Hollywood Studio Magazine (November 1968)

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Old Dutch Cleanser looked like this. OPPS! The Jameson’s clown with a prop rock Ready to lead a Girl Scout Troop to fun and at a photo day in Venice. frolic, Doreen Jameson salutes the troop. can hop into a series of wardrobe changes that would astound Hollywood Costume Company. Once, at Universal City Studios, they posed in a pouring rain. At another spot they were lashed with flying sand and high winds as Valentino and company braved near hurricane .gales rather than disappoint a crowd of expectant camera hounds. They travel as far afield as Movieland Cars of the Stars in Oxnard, California, or as far south as the Palm Springs Aerial Tramway. In between they spend almost every weekend bouncing from park to park dashing from sunshine to shadow, with every costume change they own. Week nights they are likely to be at the Los Angeles Photo Center posing in the modern studio supported by Parks and Recreation funds. If there is any time left over, it is devoted to earning a living, keeping house or attending school. At Movieland Cars of the Stars, a repository of over $1,000,000 worth of antique and classic automobiles, the Jameson’s had one of the most interesting assignments of their career. Doreen posed next to A1 Capone’s 1929 Lincoln Phaeton, and the kids modeled next to the Tijuana Taxi used by Herb Alpert. Even Dad got into the act by donning a striped blazer and bowler hat and playing the part of Capone. Next, Anthony, Jr. and Christine dressed as “Bonnie and Clyde” next to a 1930 Cadillac V-16 roadster. The Movie¬ land Cars of the Stars museum was one of the most rewarding assignments since it led to a part in a film for Doreen. It is one of the highlights of their frantic career as a model family. At the click of a shutter, the automatic reflex the Jameson clan has developed is to reach for a costume and start mugging for the lens. “Bonnie and Clyde" are represented by Anthony and Christine Jameson next to a car from the Movieland Cars of the Stars exhibit at Oxnard. That after all is what make’s them “click” in camera circles. “Ma Barker” ( Doreen Jameson) draws a bead next to a 1930 V-16 Cadillac. Page 5