. O. N. Witt, Jahrbuch, 1891, 5, 529. 9. D.R.P. 82,239, 1894; Silbermann, 1, 217; F.P. 239,022, 1894; Jahrbuch, 1896, 10, 260; Handbuch, 1899, 4, IV, 565; Phot. Korr. 1895, 32, 284; Brit. J. Phot. 1895, 43, 428; Phot. Annual, 1896, 166; Phot. Mitt. 1895, 32, 215. 10. D.R.P. 111,416, 1899; Mon. Sci. 1901, 57, 101; Silbermann, 1, 218; Bull. Soc. franc. Phot. 1901, 48, 370; Chem. Centr. 1901, 71, II, 605; Jahr. Chem. 1900, 1,554; F.P. 296,569; La Phot. 1900, 166; Plon's Annuaire Phot. 1893, 127. M. Leroy exhibited some prints at the Congress of photographic Societies, Lille, 1896; Bull. Congres Phot. 1896, Feb. 7. 11. F.P. 457,446, 1913; addit. 18,376; abst. C.A. 1914, 8, 2,658; Jahrbuch, 1915, 29, 170; Brit. J. Phot. 1914, 61, Col. Phot. Supp. 8, 7; 1917, 64, ibid. 11, 4. 12. Rev. Gen. Sci. 1895, 6, 1034; "Resume d. Travaux," 1906, 51; Bull. Soc. franc. Phot. 1896, 43, 195; Rev. Phot. 1895, 7, 168; Fabre, "Traite Encycl." 1897, Supp. B, 397; Phot. Mitt. 1897, 33, 60. F. J. Farrell and E. Bentz, E.P. 17,735, 1899; Brit. J. Phot. 1900, 47, 684; Photogram, 1900, 7, 323, patented the use of diazotized silk and development after exposure with various agents for obtaining colored prints; Rev. d. Matieres colorantes, 1906, 117. H. Damianovich and H. Guglialmetti, Rev. gen. d Matieres colorantes, 1909, 163 proposed to apply the above process to albumen. Cf. Baudisch, ibid. 1912, 43; Chem. Ztg. 1911, used a salt of ammonia and a-nitrosonaphthylamin on wool or silk and obtained a red image on exposure. 13. U.S.P. 1,444,469, 1923; D.R.P. 302,786; 371,385; 376,385; 386,433; 383,510; 386,434; Can.P. 247,155 granted to Kalle & Co. In D.R.P. 379,998; abst. J. S. C I. 1923, 42, 1,248A, alkali was added to the diazo-anhydrides ; D.R.P. 381,551 is for exposing the print to diffused light; cf. D.R.P. 383,510; Phot. Ind. 1924, 196; F.P. 558,465; abst. Sci. Ind. Phot. 1924, 4, 27, 155, 187; E.P. 210,862; J. S. C. I. 1924, 43, B356. Cf. K. H. Broum, Phot. Korr, 1924, 60, 10. 14. Oesterr. Chem. Ztg. 1904; Phot. Mitt. 1904, 40, 321; Jahrbuch, 1905, 19, 342; 1906, 20, 591 ; 1907, 27, 591 ; E. Konig, "Photochemie," 1906, 59; "NaturalColor Photography," Konig and Wall, 1906, 68; E.P. 4,994, 1904; Brit. J. Phot. 1904, 51, 886,908; 1905, 52, 73; Brit. J. Almanac, 1906, 865; D.R.P. 160,772, 1904; Silbermann, 2, 375; D.R.P. 171,671 ; 175,459; F.P. 349,060; Phot. Times, 1905, 37,65; Phot. Chron. 1904, 11, 591; Phot. Korr. 1904, 41, 521; Photo-Gaz. 1904, 15, 13; Phot. Kunst. 1904, 3, 108; Photo-Era, 1905, 14, 46; Rev. Sci. 1906. Cf. O. Gros, F.P. 310,084, 1901. A. Ruff and V. Stein, Ber. 1901, 1,668; La Phot. Franc. 1903. 15. F.P. 524,143, 1919; abst. Sci. Tech. Ind. Phot. 1922, 2, 12; Brit. J. Phot. 1922, 69, 16; Amer. Phot. 1922, 16, 463; Chim. Ind. 1922, 7, 1,170. Cf. F. J. Farrell, Brit. J. Phot. 1906, 53, 167. E. J. Wall, ibid. 1922, 69, 146. 16. D.R.P. 400,350, 1923; Phot. Ind. 1924, 896; Amer. Phot. 1925, 19, 229. 17. Full information as to the working of the gum dichromate process will be found in the following treatises : F. Behrens, "Der Gummidruck," Berlin, 1898, 2nd edit. 1903; 3rd edit. 1912. F. Bollmann, "Das photographische Kohlebild," Berlin, 1863. J. Gaedicke, "Der Gummidruck," Berlin, 1898; 2nd edit. 1903. T. Hofmeister, "Der Gummidruck," Halle, 1898; 2nd edit. 1907. H. C. Kosel, "Der Gummidruck," Vienna, 1900; "Die Technik des Kombinations-Gummidruck u. d. Drei-farben-Gummidrucks," Vienna, 1906. W. Kosters, "Der Gummidruck," Halle, 1904. A. Maskell and R. Demachy, "Le Procede a la Gomme-Bichromatee ou PhotoAquatinte," Paris, 1898; 2nd edit. 1905. Also English translation, "PhotoAquatint or the Gum-bichromate Process," London, 1897. J. C. Richards, "Practical Gum-bichromate," London, 1905. Rouille-Ladeveze, "Sepia-photo et Sanguinephoto," Paris, 1894. L. Rouyer, "La Gomme bichromatee," Paris, 1904. H. Silberer, "Anleitung z. Gummidruck," Vienna, 1903. W. J. Warren, "Handbook to the Gum-bichromate Process," London, 1898. H. Emery, "Le Procede a la Gomme bichromatee," Paris, 1900. C. Puyo, "La Procede a la Gomme bichromatee," Paris, 1904. H. Renger-Patzsch, "Der Eiweiss-Gummidruck," Dresden, 1904. R. Demachy and C. Puyo, "Les procedes d'Art en Photographie," Paris, 1906. H. Wilmer, Phot. News, 1897, 41, 808; Phot. Rund. 1898, 10, 55 proposed the name "Photo-mezzotint" for this process. 18. Wien Phot. Blatt, 1897, 33; Jahrbuch, 1898, 12, 457; Handbuch, 1917, 4, 248. Cf. R. Rapp. Wien. Phot. Blatt, 1898. Noack, Phot. Korr. 1898, 35, 633. According to a note in Phot. Korr. 1899, 36, 144, L. Schrank first suggested the use of the gum-bichromate process. Cf. E. Wallon, Photo-Gaz. 1899; Photogram, 1899, 6, 170.