Hollywood Studio Magazine (September 1970)

COME TO CROSSROADS SEPT. 10th CHEVROLET AND DRIVE THE LITTLE CAR THAT BEGS TO BE DRIVEN. You've probably heard a lot oy engine, front disc brakes and front about the Vega by now. bucket seats. Well, we want you to forget it all. Forget all that and just take Vega Forget that the Vega comes in for a test-drive. That, all by itself, four models: coupe, sedan, wagon will convince you. and panel truck. Forget that it gets Vega's tight, maneuverable. It's around 25 miles to the gallon. Forget downright fun. that even the standard sedan See for yourself, comes with a 90-horsepower Today, overhead-cam aluminum al- CROSSROADS 5340 LANKERSHIM BLVD. North Hollywood Telephone 985-1500 CUSTOM POOLS AT REALISTIC PRICES FINEST EQUIPMENT AND CRAFTSMEN used to best serve the discriminating public. SALEM POOL OFFICES: If you would like to do business with the Company that gives you more... we invite you to call. 22533 VENTURA BLVD Woodland Hills 346-7727 13725 FOOTHILL BLVD. Sylmar 259-9395 741 THOUSAND OAKS Thousand Oaks 495-5012 call Registry,” etc. The pages at NBC were remote, aloof, highly efficient, taking the hurry and bus¬ tle and conversational hubbub in stride. We, on the other hand, were unfailingly polite to these fledgling executives. There was always the frightening possibility that one of these braided and uniformed first-rungers might someday own the place. As a matter of fact, some of them did achieve much power as staff directors and one of them grew up to be Gregory Peck. You never could tell. Occasionally, a glittering actor bounded up the stairs on his way to another studio, hastily waving greetings. This was most likely a member of the elite, the magic circle, one of the 50 lucky performers who worked from morning to midnight, moving among us like gods. I say "most likely” because, sometimes, he was just an actor playing his own role. A group of us were gassing one day about the gambits used by some of the less fortunate members of the profession, to impress directors who, in those agentless days, were the key to "one-shots". One of the more popular ways to get to these valuable contacts was to park an overcoat on the second floor and stride purposefully up the main stairs, only to come back down via one of the back stairways down the hall, thus giving the impression of being busy, busy, busy, and in demand. Another, was to carry a script or two, always, no matter how old. Another favorite ploy was to phone from a second floor phone, and have yourself paged by the majordomo on the floor above. One aspirant mentioned hanging around the lobby, waiting to get into the same elevator a director boarded. . And then there was the Kaufman- Bedrick lunchroom, where, if you were lucky, you could grab the stool adjacent to a director bolting a quick lunch. * There were "Listen to me on the (blank) show" penny-postcards, and the Jerry Macy blotters (of which more anon) and other devices. Sitting there, killing time, we gravely discussed the relative effectiveness of each noble try. At one point, Maurice Tarplin, who played the Inspector on Boston Blackie, and the ubiquitous voice of Churchill, deadpanned: "Yeah, sure. Those are all good. I'll tell you, though, It doesn't hurt to be seen coming out of that pay toilet in the men's room on the third floor." The third floor. I remember it fondly. Special Section -6