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(Band of Angels), and Charlton Heston (Ten Commandments). Shifting to television, she starred in “The Munsters,” and then came night club appearances in “Little Me” with Donald O’Connor, followed by numerous teevee guest shots. But, her recent Broadway triumph establishes her firmly as a stage star of the first magnitude. Her vibrant voice belts out the unique lament song written into the show especially for her. Thunderous applause indicates just how much the Broadway audiences enjoy Yvonne’s performance. Backstage, the blue-eyed, black-haired beauty smiled, “I’ve been here a year and I’m getting homesick. I close my eyes and I see streams and lakes. I need a vacation.” Leaning back in her chair, Yvonne reminesced, “I studied opera before my movie career came along. Now, I’m getting my chance to sing at last. I’m grateful to Stephen Sondheim for writing such a great song for me to sing.” Yvonne explained, “I’ve enjoyed my movie, teevee and nightclub work, but I don’t think I’ve enjoyed anything quite as much as appearing before a live audience in a Broadway musical. There’s something electric and exciting about it all.” Considering the number of awards “Follies” has won, Yvonne is not alone in enjoying the show. That the audience feels excited about DeCarlo is proven nightly with the enthusiastic applause that greets her as she turns on the voice and entertains as only she can. Another night I went to see the roaring twenties musical that has become the sensation of the seventies - “No, No, Nanette” bringing Ruby Keller’s song and dance style back to Broadway, along with Patsy Kelly’s comedy capers. As the audience waits for the curtain to go up, you sense the excitement. Then, the orchestra strikes up, the curtain rises and the happy musical begins. The moment Miss Keeler steps down the circular staircase the audience applauds. And when she goes into her fast tap dancing, singing sequence, they’re thrilled that Ruby Keeler is back on Broadway. Then, there is the magic moment when Patsy Kelly, the eternal maid of the movies, struts in, and the applause booms out again. The show never sags, and the songs, dances and comedy captivate enchanted packed-houses nightly. The final applause is deafening, and Turn to Page 40