Hollywood Studio Magazine (January 1972)

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Need real estate? Well stake it out for you. Office building or acreage. Retail stores or apartment units. Industrial facilities. Homes. Whatever you need or want, we can help. Because nobody knows more about Valley real estate than we do. And nobody offers a broader range of real estate services than we do. Brokerage. Investment man¬ agement. Financing. Appraisals. Insurance. We offer them all. And we can provide the most up-to-date investment service. We work with computers to analyze properties and forecast returns for your own income tax bracket. Call us. 788-9850 Coldwell, Banker Take it from the top News notes on the Hollywood scene by Zelda Cini For auld lang syne Happy New Year, and may this one be an improvement over the one just passed, please. Like everything else, showbiz now and showbiz then is simply a matter of adjusting yourself to “win a few, lose a few,” or, “somebody’s loss is another’s gain.” Console yourself with those little beauties. If you have reason to believe the film industry is unstable, look at network TV and be grateful. Even before the year was over, the networks were crying a lot at the numbers and indulging in midseason shuffling and subtraction. “Funny Face,” rated 7th nationally with a 31% audience, shot 13 episodes ahead of airing its last show December 10. Meanwhile, Sandy Duncan, Funny Face herself, went into UCLA’s Medical Center to have a tumor removed from her left eye and, while still recovering, was looking around for a film to do. Her show will probably return in the fall, however, according to an unprecedented announcement from the network. Mary Tyler Moore moved into Sandy’s time slot on Saturdays. All in the Family stays where it is and Arnie shifted to Mary T. Moore’s old spot. If you couldn’t bear Bearcats and Chicago Teddy Bears, you don’t have to watch them. They’re gone. Instead, Sunny & Cher are slated for Mondays; Don Rickies has a new situation comedy, and if you dig animals, the now-dead bear shows have been replaced by Me and the Chimp, starring Ted Bessell. That’s not the whole story at CBS, by any manner of means, but you really should remember that there’s bound to be dial-confusion on ABC and NBC as well. At ABC, the axe fell on Henry Fonda’s Smith Family, Shirley MacLaine’s show, Tony Quinn’s Man and the City, and Bobby Sherman’s Getting Together. Even Nanny and the Professor were forced to look for work elsewhere. Consult your local TV guide for time-changes on ABC’s Bewitched, Courtship of Eddie’s Father and Tony Curtis and Roger Moore as the Persuaders. There are a few new ones coming up (Jan. 10 is the changeover date) - a show called The Sixth Sense, dealing with extrasensory perception, a series out of a Movie of the Weekend entitled “Rachel, Sweet Rachel,” a new ABC Comedy Hour, a sort of Kraft Music Hall Revived, and a Show of the Week designed to take the time football relinquishes when the season is over. NBC drops five series and adds two, along with some 2-hour Tuesday night specials. In 1972 you can look back, if memory serves you at all, at such pseudo-dramatic blockbusters as Sarge, the D.A., Funny Side, The Good Life and The Partners. All dead and gone. On the new-show side, there’s Sanford & Son, a black equivalent of Great Britains Steptoe and Son, brainchild of Bud Yorkin, partner of Norman Lear, whose All in the Family continues to lead the ratings. The other new one is supposed to be a Jack Webb production called Emergency, due to debut Jan. 15 as a two-hour film, and then turn into a series. There you have it. And, there, too, as nearly as we can tell, are only the facts ma’am. *** Movie graveyards A recent story by Joseph Gelmis in the L.A. Times, released exclusively to that venerable publication by Newsday, brushed the dust off an appalling number of star-headed films which were considered “too bad to release” — an estimated $50 million worth. As you may have suspected, some of them have been sold to T.V. Others are probably available to that medium for considerably less than they cost to make. For instance, Ray Milland, Ginger Rogers and Elliott Gould teamed up for a 1963 major called “The Confession,” which never came out of the can. Sammy Davis Jr. and Peter Fonda co-starred in “Man Without Mercy,” which (or who) is lying around someplace. So is “Return to the Land of Oz,” an animated film featuring the voices of Liza Minnelli, Ethel Merman, Milton Berle and Rise